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IMDbPro

O Demônio e o Dr. Hichcock

Título original: Lo spettro
  • 1963
  • Not Rated
  • 1 h 37 min
AVALIAÇÃO DA IMDb
6,1/10
1,6 mil
SUA AVALIAÇÃO
O Demônio e o Dr. Hichcock (1963)
Horror

Adicionar um enredo no seu idiomaA woman and her lover murder her doctor husband, but when strange things start happening, they wonder if they really killed him, or if he has come back from the dead to haunt them.A woman and her lover murder her doctor husband, but when strange things start happening, they wonder if they really killed him, or if he has come back from the dead to haunt them.A woman and her lover murder her doctor husband, but when strange things start happening, they wonder if they really killed him, or if he has come back from the dead to haunt them.

  • Direção
    • Riccardo Freda
  • Roteiristas
    • Oreste Biancoli
    • Riccardo Freda
  • Artistas
    • Barbara Steele
    • Peter Baldwin
    • Elio Jotta
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,1/10
    1,6 mil
    SUA AVALIAÇÃO
    • Direção
      • Riccardo Freda
    • Roteiristas
      • Oreste Biancoli
      • Riccardo Freda
    • Artistas
      • Barbara Steele
      • Peter Baldwin
      • Elio Jotta
    • 45Avaliações de usuários
    • 36Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Fotos24

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    Elenco principal8

    Editar
    Barbara Steele
    Barbara Steele
    • Margaret Hichcock
    Peter Baldwin
    Peter Baldwin
    • Dr. Charles Livingstone
    Elio Jotta
    • Dr. John Hichcock
    • (as Leonard G. Elliot)
    Harriet Medin
    Harriet Medin
    • Catherine Wood - Housekeeper
    • (as Harriet White)
    Carol Bennet
    • Woman
    Carlo Kechler
    • Police Superintendent
    • (as Charles Kechler)
    Umberto Raho
    Umberto Raho
    • Canon Owens
    • (as Raoul H. Newman)
    Reginald Price Anderson
    • Albert Fisher
    • Direção
      • Riccardo Freda
    • Roteiristas
      • Oreste Biancoli
      • Riccardo Freda
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários45

    6,11.5K
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    Avaliações em destaque

    7The_Void

    Good Gothic mystery chiller

    As you might expect, this film is really quite similar to Riccardo Freda's earlier horror flick "The Terror of Dr Hitchcock", although for my money; I'd say this one is slightly better. The two films share a director and a lead actress in common, as well as a lead character name. This film firmly fits into the 'Gothic' side of Italian cinema, which Steele often starred in, and Freda makes excellent use of this style with some real standout cinematography. It became clear that Riccardo Freda was, in fact, a hack; as it turned out that the great Mario Bava did most of the work on a lot of his films, and his later stuff - Tragic Ceremony and The Iguana with the Tongue of Fire to name a couple - was a million miles away from being brilliant. This film would appear to be Freda at his best, therefore, and it's actually not bad. The plot centres on Dr. John Hitchcock; a cripple who wants to die. His wife is, naturally, having an affair with her husband's doctor, and pretty soon the two of them conspire to murder Dr Hitchcock for his money. However, they didn't bargain for him haunting them after his death...

    The film's title suggests that it's a ghost story, but I would say that The Ghost is more of a mystery chiller. There's not a great deal of real bona fide horror, and to be honest; I felt the film was a little too talky and would have proffered it to be a bit more visceral. The film's main draw is, obviously, Barbara Steele and the 'Queen of Horror' looks great throughout the film. The decor and set design is great too, and these allow Freda to build an oppressive and macabre atmosphere, which benefits the plot line quite well. The main problem with the film is the fact that a lot of it feels really amateurish. The dubbing is atrocious (even more so than usual) and some of the things the characters say are ridiculous. Whether or not that's down to the translation, I don't know. The climax is the best part of the film for me. Of course, it's not a completely sense-making ending and there are a few holes left; but it's a nice twist at least, and it does justify the shortfalls of some of the rest of the movie. Overall, I won't go as far as to say that The Ghost is a horror classic; but it's good entertainment, and fans of Gothic horror will enjoy it.
    7Hitchcoc

    The Sixties Had Some Nice Ghost Stories

    I remember getting my drivers' license. It allowed me to travel to towns a few miles from mine and see movies (only one was shown at a time in those days) at small local theaters. In the sixties we had Vincent Price, Peter Lorre, Sebastian Cabot, and others entertaining us with lightweight, scary little films. Many were based loosely on the works of Poe. Though I never saw this until a few minutes ago, it fits in with that genre. It has wonderful atmosphere. The heroine is not blameless, but has a case for murdering the old meany. Of course, she's going to pay a price, as is her doctor lover, when the old guy comes back to haunt her. There's a little Rebecca and Gaslight here, but it all works nicely to a satisfying conclusion. He who laughs last, of course. The performances are good and the atmosphere of the castle and its bleak goings on is a lot of fun. There is an intensity at work here that build, till people become paranoid and suspicious. See this. It's not a bad ghost story.
    videodead2000

    Eerie, Atmospheric Italian Horrors

    Barbara Steele is great as the conniving wife of Dr. Hitchcock in this, Freda's sequel to The Horrible Dr. Hitchcock. She conspires with Dr. Hitchcock's physician (who is also her lover) to do away with her old, sick and wealthy husband, which leads to the old revenge-from-beyond-the-grave storyline. While clichéd and (mostly) predictable, this film remains a must-see for fans of atmospheric horror and, in particular, Italian horror films of the 1960's. Riccardo Freda's excellent work combining lighting, sound and camera movement creates an eerie and foreboding atmosphere which overcomes the films weaknesses and gives healthy punctuation to the films shocks. This movie is well worth tracking down, and is certainly deserving of wider recognition than it has thus far received.
    6capkronos

    Slow, but entertaining gothic horror from Italy.

