Os Dois Gladiadores

If you are pretty mediocre as a director and they want you to make a film with only very little money, what's the outcome? - "I due gladiatori" is an excellent example of the cheap-produced Italian historical pictures of the early sixties. Relying partly on models such as "Ben-Hur", one could call them monumental, only there was nothing monumental left in 1964.

For instance: when a man is holding a rat that has been hunted by the hungry crowd, the next take shows a juicy meal, and, as the camera zooms, we see it being brought to the emperor at a small party. Nice idea so far, but we can be sure that Mario Caiano would have loved to show a vast orgy in consequence, but there's nothing more to eat than the bit that has just been carried in, and there's just a small number of guests standing around. As more examples, the arena fighting scenes are reduced to taking place at the 20-foot front of the stadium's wall, and what is supposed to be a battle between Romans and - Gauls (did I get that right?) is merely a skirmish of some 30 against 30.

The story, however, is somewhat interesting though not new at all. It is based on the true fact that emperor Commodus (180-192 AD) used to fight as a gladiator himself from time to time. Writers Amendola and Brescia also made use of the fact that Commodus had a twin brother (who died early); here, he survived and grew up unknowingly. - Now that emperor Mark Aurel has died (awkwardly dated into 191), his son Commodus succeeds to the throne and turns out to be a despot (that idea is poorly established). Loyal senator Tarrunio gets on his way to seek the twin brother he once was ordered to kill but saved. This man, Centurio Crassus, follows Tarrunio to Rome (hey, what about the Gallic invasion?) in order to overthrow the tyrant.

A couple of the ideas, especially the setting, are taken from Anthony Mann's "The Fall of the Roman Empire" (1963, with Christopher Plummer as Commodus), while the linking of brothers Commodus and Crassus reminds of Stephen Boyd and Charlton Heston's doomed relationship in "Ben-Hur" (1959) - "closer than brothers", as Boyd says.

Handsome Richard Harrison is a poor replacement for Boyd (in "The Fall..."); but especially the task of writing effective women's rôles into the story remained unaccomplished. (Moira Orfei is a beautiful temptress as ever, though.) Giuliano Gemma and Alvaro de Luna as Harrison's faithful friends add to the hero's nonchalant bravado. Mimmo Palmara is an excellent fighter (as he has often proved in the genre), but as Commodus he is colourless. Peplum's classic heavies Piero Lulli and Alberto Farnese do well as the emperor's sinister advisors Cleander and Leto. Yet, it is not enough to make this cheap flick average at least, in a genre that had lost most of its momentum and magic anyway. Composer Carlo Franchi, too, has contributed better scores before.

Once upon a time there were born two twin boys to Emperor Marcus Aurelius and for reasons of dynasty the birth of twins was kept secret. One of the twins was supposed to be drowned at birth but fate intervenes and the kid is brought up in a good household and enters Rome's legions. He is unaware of his Lineage, until the person, who was meant to drown him but couldn't, tells him the truth. The reason - the brother in charge of Rome is no good.

Two Gladiators stars Richard Harrison, who starred in quite a few peplums, and Mimmo Palmara as Emperor Commodo - they are brothers, one good - Richard Harrison as Lucius Crassus - and Palmara is the bad guy who runs Rome cruelly. He steals the scene, playing his character as an unbalanced and cruel individual. Moira Orfei - Marzia - is his mistress who he treats badly.

The Two Gladiators is a pulpy version of the Fall of the Roman Empire with good production values and the actors seems to be enjoying themselves. It's really entertaining, engaging and it's quite spirited - it has more in common with 1940's swashbucklers than blood-drenched gladiator films. The fight scenes range from well choreographed to clumsy, but liveliness is always apparent. Plus Moira Orfei is a sight for sore eyes - what a beauty.

Anyone else think this was more an hybrid of "The Man in the Iron Mask" meets "The Decline and Fall of the Roman Empire"? Well with the death of Marcus Aurelius, his errant son Commodus (Mimmo Palmara) accedes the throne and launches straight into a reign of gladiatorial games and equally grand state sponsored larceny and brutality. Unbeknown to him, though, there is a twin brother who was secreted away at birth by senator "Tarrunio" (Gianni Solaro) and adopted with the name "Lucius" (Richard Harrison). In Rome, with his Praetorian prefect "Leto" (Alberto Farnese) running amok it seems that only his lover "Marcia" (Moria Orfei) might be able to rein in the new emperor, but when he cruelly gives her to his enforcer it falls to the ageing senator to send for the sibling in the hope that they can remove the tyrant before revolution brings the city to chaos and ruin. There is loads going on here with plenty of gladiatorial bouts, sword fights and action scenes to keep the pace fairly frenetic for most of the last hour of the drama. Twins they are, but there's barely even a passing resemblance between Palmara and Harrison which is a bit of a stretch later in the film, but I don't suppose that really mattered as this gathers an then sustains quite an entertaining swagger.

Set in 161 AD , twins were born to Emperor Marcus and for reasons to avoid future wars , one of them must be killed and to be kept secret . But the kid is saved and brought up in a fine family . While Rome rules the World and emperor Marcus Aurelius battles Barbarians on the Eastern border of the Roman Empire. Later on , the king Marcus Aurelius has recently died, leaving as Máximus Imperator to his son Commodo : Mimo Palmara who governs tyrannically all around the World and in the noisy Rome . There Commodus organizes violent gladiator combats . Then the grown-up twin called Lucius Crassus : Richard Harrison, becomes a notorious Roman General and subsequently to lead a revolt against the evil ruler.

