Promessas! Promessas!

The 1963 Jayne Mansfield "comedy" "Promises! Promises!" is best known these days for one thing (well, better make that TWO things!)--it is the film in which Jayne displayed her unfettered rib balloons; the first time a major actress ever did so in a mainstream Hollywood picture. Unfortunately, the film offers pretty much nothing else, and potential viewers would be well advised--no, warned--to bail out after Jayne's initial nude appearance, which happily occurs only three minutes in. During the following 72 minutes, Jayne and her bespectacled hubby, played by the film's co-producer and co-writer, Tommy Noonan, go on a long ocean cruise with their friends, Mickey Hargitay and Marie "The Body" McDonald. Through a set of ridiculous plot contrivances that include placebo drugs, seasickness and lots of liquor, Tommy can't quite figure out how Jayne has suddenly become preggers and just who did the knocking up. Dated, dreary, deadly and dumb (how's that for double D's?), the picture is a real labor to sit through; it is absolutely, consistently and painfully unfunny, and every lame gag falls (you should pardon the expression) absolutely flat. Character actor King Donovan's direction is uninspired, TV legend Imogene Coca goes completely wasted in a teensy role, and female impersonator T.C. Jones is an embarrassment. Strangely, Jayne unclothed does not look nearly as spectacular as Jayne strutting about in formfitting sweaters and gowns in such truly marvelous comedies as "The Girl Can't Help It" (1956) and "Will Success Spoil Rock Hunter?" (1957). I had originally decided to give this film two stars--one for each...well, you know--but cannot give it even that "high" a rating in good conscience. There is no form of entertainment more lethal, for me, than a completely unfunny comedy, and only a big dumb boob would find this one amusing.

Jayne Mansfield generated some of the most heated publicity of her career (and that's saying a lot!) when she agreed to film nude scenes for the 1963 comedy, "Promises! Promises!" No American star of her magnitude had ever appeared undraped onscreen before, and the controversy led to the picture being banned, court hearings on obscenity, and Mansfield stoically bearing the bad press (and no doubt saving all the headline clippings). Watching the film is a sad, strange experience; the nude scenes have nothing to do with the plot, and were clearly filmed solely for sensation's sake. What it shows is a star badly on the wane, appearing in an extremely low budget production, and selling her body cheap for the resultant publicity. Jayne's two nude scenes come fairly early in the film, which means there's plenty of time left for highly strained, largely unfunny, mostly sex-less antics. The crux of the plot involves two married couples, Jayne/Tommy Noonan and Marie McDonald/Mickey Hargitay, on a cruise together. In a rather lewd plot device, both women end up pregnant, and because of some drunken revelry between the couples (never seen), no one is sure who the father is for which baby. One surreal scene has Jayne attending a shipboard party where female impersonator T.C. Jones does celebrity imitations, one of whom is Jayne Mansfield! In character as "Sandy," Jayne squeals with delight and does HER "imitation" of Jayne Mansfield. Unfortunately, it's the funniest moment in the film. On the brighter side, Jayne looks especially lovely and voluptuous, and, playing it relatively straight for once, doesn't rely too much on high-pitched ooohs and aahhhs. Micky Hargitay (Jayne's real-life husband) looks much too young to be marruied to former 40's pinup girl Marie McDonald, but displays a rather sweet, doltish charm as a Hungarian actor striving to lose his pronounced accent (it must've been a real stretch for him). For the die-hard Jayne Mansfield fan, this is basically a harmless, actionless, sexless sex comedy, and a chance to see the star rather perfunctorily topless. For everyone else, it's a historic curiosity, and nothing more.

This movie is considerate: it delivers what it promises (Jayne Mansfield topless) twice in the first 5 minutes - so you don't really need to bother with the remaining 70. Mansfield has a sensational body indeed (breasts as well as legs), but the film is more static and unfunny that smutty and scandalous. Tommy Noonan's drunken routine gets tiresome fast, T.C. Jones' gay-hairdresser routine is even worse. *1/2 out of 4.

Terrible, terrible comedy. But if I were rating it, I'd give it 1 star for the script, photography, and performances, and 10 for the display of Ms. Mansfield's ample attributes. I think this is why they invented the fast-forward button

I liked this a lot, but would've liked it a lot more without the topless/nudity scenes. Don't get me wrong, I am no prude when it comes to sex and nudity in film, depending on the type of film it is and when it was made. And yes, I know this was the first of its kind- but I personally feel it came a little early.

This film is like a 1950s-60s sitcom episode, made into a movie. It feels innocent and clean, the way "Leave It To Beaver" or "I Love Lucy" did. So, to see such nudity in this sort of film was a real turn-off for me, as it just didn't feel right. It felt out-of-place for the period and that whole innocent sitcom world- so out of place, as to seem freakish- and it was only from the belly up nudity! There was no sex scene, but certainly enough allusion to sex in this- to the point of being rather shocking!

So yeah, would have liked this film handled in the more old-Hollywood way, where she would have been covered by a towel, and the sex subject was less obvious. That being said, I still can't help but to like it but in a very mixed-feelings way.