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This is film-making at it's best! Superbly cast and acted, John Wayne stars with Maureen O'Hara, Patrick Wayne, Chill Wills and Strother Martin in a western with a twist of humor. There's some drama and enough action to keep the viewer's interest, but this film contains some hilarious scenes, particularly between O'Hara and Wayne. Those two have worked together (superbly!) before and it shows. Their interaction is perfect and the results provide some real comic relief! This isn't one of Wayne's old "oaters", but a wonderfully written and executed film. Don't miss this film - it's one of the greats!

I recently watched McLintock! (1963) on Prime. The storyline follows a lawless Wild West filled with Native Americans, bandits, corrupt officials, and ranchers trying to make a living. McLintock is a rancher who decides enough is enough and sets out to keep the peace among the locals.

Directed by Andrew V. McLaglen (The Wild Geese), this film stars John Wayne (True Grit), Maureen O'Hara (Miracle on 34th Street), Patrick Wayne (Big Jake), Stefanie Powers (Herbie Rides Again), and Jack Kruschen (The Apartment).

This is a fairly cliché, straightforward western with a mediocre storyline. However, the characters are fun, and the fistfight scenes are amazing. McLintock's back-and-forth with his wife provides a light-hearted and entertaining subplot. John Wayne delivers his character perfectly; his drunk scenes are hilarious, and his legendary spanking scene adds to the humor. Unfortunately, there aren't any real shootouts or over-the-top action scenes that stand out.

In conclusion, McLintock! Is a straightforward western with enough fun scenes to make it worth watching for fans of the genre. I would score this a 6/10 and recommend seeing it once.

I am a John Wayne fan, but have never heard much "buzz" about this movie. Indeed, I hesitated over it a number of times before renting it for my family's weekly movie. I almost introduced it apologetically.

No worries, though! This movie is CLASSIC John Wayne. There are SO many elements to like in it. You get some good and timely philosophical comments about self-reliance versus dependency, some other good points on what goes into a marriage; but then there are truly funny comic moments, scenes, lines. Very un-PC, very memorable.

In fact, this movie has so many great lines it will require more viewings. We re-ran several as it was.

Put that together with a uniformly strong supporting class, and I think you've got vintage Wayne.

This is the Duke at his two-fisted, brawling best, along with Maureen O'Hara, who lights up the screen, in `McLintock!' a rousing western/comedy directed by Andrew W. McLaglen. John Wayne is George Washington McLintock, cattle baron and owner of just about everything around for as far as the eye can see. He owns cattle, mines and lumber, and even the town is named after him. And he's a fair man and a good employer to boot, who pays a fair wage for a good day's work. He even hires a young man, Devlin Warren (Patrick Wayne), who has come in with a group of homesteaders who have been given land by the government and plan to farm the Mesa Verde, even though, as McLintock warns them, it's impossible to farm at 6000 feet above sea level. In the meantime, young Devlin has to support his mother, Louise (Yvonne De Carlo) and his sister, Alice (Aissa Wayne). So G.W. even hires Louise to be the cook for his outfit. McLintock is The Man in these parts, and he earns the respect he is accorded by most of the good citizens of the territory. But he has one problem, and it's a big one; and it comes in quite a package: His estranged wife, Katherine (O'Hara), who has just come back to town to settle a certain issue with her husband. And the fireworks begin the minute she steps off the train.

The main bone of contention has to do with their daughter, Becky (Stefanie Powers), who will be returning home from college soon. Katherine wants to take her east to live; G.W. in having none of it. And shades of `Who Wants To Be A Millionaire,' that's his final answer. The real rub is that G.W. still loves Katherine, and he still doesn't know what put the burr in her saddle and caused her to leave him two years earlier. It's also obvious that Katherine still loves G.W., but she apparently can't get past whatever it was that caused the split in the first place. But her eyes sparkle whenever Drago (Chill Wills), G.W.'s right hand man, brings up the `good ol' days,' and she's reminded of when they started out with nothing but each other and a lot of love and courage.

There's a touch of `Taming of the Shrew,' in this story, and near the end Wayne and O'Hara virtually reenact one of their own scenes from `The Quiet Man,' all of which adds up to a couple of hours worth of good, old fashioned fun. This movie never pretends or aspires to be anything other than what it is, which is good, wholesome entertainment that features some memorable characters, lots of humor and some classic lines. The Duke is trim and healthy and never swaggered better, and O'Hara, in a green dress against which her gorgeous red hair absolutely glows, makes you wonder if there's ever been a more beautiful actress ever to grace the silver screen. And the two of them have a chemistry together that ranks right up there with the best pairings the movies ever had to offer. The Duke may be in command, but he certainly has his hands full with that fighting Irish wildcat, O'Hara. Together, they've created some moments on screen that will live forever.

Adding to the merriment is an all-star supporting cast that includes Jerry Van Dyke (Matt, Jr.), Hank Worden (Curly), Bruce Cabot (Ben), Jack Kruschen (Jake), Edgar Buchanan (Bunny), Perry Lopez (Davey Elk), Michael Pate (Puma), Strother Martin (Agard), Gordon Jones (Douglas), Robert Lowery (Governor Humphrey), H.W. Gim (Ching), Edward Faulkner (Young Ben), Chuck Roberson (Sheriff), Mari Blanchard (Camille), Leo Gordon (Jones), Bob Steele (Train Engineer) and Big John Hamilton (Fauntleroy). McLaglen sets the pace and keeps this vintage Wayne/O'Hara vehicle right on task, which makes `McLintock!' a classic in it's own right. It's a timeless film that captures the attitude and freedom of a time gone by that simply does not exist anymore in this, our `advanced' era of political correctness, which often stifles the very freedom it espouses. And watching this movie, it makes you wonder about the `progress' we've made in the past thirty years or so. As far as movies go, this one is magic, and it proves that they just don't make ‘em like they used to. I rate this one 9/10.

Lively star Western vehicle in comedy vein, patterned after NORTH TO ALASKA (1960) and with a "Taming Of The Shrew"-like plot that recalls THE QUIET MAN (1952; with the same leads) – both of which, incidentally, I haven't watched in a long time!

As John Wayne grew older, his films settled into being safe and unassuming family fare – which this one certainly is, making it undeniably the least of the Batjac films released on DVD so far! Through all these films, he managed to surround himself with reliable talent on both sides of the camera – many of whom were already a part of "The John Wayne Stock Company". The script by James Edward Grant, Wayne's favorite writer, provides plenty of amusing situations which are gleefully met by the cast (particularly Chill Wills, Jack Kruschen and Strother Martin) – including a free-for-all in the mud, a fist-fight during a town celebration, a drunken encounter with a flight of stairs and the come-uppance of both female members (Maureen O' Hara and Stefanie Powers) of the McLintock family at the hands of the Waynes (father John and son Patrick respectively) – though the ponderous subplot involving the Comanches' last stand (headed by Michael Pate) feels somewhat incongruous alongside the brawling and the slapstick and should, perhaps, have been dropped altogether.

The supplements are of a similarly high quality as the rest of the Paramount "Batjac" releases: the Audio Commentary here is especially engaging for the way it places the film in the context of both Wayne's career and the revisionist attitude the Western genre would go through immediately afterwards; interestingly, as was the case with HONDO (1953), it's also mentioned that John Ford was asked to direct some sequences when the films' respective director became indisposed! Incidentally, I'll be watching the similarly boisterous DONOVAN'S REEF (1963) soon – a film that has eluded me all these years despite being a perennial on Italian TV! – and which proved to be the last of the innumerable collaborations between Wayne and Ford...