Dança Macabra

I have never seen a Barbara Steele movie that I haven't liked, and have always been a sucker for a good haunted-house story (especially for such wonderful pictures as "The Legend of Hell House" and the original versions of "The Haunting" and "House on Haunted Hill"), so I had a feeling that "Castle of Blood" would be right up my alley. And boy, was it ever! This French-Italian coproduction, while perhaps not the classic that Steele's first horror film, "Black Sunday," remains to this day, is nevertheless an extremely atmospheric, chilling entry in the spook genre. Filmed in black and white, it manages to convey a genuinely creepy miasma. The film concerns a journalist who bets one Lord Blackwood and an author named Edgar Allen Poe that he can spend the night in Blackwood's castle on the night of All Saints Day, when the spirits of those killed in the castle reenact their fate. The viewer gets to see these deaths, and they ARE pretty horrible, for the most part. The film does indeed send shivers up the viewer's spine, and in the uncut DVD that I just watched--thanks to the fine folks at Synapse--even features a surprising topless scene and some mild lesbianism! And Barbara is wonderful in this movie; her otherworldly beauty is put to good advantage playing a sympathetic spectre. Her mere presence turns a creepy ghost story into something truly memorable. Not for nothing has she been called "The Queen of Horror."

I remember seeing this film at the West End theater in Louisville, Kentucky when I was a boy. The scene where Dr. Carmus finds the gardener's coffin, and the breathing dead body therein, was the scariest part of the movie for me, only intensified by the darkness of the film. I also wondered about the people hanging from the trees at the end, until I recognized the part of the film in which the family name of the Blackwoods was changed from Blackblood, due to the fact that in the family history there was a character who was known for his many hangings of various people. Sir Thomas Blackwood seemed to get his kicks out of adding to the deaths caused by his family. I also noticed that as Foster first enters the gate of the cemetery, he is careful in noticing the sharp object of the gate, where he meets his end. I would not hesitate to recommend this film to horror movie lovers.

I've watched this movie a number of times, and found it to be very good. This movie is also known as "Castle Of Terror", "Coffin Of Terror", and "Dance Macabre". Barbara Steele, is her usual beautiful/creepy self. George Riviere, the male lead, does a good job with his role. The whole movie is dripping with atmosphere, and there is a good deal of tension throughout. The camera angles are good and the acting, for the most part, isn't bad. This film is quite suitable for a rainy day or evening. I have the DVD uncut version, which is far superior to the edited TV version. Grab some popcorn, turn out the lights, settle back and enjoy. John R. Tracy

Here's a favorite example of Italian horror cinema, filled with the trademark qualities that have impressed genre-film afficionados for the last half century. It compares favorably with the highly-regarded, Mario Bava classic, BLACK SUNDAY, and features another major appearance by the mysterious beauty, Barbara Steele. The black-and-white cinematography and production design are nicely realized, and an appropriate atmosphere of menace and sexuality is skillfully delivered. All in all, this is a prime example of why Italian horror cinema deserves some appreciation. The music is by Riz Ortolani (of MONDO CANE fame). A very nice DVD from Synapse.

Of the many black and white Gothic horror-thrillers to come out of Italy in the '60's, this is undoubtedly one of the best. However, it is, of course, second to Mario Bava's masterpiece "Black Sunday". Both films star the mysterious and very beautiful British actress Barbara Steele who would become a leading figure in these creepy sixties shockers. Plot of this film deals with a cocky reporter(George Riviere) who is offered a wager to spend the night in a supposedly haunted castle. Predictably, he accepts the wager. The million-dollar question is, will he live through the night to collect his prize? Barbara Steele is a captivating "ghost" who roams the halls of the dark, sinister place and makes the man's stay there a little more pleasant. But as the evening passes on, other specters appear, and with less than godly intentions. Beautifully atmospheric chiller with Steele in fine form. A lesbian scene with Barbara and co-star Margaret Robsahm was cut from the film before it was released to the US. The movie was remade six years later and by the same director(Anthony Dawson) as WEB OF THE SPIDER.