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8,0/10
392
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Adicionar um enredo no seu idiomaCousins St. Clair and Fleming are con-men so successful they no longer need to con. They can be persuaded, however, to use their skills: in a just cause, where a mark deserves it very, very ... Ler tudoCousins St. Clair and Fleming are con-men so successful they no longer need to con. They can be persuaded, however, to use their skills: in a just cause, where a mark deserves it very, very much.Cousins St. Clair and Fleming are con-men so successful they no longer need to con. They can be persuaded, however, to use their skills: in a just cause, where a mark deserves it very, very much.
- Indicado para 2 Primetime Emmys
- 1 vitória e 2 indicações no total
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Avaliações em destaque
My brothers and I used to watch this show religiously during it's one and only season on the air. The three of us still consider it our favorite television show of all time. Does anyone even have a clue as to who one would beg to release this show onto DVD? Does it ever appear anymore on television? I consider this show to have had more top acting talent then any other show I can think of. I'm not sure there is even a close second. All three stars-- Charles Boyer, Gig Young, and David Niven were highly successful screen actors--Academy Award caliber performers. Most contemporary TV shows don't have even one established big screen star. The supporting cast alone would have made a great show.
This was one of our favorite shows during the one brief season it was on. I've taken every opportunity to watch reruns, but they are almost never available. I would watch every episode many times over again, and hope to be able to at some time. The writing was clever and sharply witty, delivered by actors who knew exactly how to speak the lines and how to fit their expressions and actions to the words. I could take each one and say his or her performance was priceless. It's sad that it did not receive the audience in the U.S. to keep it running for many seasons.
This was a great series. I was so disappointed when it canceled so prematurely. There just is no accounting for American tastes (the Osbournes, etc.). Anyways, I'd enjoy watching them again.. altho it occurs to me that in so doing I might have to relive my disappointment over the limited number of episodes. Oh well..
Obviously a show as deliciously witty and as sparklingly clever as this, with such a magnificent cast - David Niven, Gladys Cooper, Charles Boyer, Robert Coote, Gig Young, Larry Hagman, and John Williams - was too good for the tastes of the American public. It lasted just one season. On the other hand, the execrable "Beverly Hillbillies" - a more accurate barometer of the American public's sense of humor - marched on in glory for nine tedious years.
'The Rogues' was my favorite television series, the season it was on the air. From the opening strains of Nelson Riddle's bouncy, hummable theme, and the introductory credits of stars Charles Boyer, David Niven, Gig Young, Robert Coote, and Gladys Cooper, I would be enthralled!
Certainly the program had faults; as with most television programs of that period, the sets tended to look sparse and generic, and the 'European' locales were all done on the studio backlot (it was amazing how often the same 'Town Square' would appear!), but plot-wise, the weekly 'sting', carried out by the St. Clair/Fleming clans against some nasty villain, were a joy (Picture 'Mission Impossible' with humor), and the appearances of Young (usually), Niven (occasionally), and Boyer (rarely) made each new episode a much-anticipated 'event'.
Some of the comments posted for this show have bemoaned how shallow American audiences were, in allowing this series to be canceled after a single season, while 'The Beverly Hillbillies' would run 'forever'. While I agree that 'The Rogues' was a far better program, the fault wasn't entirely because of audience's tastes. NBC placed the series in a 'suicide' timeslot, where it competed against a long-established 'hit' (much as ABC and CBS did to series on Thursdays in the 80s and 90s, when NBC dominated the evening with 'Cosby', 'Cheers', 'Friends', and 'ER'). Also, Four Star Productions (whose bosses included Niven, Boyer, and Dick Powell) created the series around the availability of the actors, between film assignments (none of the leads wanted to commit themselves 'exclusively' to television, which was still considered a 'step down' for an actor, despite the participation of Fred MacMurray, Robert Young, Donna Reed, and Loretta Young on the small screen), and scheduling conflicts were a problem, even during the single season 'run' (which was why a young Larry Hagman appeared, in place of Gig Young, for one 'caper'). Had 'The Rogues' been a 'hit', the series would have seen major changes in casting in subsequent seasons!
There was a loyal fan base for the series during it's run; the summer after it's cancellation, Gig Young toured the country in a 'road' production of 'The Music Man', which I had the good fortune to see. At one point in the show, a character pointed at 'Professor' Harold Hill (Young), and sputtered, "You...you...ROGUE!", which literally brought the house down, and caused Young to break character, momentarily, to take a bow, and flash his famous crooked grin. After the performance, I had an opportunity to meet the actor (whose later life would include an Oscar for THEY SHOOT HORSES, DON'T THEY?, yet, ultimately, end in tragedy, when, in a fit of depression, he would murder his wife, then commit suicide, in 1978), and Young expressed amazement at how popular the series was, and how gratifying the audience response to the 'Rogue' line was, each performance.
'The Rogues' had a glorious 'moment in the sun', and will always be cherished by those of us who loved it!
Certainly the program had faults; as with most television programs of that period, the sets tended to look sparse and generic, and the 'European' locales were all done on the studio backlot (it was amazing how often the same 'Town Square' would appear!), but plot-wise, the weekly 'sting', carried out by the St. Clair/Fleming clans against some nasty villain, were a joy (Picture 'Mission Impossible' with humor), and the appearances of Young (usually), Niven (occasionally), and Boyer (rarely) made each new episode a much-anticipated 'event'.
Some of the comments posted for this show have bemoaned how shallow American audiences were, in allowing this series to be canceled after a single season, while 'The Beverly Hillbillies' would run 'forever'. While I agree that 'The Rogues' was a far better program, the fault wasn't entirely because of audience's tastes. NBC placed the series in a 'suicide' timeslot, where it competed against a long-established 'hit' (much as ABC and CBS did to series on Thursdays in the 80s and 90s, when NBC dominated the evening with 'Cosby', 'Cheers', 'Friends', and 'ER'). Also, Four Star Productions (whose bosses included Niven, Boyer, and Dick Powell) created the series around the availability of the actors, between film assignments (none of the leads wanted to commit themselves 'exclusively' to television, which was still considered a 'step down' for an actor, despite the participation of Fred MacMurray, Robert Young, Donna Reed, and Loretta Young on the small screen), and scheduling conflicts were a problem, even during the single season 'run' (which was why a young Larry Hagman appeared, in place of Gig Young, for one 'caper'). Had 'The Rogues' been a 'hit', the series would have seen major changes in casting in subsequent seasons!
There was a loyal fan base for the series during it's run; the summer after it's cancellation, Gig Young toured the country in a 'road' production of 'The Music Man', which I had the good fortune to see. At one point in the show, a character pointed at 'Professor' Harold Hill (Young), and sputtered, "You...you...ROGUE!", which literally brought the house down, and caused Young to break character, momentarily, to take a bow, and flash his famous crooked grin. After the performance, I had an opportunity to meet the actor (whose later life would include an Oscar for THEY SHOOT HORSES, DON'T THEY?, yet, ultimately, end in tragedy, when, in a fit of depression, he would murder his wife, then commit suicide, in 1978), and Young expressed amazement at how popular the series was, and how gratifying the audience response to the 'Rogue' line was, each performance.
'The Rogues' had a glorious 'moment in the sun', and will always be cherished by those of us who loved it!
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- CuriosidadesNelson Riddle wrote the theme music played at the beginning and end of each episode.
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- País de origem
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- Também conhecido como
- The Rogues
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- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 50 min
- Cor
- Proporção
- 1.33 : 1
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