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IMDbPro

Quando um Homem É Homem

Título original: McLintock!
  • 1963
  • Approved
  • 2 h 6 min
AVALIAÇÃO DA IMDb
7,1/10
18 mil
SUA AVALIAÇÃO
Maureen O'Hara, John Wayne, Stefanie Powers, and Patrick Wayne in Quando um Homem É Homem (1963)
lbx
Reproduzir trailer2:46
1 vídeo
99+ fotos
ComédiaOcidentePastelão

O Ocidente fica selvagem e engraçado quando o gado (John Wayne) não pode 'domesticar' sua esposa afastada (Maureen O'Hara).O Ocidente fica selvagem e engraçado quando o gado (John Wayne) não pode 'domesticar' sua esposa afastada (Maureen O'Hara).O Ocidente fica selvagem e engraçado quando o gado (John Wayne) não pode 'domesticar' sua esposa afastada (Maureen O'Hara).

  • Direção
    • Andrew V. McLaglen
  • Roteirista
    • James Edward Grant
  • Artistas
    • John Wayne
    • Maureen O'Hara
    • Patrick Wayne
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,1/10
    18 mil
    SUA AVALIAÇÃO
    • Direção
      • Andrew V. McLaglen
    • Roteirista
      • James Edward Grant
    • Artistas
      • John Wayne
      • Maureen O'Hara
      • Patrick Wayne
    • 128Avaliações de usuários
    • 48Avaliações da crítica
    • 62Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias no total

    Vídeos1

    McLintock!
    Trailer 2:46
    McLintock!

    Fotos160

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    Elenco principal45

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    John Wayne
    John Wayne
    • George Washington 'G.W.' McLintock
    Maureen O'Hara
    Maureen O'Hara
    • Katherine Gilhooley McLintock
    Patrick Wayne
    Patrick Wayne
    • Devlin Warren
    Stefanie Powers
    Stefanie Powers
    • Rebecca 'Becky' McLintock
    Jack Kruschen
    Jack Kruschen
    • Jake Birnbaum
    Chill Wills
    Chill Wills
    • Drago
    Yvonne De Carlo
    Yvonne De Carlo
    • Louise Warren
    Jerry Van Dyke
    Jerry Van Dyke
    • Matt Douglas Jr.
    Edgar Buchanan
    Edgar Buchanan
    • Bunny Dull
    Bruce Cabot
    Bruce Cabot
    • Ben Sage
    Perry Lopez
    Perry Lopez
    • Davey Elk
    Strother Martin
    Strother Martin
    • Agard
    Gordon Jones
    Gordon Jones
    • Matt Douglas
    Robert Lowery
    Robert Lowery
    • Gov. Cuthbert H. Humphrey
    Hank Worden
    Hank Worden
    • Curly Fletcher
    Michael Pate
    Michael Pate
    • Puma
    Edward Faulkner
    Edward Faulkner
    • Young Ben Sage
    Mari Blanchard
    Mari Blanchard
    • Camille Reedbottom
    • Direção
      • Andrew V. McLaglen
    • Roteirista
      • James Edward Grant
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários128

    7,117.6K
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    Avaliações em destaque

    amvaquer

    Yes, Mrs. McLintock! Indeed, Mrs. McLintock! Of course, Mrs. McLintock!

    I've always been a John Wayne fan and a fan of this movie in particular. When it came out in 1963, there was a television special on the making of "McLintock!" that showed the filming of the famous muddy fight sequence. That got me wanting to see this film even more.

    In today's "politically correct" atmosphere, the spanking scenes would seem to some as barbarian. But it was played as broad comedy and remains broad comedy. Maureen O'Hara gave (verbally) as she got.

    40 years ago, during the telecast of JFK's funeral, the flag-draped casket and caisson were shown passing by a movie theater. On the marquee: "McLintock!"
    9bkoganbing

    The Duke's Most Personal Film

    Whatever you think of John Wayne's politics, they were never better expressed more convincingly or with more entertainment than they are in McLintock. At first glance this film is a rough house western version of The Taming of the Shrew. But it is far more than that, it is the closest thing we have to a film manifesto of the world as John Wayne saw it.

