AVALIAÇÃO DA IMDb
6,9/10
6,2 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA homemaker's sudden rise to fame as a soap spokesperson leads to chaos in her home life.A homemaker's sudden rise to fame as a soap spokesperson leads to chaos in her home life.A homemaker's sudden rise to fame as a soap spokesperson leads to chaos in her home life.
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Anne Newman Bacal
- Miss Thompson
- (as Anne Newman)
Avaliações em destaque
Doris Day was one of my favorites in the 50s and 60s, even in her
final clunkers, she always rose above the material. Thankfully in
the early 60s she was at her most productive, giving really fine
comic performances that not even Goldie Hawn could match in
quality. Here's she's the attractive housewife to James Garner's
equally attractive pediatrician husband. They live in the burbs, and
at a dinner party, she's suddenly offered the opportunity to become
a pitchwoman for a line of laundry detergent. It's not a hard
job--the advertising agency simply shoots the TV spots in her
home. But Doris becomes a star, and her well-ordered life veers
completely out of control. Her mildly chauvinistic husband (typical
of the times) hates her working, taking time from him and the kids
(okay for him to be constantly busy and challenged by his work).
You need know nothing more of the plot, which involves the head
of the agency's wife giving birth in a limousine, and the by now
somewhat separated Day/Garner partnership finds their spat over
with a big embrace before the final credits.
A smart script by Carl Reiner and Doris at her comic and
glamorous best (the costumes are really gorgeous early 60s
knockouts) with wonderful chemistry supplied by hunky Garner.
The kids are cute, Arlene Francis and Edward Andrews are fine
comic foils. I've seen this movie a half a dozen times, and always
watch when it's on late-night TV. The scene where Doris finally
loses her temper over her husband's un-reasonable jealousy and
anger over his wife's career, is a howler. As she demonstrated in
all her movies with Rock Hudson, nobody can boil over in comic
rage better than the adorable Miss Day.
final clunkers, she always rose above the material. Thankfully in
the early 60s she was at her most productive, giving really fine
comic performances that not even Goldie Hawn could match in
quality. Here's she's the attractive housewife to James Garner's
equally attractive pediatrician husband. They live in the burbs, and
at a dinner party, she's suddenly offered the opportunity to become
a pitchwoman for a line of laundry detergent. It's not a hard
job--the advertising agency simply shoots the TV spots in her
home. But Doris becomes a star, and her well-ordered life veers
completely out of control. Her mildly chauvinistic husband (typical
of the times) hates her working, taking time from him and the kids
(okay for him to be constantly busy and challenged by his work).
You need know nothing more of the plot, which involves the head
of the agency's wife giving birth in a limousine, and the by now
somewhat separated Day/Garner partnership finds their spat over
with a big embrace before the final credits.
A smart script by Carl Reiner and Doris at her comic and
glamorous best (the costumes are really gorgeous early 60s
knockouts) with wonderful chemistry supplied by hunky Garner.
The kids are cute, Arlene Francis and Edward Andrews are fine
comic foils. I've seen this movie a half a dozen times, and always
watch when it's on late-night TV. The scene where Doris finally
loses her temper over her husband's un-reasonable jealousy and
anger over his wife's career, is a howler. As she demonstrated in
all her movies with Rock Hudson, nobody can boil over in comic
rage better than the adorable Miss Day.
If one of today's "actresses" gave half as good a performance as Doris Day gives in "The Thrill of it All," they'd be nominated for an Oscar. Just look at what wins Academy Awards today! Day's acting in "Thrill" is just as good, or better, than Helen Hunt in "As Good As it Gets."
Hollywood seems to have "had it in" for Doris. In this film, she was so natural, so damn good, and above all, FUNNY. She and James Garner made a handsome couple and gave this film that extra sparkle. Thanks to the clever script/screenplay by Carl Reiner, this comedy had lots to say.
I enjoyed all of the performers here. Zazu Pitts was extremely funny as Olivia, the maid. Doris has always had wonderful support in her films and this one was no exception. Arlene Francis was great as the expectant older mother and Edward Andrews deserved a best supporting Oscar nod. Why he didn't get one is beyond me. It's similar to the way the Oscars ignored Tony Randall's superb work in all three Day/Hudson flicks.
Alice Pearce ("Bewitched") was a scream as the money hungry wife during the traffic jam. This is the scene where Andrews displayed his expertise in comedy (this should have been Oscar time for him).
One of my favorite scenes in the picture was when Beverly and her Dr. husband were besieged by Bev's fans in the restaurant. Very effective and not overdone.
Day was wonderful in most of her scenes and really broke me up when she first did her soap commercial. The whole picture is a delight and director, Norman Jewison was right on target. Boy, do I wish he'd directed "Pillow Talk," for he would have kept a tight reign on Doris' tendency to get "too cutesy." Here, she was appropriately mature AND sexy.
