O Crime É Homicídio

OK courtroom drama from Perlberg-Seaton, with MGM capitalizing on Richard Chamberlain's TV success by casting him as a rather Kildare-like defense attorney. He's recently widowed, and he's given the unenviable job of defending sleazy-but-polite Nick Adams, who's already confessed, twice, to murdering Pat Buttram, a well-liked local politico who was trying to make time with Adams' sluttish wife, Joey Heatherton. Chamberlain's OK, and so are the courtroom exploits, with a screenplay that seems to delight in pushing the envelope a bit in terms of sexual conversation circa 1963. There's discussion of impotence, sleeping nude, and prostitution, and several sequences of Joey Heatherton twitching luridly next to a jukebox. But the best reason to watch is Claude Rains, as Chamberlain's former professor and current legal adviser. He looks genuinely unsteady and hasn't many good lines, but it's a beautiful, modest, underplayed performance. Joan Blackman is on hand as his daughter, to provide the rather tepid romantic interest, and Jeanette Nolan is good (when wasn't she) as Buttram's protective widow. The flashback format is unwieldy, and Boris Sagal directs it like it's a big TV show, but it keeps your interest pretty steadily, especially as a barometer of what was and wasn't permissible on screen in1963.

TV's Dr. Kildare, Richard Chamberlain, a huge matinée idol back in the '60s, was given "Twilight of Honor" by MGM to cash in on his popularity and make him into a movie star. To do that, they gave him excellent support in the form of Claude Rains, Nick Adams, James Gregory, Jeanette Nolan, Honor Blackman, and Pat Buttram. The result by today's standards isn't very hard-hitting, though it's certainly well acted. The film is directed by Boris Sagal, who did a lot of television, and as a movie, it isn't as good as "Anatomy of a Murder," from which the script is pretty much ripped off.

Chamberlain plays a young attorney and widower, David Mitchell who's assigned a rotten case, that of an unstable soldier accused of murdering one of the small New Mexico town heroes, and he's confessed - twice. The special prosecutor (Gregory) is hoping to sweep into political office with the case, and the judge sides with him through most of the trial. Mitchell turns to the distinguished attorney and his friend, Art Harper, who is ill but nonetheless is full of fire and gives Mitchell some guidance. The defense is a New Mexico law that allows a man to kill because of adultery, something the victim's widow (Jeanette Nolan) and his friends would like to keep quiet.

Joey Heatherton plays the slutty wife of Nick Adams, and she gives a very overt performance. Nick Adams, who would die of an overdose five years later, has a good role and does an excellent job; it earned him an Oscar nomination, and he allegedly spent over $8,000 advertising to win it. He lost to Melvyn Douglas. Jeanette Nolan is lovely and serene as the victim's wife. Claude Rains in one of his last films is marvelous. He looks unwell but his acting is wonderful. Richard Chamberlain even then had a strong enough talent to hold his own against the more experienced actors. As David, he's passionate and determined. Although in the last 46 years, he's had a decent film career, certainly it doesn't compare to his King of the Miniseries crown or some wonderful stage work, including Night of the Iguana and My Fair Lady, both of which I saw and loved. As a baby boomer, he has a special place in my heart.

This film was probably intended for the teen crowd, Chamberlain's fan base, which is why there's a lot of talk about sex but no real action.

Richard Chamberlain was as big a star as MGM ever had when Chamberlain was TV's Dr. Kildare. Chamberlain had an iron clad 7 year contract, and MGM kept him busy both on TV and in movies, and his first movie was the western A Thunder of Drums billed far below George Hamilton and Luana Patten. After his rocket to fame, MGM starred Richard Chamberlain in this first rate court room drama Twilight Of Honor to cash in on Chamberlain's tremendous popularity. In his Dr. Kildare days Chamberlain is reported to have gotten 15,000 fan letters per week more than Clark Gable ever got in his heyday as King of the MGM Lot. MGM in those days was the premier movie studio and this film reflects the quality production values the MGM studio gave its films. The production team of Perlberg/Seaton were assigned this film and cast along with Chamberlain a true star and class act Claude Rains. Nick Adams also stars. Quality film.

Always enjoy viewing this film mainly because Joey Heatherton's father was a mail man and delivered the mail to my home at the time in Nassau County, Long Island, New York. Richard Chamberland,(David Mitchell),"The Pavilion",'99, was a lawyer in this picture and wound up having to defend Joey Heatherton's (Laura Mae Brown), husband from a crime he was accused of performing on a police officer. The police officer was found not breathing in the bed in which Laura Mae shared herself. Laura is a very sexy hot to trot gal and performs all sorts of wild movements with her body in a bar next to a classic jukebox in the 1960's. Claude Rains,(Art Harper),"The Invisible Man",'33 makes a brief appearance and adds a good supporting role. This is a very entertaining film in Black and White and held my interest from beginning to the very end.

This is the infamous film for which Nick Adams was nominated for Best Actor in a Supporting Role Oscar owing to his spending a great deal of his own money and time campaigning. He had promised best friend, actor Robert Conrad, that he was going to be the first TV actor to get a nomination and he did, after sparing no effort to browbeat Academy members. According to Hollywood legend, he even invited a bunch to his home for a big party and then fell asleep just as they arrived. Also, he was supposedly dumbfounded when Melvyn Douglas received the award for his old cowboy in Hud. Adams is okay, nothing more, in this film - he actually should have campaigned for another film he did that year, The Hook with Kirk Douglas, because that was his best role ever in a film. Here, he wears a black leather jacket and does a James Dean routine (they were in Rebel Without a Cause together, Dean with the lead, Adams with one line) as a misunderstood loner he gets accused of murder. His love interest, a wild child, is played by Joey Heatherton, who had been depressed ever since her father, TV's Merry Mailman, refused to let her play the title role in Lolita - which is pretty much what she does here, only doing so after Tuesday Weld passed up the part in this film. Richard Chamberlain, in his bland leading man days before he learned to act by doing Hamlet in London, is the defense lawyer, Joan Blackman his classy girlfriend, and the great Claude Raines provides the real reason for watching as an older lawyer. Watchable but routine, and not very different from any halfway decent TV lawyer show of the time except that it runs twice as long.