AVALIAÇÃO DA IMDb
6,7/10
2,6 mil
SUA AVALIAÇÃO
Dois golpistas que se aproveitam de mulheres para ganhar dinheiro se enfrentam em um ponto turístico badalado do Mediterrâneo.Dois golpistas que se aproveitam de mulheres para ganhar dinheiro se enfrentam em um ponto turístico badalado do Mediterrâneo.Dois golpistas que se aproveitam de mulheres para ganhar dinheiro se enfrentam em um ponto turístico badalado do Mediterrâneo.
- Direção
- Roteiristas
- Artistas
Ilze Taurins
- Hilda
- (as Ilse Taurins)
John Banner
- Burgermeister
- (não creditado)
Brandon Beach
- Casino Patron
- (não creditado)
Barry Bernard
- Arthur the Butler
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I was ten when the movie came out, my dad encouraged me to watch it years later when it played on television. I was hooked...
Brando is uproarious as the American GI in Europe, an egotist, sometimes crude, a hustler, preying on gorgeous woman through sympathy, his good looks and his almost pathetic hilarious charm....David Niven is the slick, cool, rich charming Englishman and yes, he's also as conniving as Brando. Though Niven is a bit smarter than "Freddy" (Brando) - It makes for a weird but funny and brief partnership between Niven and Brando, to seduce & fleece some very rich, sometimes beautiful, but always naive, trusting & very willing women.
And thus begins an even funnier competition between Brando and Niven, as the movie really gets rolling along...as each character underestimates the other in cons and setups, then untimely outwits the other...all the way until the final twist of an ironic and funny ending to the film.
Yes, there are indeed a couple of silly and corny scenes...but overall the movie is a very funny farce, as enjoyable & well written comedy to come out of that early 60's era, (1964) or any era for that matter....Brando is truly terrific - Accept no substitutes, i.e., "Dirty Rotten Scoundrels"!
Brando is uproarious as the American GI in Europe, an egotist, sometimes crude, a hustler, preying on gorgeous woman through sympathy, his good looks and his almost pathetic hilarious charm....David Niven is the slick, cool, rich charming Englishman and yes, he's also as conniving as Brando. Though Niven is a bit smarter than "Freddy" (Brando) - It makes for a weird but funny and brief partnership between Niven and Brando, to seduce & fleece some very rich, sometimes beautiful, but always naive, trusting & very willing women.
And thus begins an even funnier competition between Brando and Niven, as the movie really gets rolling along...as each character underestimates the other in cons and setups, then untimely outwits the other...all the way until the final twist of an ironic and funny ending to the film.
Yes, there are indeed a couple of silly and corny scenes...but overall the movie is a very funny farce, as enjoyable & well written comedy to come out of that early 60's era, (1964) or any era for that matter....Brando is truly terrific - Accept no substitutes, i.e., "Dirty Rotten Scoundrels"!
I think the reason I found Bedtime Story so entertaining was because it was surreal to hear the lines from Dirty Rotten Scoundrels delivered by different people in a different movie. I never would have imagined Marlon Brando as Ruprecht and David Niven fits the role of Lawrence Jameson perfectly. This movie features enough similarities to keep me entertained, and enough differences to keep me interested.
I saw it in the late '60's on TV when I was home from school. Years later I became a screenwriter and got a call from David Bowie's production company. He and Mick jagger wanted to do a movie together and hoped I would write it. I suggested doing a remake of Bedtime Story with Bowie as Lawrence Jamison and Mick as Freddy.
They were both interested, the studio (UA) was interested, but the movie had been made at Universal and there was no way they could get the rights. A number of other studios were interested, but couldn't wrestle the right away from Universal.
Turns out no had bothered to do a copyright search. I did. Turns out the rights had reverted back to the original writer/producer Stanley Shapiro. We met at the Pink Turtle (a coffee shop at what was the Beverly Wilshire) and did a deal on a napkin.
The original title was King of Hill. Since Stanley was the man behind the Doris Day/Rock Hudson/Cary Grant movies - he decided to write (with Maurice Richlin - who went on to pen the original Pink Panther) a movie where Cary Grant and Rock Hudson would compete for Doris Day.