Very touching was the scene after the baby was born in the back of the limo. Day is overwhelmed by the experience of assisting in the birth and just wants her Dr. husband to hold her. Beautiful. This one gets the highest rating in my book.
Hollywood seems to have "had it in" for Doris. In this film, she was so natural, so damn good, and above all, FUNNY. She and James Garner made a handsome couple and gave this film that extra sparkle. Thanks to the clever script/screenplay by Carl Reiner, this comedy had lots to say.
I enjoyed all of the performers here. Zazu Pitts was extremely funny as Olivia, the maid. Doris has always had wonderful support in her films and this one was no exception. Arlene Francis was great as the expectant older mother and Edward Andrews deserved a best supporting Oscar nod. Why he didn't get one is beyond me. It's similar to the way the Oscars ignored Tony Randall's superb work in all three Day/Hudson flicks.
Alice Pearce ("Bewitched") was a scream as the money hungry wife during the traffic jam. This is the scene where Andrews displayed his expertise in comedy (this should have been Oscar time for him).
One of my favorite scenes in the picture was when Beverly and her Dr. husband were besieged by Bev's fans in the restaurant. Very effective and not overdone.
Day was wonderful in most of her scenes and really broke me up when she first did her soap commercial. The whole picture is a delight and director, Norman Jewison was right on target. Boy, do I wish he'd directed "Pillow Talk," for he would have kept a tight reign on Doris' tendency to get "too cutesy." Here, she was appropriately mature AND sexy.
Very touching was the scene after the baby was born in the back of the limo. Day is overwhelmed by the experience of assisting in the birth and just wants her Dr. husband to hold her. Beautiful. This one gets the highest rating in my book.
This is the first time I write a comment about a film. Considering that my favorite films, since I discovered the movies, are by Scorsese, Gonzalez Inarritu, Polanski, etc. What am I doing selecting a Doris Day comedy for my first review. Okay, let me tell you. I was overwhelmed by the sheer brilliance of the lady. I've always heard about Doris Day but I had never seen her (The Man Who Knew Too Much is my next one). She is extraordinary because in the midst of all the zaniness there is an unquestionable truth. I believed completely in her character I never thought for a moment she was trying to sell me something. I recognized her, I knew who her character was and then, of course, I laughed, loud and hard. So the reason that I've selected "The Thrill Of It All" as my first review is because that's what cinema is all about. Surprises and discoveries. Thank you Doris Day, you've given me something new to look forward to.
I LOVE this movie. It's super kitschy, especially the '60s opening graphics, and the plot is really fun. Doris Day was at her most beautiful during this time period... the fashions she wears in this film are really stunning, and even the most casual outfits are classics. The "sexist" plot does annoy me a little - and I'm over 40 - but it's pretty typical Carl Reiner fare from this era. As most may recall, he was the force behind the Dick Van Dyke Show, which also reflected this attitude between Rob & Laura. As "hip" and sexy a couple as they were, Rob still didn't want Laura to work outside the home. I wish James Garner (as Dr. Boyer) could have relaxed and enjoyed his wife's career success a little... who wouldn't want more money?? But I suppose his resistance was crucial to the storyline here. Other than these minor points, this movie remains really good entertainment, well acted and with wonderful chemistry between Garner and Miss Day. Highly recommended!
I know a lot of people may say this movie is sexist,and it certainly does focus on a man's ego(which still exists within many men today)but this movie is one my all time favorites.I love Doris Day and James Garner was so attractive in this movie that they make a very sexy,cute couple.I love the atmosphere of comedies from the early 60's,nothing can compare to them today.As far as so many people making comments on older women not having babies in the 60's,tell that to my mom who had me in 1964 at the youthful age of 41.The commercials are a hoot that Doris does and her daughter is adorable!!I found the Spot Checker chick much more offensive,with her non-existent intelligence, than the sexist view of Mr.Garner in this movie. 9 out of 10 stars from me on this timeless gem of a movie.
Você sabia?
- CuriosidadesThe ad agency's viewing room has both color and black-and-white televisions side by side. This was common in the 1960s, allowing the executives to see how the commercial would appear in both color and B&W.
- Erros de gravaçãoWhen the Boyers are being driven to the Fraleighs' home, the limo driver looks at them in the rear view mirror, but the image is not reversed. Mrs. Boyer is still on the right of Dr. Boyer.
- Cenas durante ou pós-créditosThe credit for David Webb's Jewels is followed with "Cameos by Carl Reiner". (A cameo being a form of jewelry, but in this case substituting as Reiner's credit for his series of appearances within the film.)
- ConexõesEdited into Histoire(s) du cinéma: La monnaie de l'absolu (1999)
- Trilhas sonorasThe Thrill Of It All
Music by Arnold Schwarzwald
Lyrics by Frederick Herbert
Vocals by The Johnny Mann Singers
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- How long is The Thrill of It All?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- The Thrill of It All
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 11.779.093
- Tempo de duração
- 1 h 48 min(108 min)
- Cor
- Proporção
- 1.85 : 1
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