Mothlight

Mothlight (1968)

*** (out of 4)

Here's a director I had never heard of until reading some of Martin's reviews so I did a little searching and came across this film, which is a strange one to say the least and even after watching it I had to read other reviews just to understand what I had seen. From what I gathered, the director didn't use a camera but instead used parts of a butterfly, taped them to a film strip and that's the entire movie. The film runs just under three minutes and we see all sorts of strange things that my writing talent wouldn't allow me to do justice to. Since this was my first film by the director I can't say I totally understood what he was trying to do but I enjoyed what I was watching. The various images, shapes and creations the director comes up with was very entertaining.

We see the world through butterfly wings. Every millisecond another colorful wing passes before us. It isn't long before we want to go outside and get some fresh air. It's just not that interesting because there is no real center.

The comments already listed for this film are perfect, but I just wanted to add is that this isn't so much a film as much as it is functional art. If the definition of "art film" can roughly be put as anything on film that breaks the traditional Hollywood narrative (clearly defined protagonist with clear-cut goals and every scene of the film relating to the obtaining of / confinement of those goals), then this film is pretty much the benchmark for how broad that definition is. Not exactly a "must see," but important because it gives us language with which to talk about "art film" in general.

It's rather tricky to rate and review a 4 minute film but I'm gonna try anyway. From the very beginning so called "experimental film" has dealt with the material of the film as such and there is a whole tradition of films made without the help of a camera. You can scribble on it, you can scratch it or as it was done here, you can glue two dimensional and transparent objects to it, then sandwich the negative onto it and let it run past a light source in order to expose it. Some people still think that film depicts reality, whereas all it really does is depict a reproduction of reality. But surely there must be another reality than what Hollywood is trying to sell us and Brakhage's approach is as simple as it is beautiful. In Mothlight wings of insects and thin leaves flutter over the screen and since each frame has no relation to it's preceding image, the outcome is rather fidgety. However, if you relax and stay focused at the same time you will realise that watching Mothlight is like staring at a bright light that is surrounded by moths. When I watched it for the first time, I thought the effect was rather impressive. You might argue that you don't go to the movies to watch moths flutter around bright lights but there is so much more to it. Experimantal film has always questioned our way of perceiving the world and Mothlight is no exception. Only it's also very beautiful and thus very entertaining.

Finding Brakhage was an accident, but when I did stumble upon his world, I shut the door to the "Hollywood" world, and I sat down in the dark, to watch Brakhage. MOTHLIGHT was the first one I saw, and MOTHLIGHT was all I needed to see in the beginning before I wanted to get into experimental film. It traps you and doesn't let you go. Those who have seen it, know what I'm talking about. It's something amazing, and something everyone needs to experience at least once. **** four stars.