Apparently, Cary had asked Rock to do a movie with him, but Rock had turned him down. So Cary didn't want to do a movie with Rock. And Doris wouldn't do the movie without the both of them. Hence it was re-cast with Niven, Brando and Shirley Jones.
Stanely said this movie didn't do all that well in its original run. He felt that the movie fell flat in the south because of Brando championing civil rights.
Thought I do prefer my ending, but this is nevertheless a very charming movie. Which is why I tried to preserve as much as the original as possible. Hey, if ain't broke, don't fix it. And certainly don't change it.
They were both interested, the studio (UA) was interested, but the movie had been made at Universal and there was no way they could get the rights. A number of other studios were interested, but couldn't wrestle the right away from Universal.
Turns out no had bothered to do a copyright search. I did. Turns out the rights had reverted back to the original writer/producer Stanley Shapiro. We met at the Pink Turtle (a coffee shop at what was the Beverly Wilshire) and did a deal on a napkin.
The original title was King of Hill. Since Stanley was the man behind the Doris Day/Rock Hudson/Cary Grant movies - he decided to write (with Maurice Richlin - who went on to pen the original Pink Panther) a movie where Cary Grant and Rock Hudson would compete for Doris Day.
Apparently, Cary had asked Rock to do a movie with him, but Rock had turned him down. So Cary didn't want to do a movie with Rock. And Doris wouldn't do the movie without the both of them. Hence it was re-cast with Niven, Brando and Shirley Jones.
Stanely said this movie didn't do all that well in its original run. He felt that the movie fell flat in the south because of Brando championing civil rights.
Thought I do prefer my ending, but this is nevertheless a very charming movie. Which is why I tried to preserve as much as the original as possible. Hey, if ain't broke, don't fix it. And certainly don't change it.
1964's 'Bedtime Story' is not to be confused with the 1941 film of the same name with Fredric March and Loretta Young, an enjoyable film in its own right despite March's uneven performance. Inevitable comparisons have been made with this film and its remake 'Dirty Rotten Scoundrels', haven't seen that film in years but do remember enjoying it and intend to re-watch it when possible. Have liked all three leads in other things, with Marlon Brando especially having some iconic performances in his career.
Found 'Bedtime Story' to be a very enjoyable film, lots of fun with the leads on top form. Don't be fooled by the film's pretty cutesy and child friendly-like title ('Dirty Rotten Scoundrels' even would have been a much more apt title) that makes you think that it is going to be another film entirely. It is a long way from cutesy and very much adult-oriented, much funnier and wittier than one might think looking at that title which does the film no favours, and quite a bit better than its mixed critical reception at the time suggests.
'Bedtime Story's' script is not perfect, it could have done with some tightening up here and there as not everything felt necessary here and as a consequence the script is not as lean as ought. Meaning that the film sometimes drags and can get on the repetitive side. While the slang was interesting, it is very of the time and dates the film a bit.
Was a little more mixed on Brando, leaning towards liked but had problems with his character. Brando has great charisma, great energy and some nice comic timing, extracting as much as he can out of the material and giving it juice, often amusingly oily. He does suffer from his character being too coarse and too much of a bully, so a near-irredeemable character that is difficult to get behind, and he can play the role too heavily and broadly at times. So a mostly fun if at times uneven performance in an unlikeable and quite odd role.
David Niven, coming onto the numerous good things, has a character tailor-made for him, a character with characteristics that he was no stranger to and he is typically lively, sophisticated and charming. He and Brando have dynamite conflicting chemistry together that really gives 'Bedtime Story' sparkle, his smoothness contrasting beautifully with the broader acting style of Brando. Shirley Jones' character is not near as interesting but she is radiant, has a natural charm and appeals. The script isn't perfect, but has a wonderfully biting wit frequently and the broadness that it has doesn't get too nasty in my view. The story is not probable and the pace isn't perfect, but is enlivened by some genuinely funny set pieces and the dynamite character interactions.
It wholly succeeds as lightweight fun and is generally crisp in pace. It is a lavish looking film, especially the colourful art direction beautifully photographed, love the attention to detail that some of the camera angles have. The music score is colourful and has a lot of personality and Ralph Levy's direction avoids being too wild, not always exciting but always expertly and never bland.
