Zorba, o Grego

OK, I admit I've seen this movie a dozen times. But it never fails to inspire. Was there ever a man who lived life as fully as Alexis Zorba? Was there ever a character who understood so much about living and dying, women and men? Zorba ripping a piece of lamb from the spit and biting into it with joy and verve, dancing in pain or dancing from joy, expressing his wonderment at the sight of a dolphin, gives this character a special place in movie history.

If the rich storytelling and great Quinn performance were not enough, we get the young Alan Bates in a fine part doing a fine piece of acting, and the extraordinary pair of performances by Lila Kedrova and, especially, Irene Pappas, who need not speak a word to convey an entire menu of emotions.

The final scenes are among the best in movies. The music is among the best. Indeed, the MOVIE is among the best.

A GREAT movie.

Contrary to others who may think this film is some sort of tribute to living life to the fullest, it is completely depressing, pessimistic, and detestible. There is not one likeable character in the entire film. Zorba is a jackass who f***s up the lives of everyone he comes in contact with because of his selfish "zest" for life, i.e., wasting other people's time and money while lying to them. He's a man who has left his wife and family behind with no regret and works odd jobs, including wrecking Basil's mine and depleting his money. Basil thinks this is wonderful. Why? It's almost as if Basil has latent gay love for Zorba. One of the 2 most disturbing moments in the film is when the widow (Irene Pappas) is murdered in broad daylight by a crowd which is angry that she has somehow driven an unrequited lover to suicide. Basil does nothing, even though the widow's his love interest (interestingly though Basil did not previously sleep with the widow). Zorba tries to protect the widow, but she's still murdered, her throat slit like a lamb to the slaughter. INCREDIBLY, Zorba and Basil go on about their business like this is some sort of acceptable crime. WHAT THE HELL!! The level of mysogyny is disturbing.

Then, when the French hotel woman dies, the author/director maligns the poor villagers (and the people of Greece) by making them look like vultures that steal her possessions before she's even croaked. This isn't a celebration of life, but a sad portrayal of common people as evil idiots. I wish this story had never been made into a film.

Top-notch picture based on an adaptation of Nikos Kazantzakis's hugely popular novel . It deals with an uptight and poignant English writer called Basil (Alan Bates was Mihalis Kakogiannis's first choice for this part) traveling to Crete on a matter of business finds his life changed forever when he meets the zesty as well as joyful Zorba (in title role Anthony Quinn displays an awesome acting , he is a delight as Alexis) . Gregarious Zorba is an eye-opener to the visiting stranger . At a tiny village the writer meets an old spinster woman named Madame Hortense (Lila Kedrova was a win an Academy Award, though Simone Signoret was the original choice for this role and turned it down and she came to regret that decision) and a beautiful widow (a young Irene Papas) .

Sensitive and thought-provoking film plenty of drama , emotion , Greek social habits and wonderful performances .Interesting and flavorful screenplay by the same filmmaker from Nikos Kazantzakis' novel who also wrote ¨The last temptation of Christ¨. Special mention to Anthony Quinn as an uncomplicated and jolly man , an earthy and humble peasant with a real lust for life , a character he has become identified with . However , in the earlier stages of filming, the filmmaker and Anthony Quinn had frequent disagreements as the director felt that his leading actor was being too over-the-top . Alan Bates as a sensible as well as intellectual writer is also very good and the young beauty Irene Papas is marvelous as a widow who originates a tragedy . Extraordinary Lila Kedrova as an aging and dying courtesan, she ended up receiving an Academy Award for her role. The original Broadway production of "Zorba" opened at the Imperial Theater in New York on November 16, 1968, ran for 305 performances and was nominated for the 1969 Tony Award for the Best Musical. Anthony Quinn and Lila Kedrova who starred together in this movie version appeared in the revival of Zorba in 1982-3 with Lila Kedrova winning the 1984 Tony Award for Best Featured Actress in a Musical .

Gorgeous , enjoyable cinematography in white and black by Walter Lassally that also won deservedly an Oscar. Rousing and immortal soundtrack by Mikis Theodorakis based on Greek traditional music , including breathtaking dances performed by Anthony Quinn. However , Anthony Quinn had a broken foot during filming, and thus couldn't perform the dance on the beach as scripted, which called for much leaping around ; instead, he did a slow shuffle . This brooding motion picture was stunningly directed by Michael Cacoyannis ,though the project was turned down by every major studio . Cacoyannis was an expert on adaptations based upon Classic Greek plays such as ¨Iphigenea¨ , ¨Elektra¨ and ¨The Trojan women¨ . ¨Zorba¨ rating : Better than average , worthwhile watching . Essential and indispensable seeing for Anthony Quinn fans .

What an exuberant film - not to be missed! It chronicles sadness and joy so beautifully that one can't help but want to weep, laugh, and dance along. There are four wonderful performances, led by Anthony Quinn, whose enthusiam for life almost leaps from the screen, giving rise to an almost sacrilegious thought: How could Rex Harrison's stuffy, embalmed Professor Henry Higgins have won the Best Actor Oscar over Quinn as Zorba? Lila Kedrova is heartbreaking as Madame Hortense, the dying prostitute with a colorful past. The always-enjoyable Alan Bates, and the striking Irene Papas as the Widow. Like Anna Magnani, Papas was an actress who transcended any language barrier, who didn't need dialogue at all - her face and body said everything she needed to.

For the most part the film looks great on DVD, with crisp, clear black-and-white photography. But I have one quibble: the transfer seems to have been made from the same source as the videotape prints in circulation, because there are a couple of instances of obvious post-production looping (possibly for prime-time television broadcasts), changing 'goddam' to 'old damn,' for instance - they even do this in the English subtitles. But read Quinn's lips - there's no mistaking what the original lines were! I'd expected that the original unedited soundtrack would have been restored.

A young Englishman is writing on a manuscript about the Buddha. He meets Alexis Zorba who greatly influences his outlook on life. The narrator, whose name is not revealed, hires Zorba to superintend the workmen in his lignite mine in Crete. Zorba the Greek is a book and a movie by nature on the contrast between the Apollonian and the Dionysian outlook on life. Apollo/the boss(Alan Bates) represents the spirit of order and rationality, while Dionysus/Zorba(Anthony Quinn) represents the spirit of ecstatic, spontaneous will to life. Anthony Quinn's performance is really great. I read the book about a month ago and I guess I couldn't visualize the Zorba image in my mind that well. His looks,one-liners,his dancing sirtaki on the beach,his harmony with Madame Hortense(Lila Kedrova)just looks so nice.It is really surprising that Lila Kedrova got "Academy Award for Best Supporting Actress" while Anthony Quinn just got the nomination for best actor in a leading role.(Such a pity that he didn't get it.) Well that work of art is not so great as "Jesus Re-crucified" or "The Last Temptation of Christ " but is a still great Kazanthakis art.And the adapted movie is a really good one coz given that the whole book is based on a contrast introduced by Friedrich Nietzsche and it is not supposed to be easy to cinematize a philosophical book.Great Quinn! Great movie!(But I Don't THINK LILA KEDROVA DESERVES THAT AWARD) If you have ever read Kazanthakis you should absolutely see this movie!