A Mansão do Homem Sem Alma

Good and atmospheric Italian horror film that also goes by the title of HORROR CASTLE (which I think is more appropriate). A man's wife is terrorized in a German castle by all sorts of unspeakable sights and goings-on, seemingly committed by a maniac or "ghost" in a hood. The revelation of who is responsible and why is quite interesting. Christopher Lee is on hand as a scarred henchman of sorts, though it's unfortunate that his voice is dubbed. What really clicked for me with this film was the style of the movie. This was a gorgeous-looking film, brilliantly lit and full of mood, utilizing scenic locales and awesome castle dungeons and hallways. Its fine direction by Antonio Margheriti really made me sit up and take notice more than anything else, and it's what really elevated the film. *** out of ****

What truly makes the difference between "La Vergine di Norimberga" and the rest of the Italian horror movies of the 60s and 70s is the amazing visual composition that director Antonio Margheriti creates with the aid of his team. Music and visuals converge to create one of the most beautifully looking horror movies.

Based on a novel by Frank Bogart, the movie is about a woman, Mary (Rosanda Podestà), who has recently moved to his new husband's castle in Germany. The Gothic castle keeps many secrets and one night Mary watches a murdered woman inside of one of the many torture devices kept in the castle's museum. Her husband, Max Hunter (George Riviere), thinks it was a hallucination since there is no proof a murder took place in the castle, but she is convinced that the old family friend Erich (Christopher Lee), is responsible of the murder. The mysterious dark figure of "The Punisher" roams the castle, but is he a ghost? or something else? This movie mixes perfectly the suspense and the mystery, the jazzy score at first may seem odd, but it fits the movie very well, giving a bigger atmosphere of surrealism to the movie, very fitting to Mary's confused state of mind. The beautiful sets are like a canvas, with a palette predominantly red that gives the movie an elegant, yet dark look. It is a very unique look for a horror movie, and it works in an awesome way.

The acting is good for the most part, although the dubbing that Italian movies used to have is a bit bad. Particularly in the case of Christopher Lee, whose voice is quite different. Nevertheless, Podestà makes a great performance and while Lee is relegated to a supporting role, he also makes a good job. George Riviere's performance may not be the best, although It would be better to judge it with the original audio.

The score is haunting, and very appropriate. Oscar winner Riz Ortolani created a score that sets up the atmosphere of surrealism the film demands. In fact, if a flaw was to be found, was that at times it feels too much style over substance, as there are points of high visual beauty but little plot development.

The SFX are quite advanced for its age, mainly in the make-up department, as the movie delivers some gore making a bizarre contrast between the beauty of the setting and the gruesome violence of the villain. While this movie may seem outdated, it is an overlooked gem that is still very good.

This was the first horror movie by Antonio Margheriti, and it was without a doubt his best. A joy to watch, Italian Gothic horror at its best. 8/10

... starts out with Mary (Podesta) being awakened on a dark and stormy night.

She hears a scream, lights a candle, and goes to investigate. She wanders through the forbidding castle, finally arriving in the dungeon, where she finds a dead body in the torture chamber. Film goes from there.

Movie has beautiful cinematography by Riccardo Pallottini. The color scheme is predominantly red and gold, black and white, with lots of shadows mixed in. The music score by Riz Ortolani is jarring; part of it feels just right for the genre, while part of it sounds like it belongs in a nightclub.

Podesta's Mary is a refreshing change from the usual heroine. She doesn't just scream on cue and faint, she fights back and thinks before she acts. Lee is good, as always. The rest of the cast is ok.

Horror films' screenplay is routine, until the last half hour, when it has twist after plot twist.

Movie is a fun watch, very worth seeing. 3/4.

An early film by director Antonio Margheriti under his alias 'Anthony Dawson' with echoes of 'Bluebeard's Castle'; the tone of which after he's spent nearly seventy minutes prowling about a spooky castle in pursuit of heroine Rossana Podesta is summed up by the exchange "What is that!? It's only an instrument of torture".

"La Vergine Di Norimberga" (aka. "The Virgin Of Nuremberg"/"Terror Castle") is a wonderfully atmospheric, and delicately demented Gothic gem from genius director Antonio Margheriti, that should appeal to every fan of the uncanny. No true Horror fan or even cineaste in general could possibly deny that the late Margheriti had a great talent to create a Gothic atmosphere. Especially his 1964 masterpiece "Danza Macabra" (aka. "Castle Of Blood"), starring the incomparable Barbara Steele is pure Gothic brilliance and ranks among my personal favorites. While "The Virgin Of Nuremberg" does not quite reach the brilliance of "Castle Of Blood", in my opinion, this is yet another excellent Gothic Tale that no lover of Gothic- and Italian Horror can afford to miss. The film is terrifically set in a medieval castle full of terrible instruments of torture. Mary Hunter (Rosanna Podesta), whose husband Georges Rivière) is the owner of the castle since he has inherited it from his father, awakes one night hearing screams. The castle was once owned by a blood-thirsty judge, and, after four hundred years, the judge suddenly seems to be walking the castle again, craving for blood...

The film builds up a wonderfully creepy and yet often beautiful atmosphere from the first minute, the eerie castle-setting, ingenious camera-work and sublime score by the brilliant Riz Ortolani go in hand how it will only be experienced in Gothic tales from the good old days. For the year of its release, 1963, the film has an unusually high gore level, and an enormous nastiness. Horror icon Christopher Lee (as far as I am considered, one of the greatest actors ever) has a small, but great role. Lee is once again outstanding, and my only regret with "The Virgin Of Nuremberg" is that he had not quite a lot of screen-time. The English aka. title, by the way, is not quite 100% accurate. "La Vergine Di Norimberga" does indeed translate as "The Virgin Of Nuremberg", however, it is also the synonym for a gruesome medieval torturing device - the iron maiden. Atmospheric, excellent and very, very creepy, "The Virgin Of Nuremberg" is a Horror experience that no real genre-lover could possibly afford to miss. Films like this one prove that Margheriti was Italy's second only to Mario Bava when it comes Gothic Horror. A must-see for every Italian Horror fan or lover of Gothic greatness.