    Set in Scotland in the early 1900's, this very welcome sort-of-sequel to THE HORRIBLE DR. HICHCOCK (1962) concerns the sickly, wheelchair-bound Dr. John Hichcock (Elio Jotta), whose death is hurried along by his beautiful younger wife Margaret (Barbara Steele) and her handsome doctor/lover (Peter Baldwin), in whose care Dr. H had unwisely entrusted. They poison him and then can't seem to find the fortune that should have been stashed in his safe. While they search the grounds, under the watchful eye of the loyal housekeeper (Harriet White Medin), hubby's ghost seemingly returns to settle the score, driving the two of them to paranoia, madness and murder.

    The routine storyline is given a boost by solid direction, atmospheric photography and, especially, a good cast. Though the dubbing is a bit sketchy at times, this is a must for Barbara Steele fans. She's impressively evil in her role and gets a lot of screen time. The twist ending is great and is worth waiting for, as well.

    Score: 6 out of 10
    8BaronBl00d

    Italian Gothic Love Triangle - of Sorts

    Riccardo Freda, an Italian director of skill who directed many Sword and Sandal films of the 60's as well as horror greats like I Vampiri, does a very serviceable job directing this thoughtful, mood-laden sequel of sorts to his earlier effort The Horrible Doctor Hitchcok. One does not need to have seen that earlier effort to follow what goes on here as they are really entities unto themselves with the same characters just going through different circumstances and having different motivations. In this film Dr. Hitchcock(living in Scotland - very implausible given the Mediterranean looks of most of the cast) is bound in a wheelchair and has nothing but sickly pity for himself as he wishes to die. Helping him remain alive is a local doctor giving him some sort of concoction to live and, of course, no love triangle would be complete without the love object of the other two sides - sultry, hypnotic breathless Barbara Steele - the 60's queen of the horror film - particularly the Gothic horror film. Steele is not a great actress by any stretch. She is lovely to look at and has the most impressive pair of - yes, I know where I could go here but really I intended to say eyes the entire time. Freda creates a slowly building tension between the central characters and the story is nothing exceptional in terms of creativity. You have seen this story before in various adaptations. Freda does; however, have a flair with the camera lens, and I was really surprised at how well he, the actors, and the story all combined to make an interesting film experience. The rest of the cast is all serviceable with Elio Jotta as Dr. Hitchcock being particularly effective and Harriet Medin(who was in the previous Hitchcock film also as a maid) doing a nice, creepy job as Catherine the housemaid. There are some very powerfully shot scenes: the tomb scene is genuinely eerie and the final denouement is quite good. Loads of atmosphere make this one of the best of its kind.

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    • Curiosidades
      Made during the pseudonym craze of the 1960s, the music score was credited to "Franck Wallace." Italian composers usually registered their pseudonyms with their performing right society, the SIAE, and the identities were listed by Bianco e Nero and the Monthly Film Bulletin who both reported that Wallace was Franco Mannino. However, some reference sources such as Donald C. Willis in 1972 suggested "Franck Wallace" was a joint pseudonym for Mannino and Roman Vlad (the two composers sometimes collaborated and Wallace is a very rough transliteration of Vlad). Even more confusingly, Beat Records released the soundtrack in 2008 and discovered that the surviving tapes in the Nazionalmusic vaults were attributed to Francesco De Masi. So the CD went out credited to De Masi only. De Masi did not work with either of the other two composers, instead being asked at the behest of the director to do a new score, not liking Mannino's effort; what portions thereof are contained in the film, are unknown, as the director seemingly changed his mind again, as Mannino is credited in the film for the score.
    • Erros de gravação
      When Dr. Livingston removes the bullet from the wall, there is a close-up of him holding an entire cartridge in his hands.
    • Citações

      Dr. John Hichcock: [hands around Margaret's throat] Feel how strong my grip is? But I won't kill you.

    • Conexões
      Featured in 100 Years of Horror: Ghosts (1996)

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    Perguntas frequentes13

    • How long is The Ghost?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 30 de março de 1963 (Itália)
    • País de origem
      • Itália
    • Idioma
      • Italiano
    • Também conhecido como
      • The Ghost
    • Locações de filme
      • Blair Drummond House, Cuthil Brae, Stirling, Scozia, RU(castle-location)
    • Empresa de produção
      • Panda Societa per L'Industria Cinematografica
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 37 min(97 min)
    • Mixagem de som
      • Mono
    • Proporção
      • 1.85 : 1

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