A run-of-the-mill Peplum with thrills, emotion, battles and spectacular Gladiator combats on the arena. Stars the robust and strong Richard in his first Italian role, as he is excellent as a brave gladiator. He was one along with Brad Harris, Kirk Morris, Rock Stevens, Reg Park, Mark Forest emigrated to Italy to seek for fame and fortune as muscle mythological figures, but anybody topped Steve Reeves and Gordon Scott in popularity. Harrison played in Hollywood some minor characters as in Kronos and South Pacific, while shooting a secondary role in Master in the World 1961. Frustated at not being able to secure meatier roles in America, Harrison jumped at the chance when offered this first character as a Gladiator, following other successful Peplum as Seven Spartans by Pedro Lazaga and Two Gladiators by Mario Caiano. As he wound up settling i Italy for the mext two decades. These Roman roles immediately typed him in other Herculean characters and to avoisd penned in too much as a muscle man, he turned into Spaghetti Western protagonists . Playing routine Spaghetti antiheroes as Texas the Red, Gringo, Reverendo Colt. And maybe his greatest contribution to film history not doing For a Fistful of Dollars and recommending Clint Eastwood for the part. Being an Italian production here shows up various regular secondaries , usual in Peplum and Spaghetti Western such as Giuliano Gemma , Mimmo Palmara , Moira Orfei , Alberto Farnese or Farley , Piro Lulli , Mirko Ellis , Nello Pazzafini, Álvaro de Luna , Enzo Fiermonte and Álvaro de Luna .

Atmospheric cinematography by Ludovico Pavoni , though a perfect remastering being really necessary. Filmed in De Paolis, Lacio , Rome . As well as moving and rousing musical score by Carlo Franci. The motion picture was professional but regularly directed by Mario Caiano . He was an Italian director who made successful films of all kinds of genres as Gothic Terror : Nightmare Castle with Barbara Steele , Thrillers and Gialli : a Tutte le Auto della Policía, Eye in the Labyrinth , Westerns : Avenger of California , Brandy, Ringo Face of Revenge , My Name is Shanghai Joe , Bullets don't argue , A train for Durango, and Peplum as Ulisse vs Ercole , Maciste Gladiatori di Sparta, I due Gladiator , among others . Rating 5,5 /10. Regular but passable and acceptable Peplum

Not wishing merely to watch yet another gladiator movie in such quick succession, I was relieved to find that this here revolved around the antics of the third mad man to lead the Roman Empire on a course of self-destruction, Commodus. According to the IMDb, this is also the second of three Peplums to deal with that tyrant out of a total of five movies made; the remaining two, quite obviously, are the acclaimed Samuel Bronston/Anthony Mann epic THE FALL OF THE ROMAN EMPIRE (1964; released two months prior to the film under review) and Ridley Scott's Oscar-winning and Malta-shot GLADIATOR (2000). While the Commodus of the latter two (portrayed by Christopher Plummer and Joaquin Phoenix respectively) had a lean built and were insane or ill-tempered egomaniacs, the one here – essayed as a virile, bloodthirsty athlete by a miscast Mimmo Palmara – falls far short of hitting their marks. Even so, this version of events is clearly the superior one to emanate from Italy; although this type of fare has not been broadcast on Italian TV as regularly as it used to be, some good souls have uploaded several rarities like this one on "You Tube" and, in this case, in a refreshingly good condition to boot!

At first, I thought that the title was referring to nominal leads Richard Harrison and Giuliano Gemma – two Roman legionnaires – being arrested and pitted against one another in the arena at some point; however, since these two actually formed part of a devil-may-care trio, I realized that this was not going to be and, indeed, it is Harrison and Palmara (dressed in exactly the same gladiatorial garb from head to foot) who take on each other for the gratification of the Roman masses, with Commodus eventually landing on the wrong side of the blade. Apart from the three above-mentioned actors, there are a couple more genre regulars in the cast, namely Moira Orfei (as Commodus' neglected wife), Piero Lulli (as his ruthless adviser) and Alberto Farnese (as Lulli's henchman, who also nurses an unrequited love for his empress), not to mention director Caiano – of whose 7 such genre works this was his penultimate effort – and co-writer/2nd unit director Alfonso Brescia. Every self-respecting hero needs to have a virginal damsel-in-distress to save and, eventually, hook up with: that part is here played quite blandly by blonde actress Ivy Holzer (lusted after by Commodus and whose rejection he takes out on Orfei) – a name and a face that did not register with me at first but now I realize I have already caught her in a couple of other Peplums and, in fact, have two more lined up for viewing presently.

As already intimated earlier, the story does end exactly as the one told in the above-mentioned concurrent Hollywood epic with the soldier hero (here Commodus' unsuspecting twin brother!) declining the Senate's offer to become emperor…albeit with a more optimistic outcome as he leaves the reins of Rome in the hands of a trusted senator, while he runs into the arms of his beloved and the comfort zone of his cohorts of legionnaires. Before that, however, we have seen Commodus learning of Harrison's threatening existence, having him arrested and put in the dungeons in the same cell as Holzer (incarcerated by a jealous Orfei), escaping and leading a revolt with the help of the rather irritatingly gambling-mad Gemma, his equally-occupied pal and a sympathetic innkeeper. Orfei also eventually befriends Holzer, is subsequently rejected by Farnese and gets mowed down by pursuing Praetorians during a night-time excursion to the politically-charged tavern. All in all, while not a particularly notable entry in the prolific genre, it passes the time agreeably enough and does not outstay its welcome.