All in all, uneven but good fun. 7/10
Found 'Bedtime Story' to be a very enjoyable film, lots of fun with the leads on top form. Don't be fooled by the film's pretty cutesy and child friendly-like title ('Dirty Rotten Scoundrels' even would have been a much more apt title) that makes you think that it is going to be another film entirely. It is a long way from cutesy and very much adult-oriented, much funnier and wittier than one might think looking at that title which does the film no favours, and quite a bit better than its mixed critical reception at the time suggests.
'Bedtime Story's' script is not perfect, it could have done with some tightening up here and there as not everything felt necessary here and as a consequence the script is not as lean as ought. Meaning that the film sometimes drags and can get on the repetitive side. While the slang was interesting, it is very of the time and dates the film a bit.
Was a little more mixed on Brando, leaning towards liked but had problems with his character. Brando has great charisma, great energy and some nice comic timing, extracting as much as he can out of the material and giving it juice, often amusingly oily. He does suffer from his character being too coarse and too much of a bully, so a near-irredeemable character that is difficult to get behind, and he can play the role too heavily and broadly at times. So a mostly fun if at times uneven performance in an unlikeable and quite odd role.
David Niven, coming onto the numerous good things, has a character tailor-made for him, a character with characteristics that he was no stranger to and he is typically lively, sophisticated and charming. He and Brando have dynamite conflicting chemistry together that really gives 'Bedtime Story' sparkle, his smoothness contrasting beautifully with the broader acting style of Brando. Shirley Jones' character is not near as interesting but she is radiant, has a natural charm and appeals. The script isn't perfect, but has a wonderfully biting wit frequently and the broadness that it has doesn't get too nasty in my view. The story is not probable and the pace isn't perfect, but is enlivened by some genuinely funny set pieces and the dynamite character interactions.
It wholly succeeds as lightweight fun and is generally crisp in pace. It is a lavish looking film, especially the colourful art direction beautifully photographed, love the attention to detail that some of the camera angles have. The music score is colourful and has a lot of personality and Ralph Levy's direction avoids being too wild, not always exciting but always expertly and never bland.
All in all, uneven but good fun. 7/10
Between this and Guys and Dolls and the Godfather parody w/ Mathew Broderick, Marlon showed that he could be very funny. Sort of like Errol Flynn, I wish he had been given more opportunities.
I have looked in vain for this on DVD it was supposed to have been released a couple of years ago, I'm not sure what happened.
As noted many will be familiar with the remake (Dirty Rotten Scoundrels), though I prefer the original. There is a priceless scene where Marlon (as Freddy)is caught with his pants off after seducing the burgomeister's daughter in a German town. He explains that he is part of the new Exercise instruction program and he begins doing calisthenics as he makes his exit.
I also liked when David Niven and Brando first meet and realize that they are competing in the same line of work albeit at different levels.
Highly recommended.
'shoes
I have looked in vain for this on DVD it was supposed to have been released a couple of years ago, I'm not sure what happened.
As noted many will be familiar with the remake (Dirty Rotten Scoundrels), though I prefer the original. There is a priceless scene where Marlon (as Freddy)is caught with his pants off after seducing the burgomeister's daughter in a German town. He explains that he is part of the new Exercise instruction program and he begins doing calisthenics as he makes his exit.
I also liked when David Niven and Brando first meet and realize that they are competing in the same line of work albeit at different levels.
Highly recommended.
'shoes
Você sabia?
- CuriosidadesMarlon Brando said that he found co-star David Niven so funny, he often broke into uncontrollable laughter during filming, thus ruining many takes. It was so bad that he would have to force himself not to look Niven in the eye during filming.
- Citações
Freddy Benson: You ever take a women for 20 bucks?
Lawrence Jameson: No, I'm afraid that's a little out of my class.
Freddy Benson: No it isn't. Think big. You got possibilities. You're not a bad lookin' fella.
Lawrence Jameson: Oh, thank you.
- ConexõesFeatured in The Rotten Tomatoes Show: Kick-Ass/Death at a Funeral/The Joneses (2010)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Bedtime Story?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 6.540.000
- Tempo de duração
- 1 h 39 min(99 min)
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente