AVALIAÇÃO DA IMDb
7,3/10
4,9 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA career con artist reunites with his wife but has already planned his next move: one daring last heist that will set him up for life. However, there is no such thing as a foolproof plan.A career con artist reunites with his wife but has already planned his next move: one daring last heist that will set him up for life. However, there is no such thing as a foolproof plan.A career con artist reunites with his wife but has already planned his next move: one daring last heist that will set him up for life. However, there is no such thing as a foolproof plan.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 vitórias no total
Henri Virlojeux
- Mario
- (as Henri Virlogeux)
José Luis de Vilallonga
- M. Grimp
- (as José-Luis de Vilallonga)
Germaine Montero
- Mme Verlot
- (as Germaine Montéro)
Marc Arian
- L'autre comptable
- (não creditado)
Henri Attal
- Le copain de Francis
- (não creditado)
Jacques Bertrand
- Le comptable de Grimp
- (não creditado)
Georges Billy
- Un passager du train
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This film deserves more credit than it gets. All the actors are top notch (Jean Gabin as the ageing theif, Alain Delon as the playboy) and the story is very well crafted and has all the great tough guy dialogue of great caper's like RIFIFI, BOB LE FLAMBEUR etc however the overall tone of the film is a bit lighter and not as serious as those films. the heist itself is pretty short and sweet but this movie is more about the planning and the aftermath.
Another great thing about this picture is that even though it's black and white, it's still widescreen adding a nice touch to the look of the film. The only drawback to the DVD is that the picture is quite soft and blurry but for a film of this age and obscurity beggars can't be choosers! Another must see for heist fans (like me!)
Another great thing about this picture is that even though it's black and white, it's still widescreen adding a nice touch to the look of the film. The only drawback to the DVD is that the picture is quite soft and blurry but for a film of this age and obscurity beggars can't be choosers! Another must see for heist fans (like me!)
For a part of public, the actors are the lead motif to see it. for other, the plot, reminding Ocean Eleven. a French Heist movie, good performance of Delon, same Gabin in inspired use of the nuances of character and the perfect end. nothing new at first sigh. in fact, the old flavors are the lead motif for see a film about a hold -up, its levels and portraits of men inside it.
It is well nigh impossible to imagine any other French actor of that time with box office clout who could have played Charles, the ageing, hard-bitten crook nearly as well as Jean Gabin. There is also Alain Delon, the new kid on the block, who was very keen to play the part of Gabin's partner in crime as it would hopefully increase his profile in the United States.
This is Gabin's third collaboration with director Henri Verneuil and has all the hallmarks of Verneuil's style: very little camera movement, good composition of shots and an eye for detail. Louis Page who worked a great deal with Gabin contributes stunning cinematography. I found the score to be rather intrusive but I am probably in the minority. Adapted by Albert Simonin from 'The Big Grab' this has tremendous dialogue by Michel Audiard which is a gift to any actor. Rita Cadillac is rather insipid as the love interest but there is a lovely cameo from Dora Doll as a high class hooker. On a nostalgic level it is great to see Viviane Romance as she and Gabin had first appeared on film together in 1936. The highlight of course is the casino heist which is filmed brilliantly. Slick, professional but rather 'cold' this film will always have an audience because of its subject matter and the two charismatic leads. The final sequence is beautifully edited and absolutely priceless.
This is Gabin's third collaboration with director Henri Verneuil and has all the hallmarks of Verneuil's style: very little camera movement, good composition of shots and an eye for detail. Louis Page who worked a great deal with Gabin contributes stunning cinematography. I found the score to be rather intrusive but I am probably in the minority. Adapted by Albert Simonin from 'The Big Grab' this has tremendous dialogue by Michel Audiard which is a gift to any actor. Rita Cadillac is rather insipid as the love interest but there is a lovely cameo from Dora Doll as a high class hooker. On a nostalgic level it is great to see Viviane Romance as she and Gabin had first appeared on film together in 1936. The highlight of course is the casino heist which is filmed brilliantly. Slick, professional but rather 'cold' this film will always have an audience because of its subject matter and the two charismatic leads. The final sequence is beautifully edited and absolutely priceless.
An old gangster (Jean Gabin) wants to plan a last robbery before retiring. He asks a young man (Alain Demon) met in jail for a partner. The story may look classical but it's played very fine. The most interesting thing in this movie is the dialogue by Michel Audiard. It's amazing ! As good as ever, so watch this film in french language.
It's also the farewell to an old world which disappears little by little because the time of old gangsters is over. It's also funny to hear the characters talk in french postwar slang language.
It's also the farewell to an old world which disappears little by little because the time of old gangsters is over. It's also funny to hear the characters talk in french postwar slang language.
A prototypical heist flick. Old ex-con Jean Gambin is looking for one last score before he retires -- the robbery of a casino on the French Riveria. He enlists Delon, a cocky punk, to help him. Has all of the features: old guy looking for one last score, young active guy who still sort of needs to learn the ropes, complicated heist relying on split second timing, things that go wrong at the last second, unexpected developments, a lot of masquerades, etc. Early on there's some playing around with the notion that Gambin symbolizes a time that is passing, but that isn't really developed, settling down instead to more standard genre fare. Heist is clever and well done, the remake of Ocean's Eleven later stole some of the ideas here. Final shot has that typical Gallic "throw your hands up in despair" kind of thing going for it. Cast is good, with Delon in particular a standout in the kind of role he was meant to play in those years.
Você sabia?
- CuriosidadesCharles' house appears to be the last single one left between the new high-rise buildings. His wife was offered 15 Mill. Frs. to tear it down and make room for a new skyscraper. In fact the house is still standing with no more high-rise buildings around but those that are in shown in the film.
- Erros de gravaçãoWhen Charles is entering the vault, M. Grimp is standing with his face against the wall, so he can't see neither Charles nor the bags. But he gives a very detailed description to the police later.
- Cenas durante ou pós-créditosThe film opens with MGM's 1956-57 logo.
- Versões alternativasThe colored version is shorter than the original black & white film: 13 minutes are missing in this version (original cut: 116 min, colored cut: 103 min). No complete scenes are cut, but many scenes are shortened.
- ConexõesFeatured in MGM Is on the Move! (1964)
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Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Any Number Can Win
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.000.000
- Tempo de duração1 hora 58 minutos
- Cor
- Proporção
- 2.35 : 1
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