Eu, Ela e a Outra

Although this glossy remake of the 1940 comedy "My Favorite Wife" did not turn into the funniest Doris Day vehicle, it does provide several highly amusing moments (Doris's posing as the Swedish nurse is priceless). There are a couple of scenes that could have done with some trimming (Day and Garner's scene in the hotel room and the opening courtroom sequence come to mind) but the film benefits from an excellent supporting cast, Thelma Ritter being the stand-out.

As you may know, "Move Over Darling" is a remake of the Cary Grant/Irene Dunne film "My Favorite Wife." This film copies the original almost scene-for-scene, with a few changes. I'm torn on which film is better all around, but this version fixes a few things that bothered me about the original. First of all, the reunion between the two main stars at the hotel toward the beginning is more romantic and emotional here. Also, I didn't like the ending of the original film, which felt tagged on and unsatisfying, whereas the ending to this film wrapped everything up nicely and pleasantly. This film has much better co-stars, including Don Knotts and Thelma Ritter. The only reason I do not say for sure that this film is better than the original is the fact that the original was a very funny film, which is not to say that this is unfunny, but the comedy simply doesn't measure up to the brilliance of Cary Grant. I recommend both versions, and while the original provided more laughs, this gives more emotional satisfaction, but both are enjoyable. Just don't watch them side-by-side or you may feel like you just saw the same film twice.

*** out of ****

As a big fan of Doris Day, I loved Move Over Darling. My Favourite Wife is often compared to this film, but I personally prefer this film. Move Over Darling is funny, charming and without a wasted scene. The film looks fabulous, with beautiful cinematography and fresh-looking scenery, while the soundtrack is bright and breezy. Then there is an engaging story, a witty and charming script and professional direction.

Not only that there is some fine acting in this film. I have always loved Doris Day, not only as a talented singer but as a fresh and endearing actress, and she is lovely in Move Over Darling, and James Garner as always is immensely likable. While Polly Bergen and Chuck Connors give perfect support as the other woman and the hunk marooned with Day, it is the delightful Thelma Ritter who steals the show as Day's outspoken mother-in-law.

Overall, one of my favourite Doris Day films, and a film that is warm, witty and charming. 9/10 Bethany Cox

Move Over, Darling (1963)

The situation is hilarious--a man finally gives up his wife as dead in a plane crash in the South Pacific and remarries. Then she comes home, just hours after the ceremony. And in time to avoid the classic consummation at the ritzy hotel. Doris Day plays the lost wife returning home and her hubby is the charming James Garner. And Garner's mother--Day's mother in law--is played by the impeccable Thelma Ritter.

So what could go wrong here? Nothing much really. It's colorful, plasticky, fun, goofy, and well written. Except that it's a remake of a more famous and in many ways better movie starring the snappy on-screen couple: Cary Grant and Irene Dunne. The original is called "My Favorite Wife," and I totally recommend it.

It must have occurred to these newer actors that they had huge huge shoes to fill. And to make things more weird, Doris Day is basically filling in for Marilyn Monroe, who died during the filming of this same kind of plot (though this movie started the idea almost from scratch, only Ritter and some of the sets being carried over).

One way to avoid comparisons is to never see the original. We all know the dangers there--who wants to only see the second or third "King Kong" or the second "The Women" and so on? But there is also the truth that Doris Day is her own commodity. She is convincingly regular, a true 50s/60s mom type for middle class America (though be sure, these are all extremely rich people here, part of the glamorizing that the audience craves).

So go back to the start here--this is a well made, fast paced, silly movie in the Doris Day vein. She's the true star, though Garner does his best to be a somewhat more conventional Grant. There are a couple of scenes that will crack you up beyond the endless smaller jokes and gags. One is where Day pretends to be a Swedish masseuse and ends up "massaging" that is torturing the new wife. The other is a wonderful automatic car wash scene in a classic car with suds flying--and the top to the car goes down by mistake. Day is an amazing sport for all of this.

I really like this Doris Day flick. Doris does more slapstick in this feature than all her other movies put together. James Garner thinks Doris has been dead for 5 years. He is now on his honeymoon with new wife Polly Bergen and guess who shows up after being rescued off a deserted island? You got it. Doris hilariously ruins the honeymoon (this was when couples waited until the honeymoon to make love, YEAH RIGHT!) Anyway, Polly is quite frustrated not getting any action from James Garner. Several scenes are classics. especially when Doris poses as a Swedish Masseur and practically beats Polly to a pulp. The best scene of all is watching Doris drive a brand new 1963 Imperial Conv. into a car wash and then accidentally putting the top down.

Don Knotts makes a funny cameo as a randy shoe salesman and Edgar Buchanan (Petticoat Junction) is funny as a surly Court Judge. Thelma Ritter is always funny and she is up to par here. This movie was apparently re-worked for Doris Day after the death of Marilyn Monroe who was essentially filming the same movie when she died. Even the sets were basically the same. I guess 20th Century Fox needed the money after the Liz Taylor fiasco "Cleopatra" almost put them in bankruptcy. Overall, a very cute, sexy (for the era) funny movie. They don't make cute movies like this anymore. Too bad.