    As G.W. McLintock, the Duke is the American dream personified. The man who came west and by dint of his own sweat and labor built a cattle empire. He did it without the government's help and note how he tells the settlers the government doesn't 'give' anything away. One of the three people identified as villains in his world view is land agent Gordon Jones. He's a liberal in McLintock, peddling the view that government help is the answer to all of our problems.

    McLintock rather broadly satirizes other people who Wayne considers liberals. The know-it-all college kid Jerry Van Dyke, the tanglefooted bureaucrat Indian agent Strother Martin, the oily politician Robert Lowery these people get quite a going over.

    Wayne doesn't 'give' anybody anything. As he says to son Patrick Wayne in my favorite line in all John Wayne movies, "I don't give jobs, I hire men." That's a creed he followed in real life as well.

    Sad to say though the world isn't as simple as McLintock would have us believe. McLintock takes place in the age of the robber barons and those folks were not as noble in character as G.W. McLintock. Maybe the world ought to be like it is in McLintock, but it ain't.

    McLintock is one grand piece of entertainment though. The comedy is as broad and unsophisticated as you would find in any John Ford film and with good reason as Wayne and Director Andrew McLaglen learned the movie trade from him.

    In addition to dealing with the assorted 'liberals' mentioned above, the Duke has some domestic concerns. Wife Maureen O'Hara has left him, but is back over where their daughter Stefanie Powers will reside. Maureen is playing the same role she did in Rio Grande and later on in Big Jake, the estranged wife who circumstances force her back with Wayne. In the case of McLintock though these are circumstances that Wayne makes on his own with some inspiration from The Taming of the Shrew.

    The cast is populated with a grand cast of regulars from previous Wayne films like Chill Wills, Edgar Buchanan, Hank Worden, Leo Gordon, Michael Pate, and some already mentioned.

    Jack Kruschen makes his one and only film appearance in a Wayne film here. He does very well as the kindly, benevolent and obviously Jewish storekeeper. He's got an important function also here, as another self made American success story in the same film.

    Yvonne DeCarlo got cast in this film after her husband who was a stunt man was injured badly on another film. She had heavy duty medical expenses and Wayne was not about charity. But he was legendary for taking care of fellow performers giving them a pay day in his films if they needed it. He didn't give jobs, he hired men and women. Yvonne is Pat Wayne's mother in the film who Maureen suspects of being Wayne's mistress when she's hired as a housekeeper.

    We also get an economics lecture from the Duke as well. He works for "every man who goes to a butcher shop and wants a T-Bone steak." And Pat Wayne works for him. It's what makes the capitalist system go.

    If you take some of the politics expressed with a critical eye, McLintock is fabulous entertainment, one of the Duke's best films.
    8redryan64

    Recipe: Part Horse Opera, Part Horace Greely, Part Mack Sennett, 1 Funny Bone. Simmer 2 Hours. Drain False Pretensions. Have Served by Director with Fine Cast.

    The Tales of the American West and the Western Film are two inseparable American Cultural Institutions. They are highly visible and closely related to each other. Both are exaggerated and distorted versions of American History. Whatever the images we harbor in the deep recesses of our widdle heads, they are colored by people like Zane Gray, Louis Lamour, William S. Hart and John Ford.

    Then of course, we have so many types of western film as we have other kinds of genres of stories. So some films are historically correct, some are strictly fairy tale material. So we even have Western Farce, a subject well represented by today's 'victim', the John Wayne starring vehicle, McLINTOCK (Batjac Productions/United Artists, 1963).

    Being an original screenplay, the story is a custom fit for the Duke, whose Batjac Productions made the picture and released it through United Artists. Long on characters and characterizations, the picture uses the slimmest plot as just a reason for presenting political postulates and providing its audience with many a reason to laugh.

    OUR STORY………..It is to be a Great Celebration of the 4th of July in the Western Town of McLintock. Having been named after its local patriarch, the Multi-millionaire Rancher/Farmer/Miner, one George Washington McLintock (the Duke), the town and its people have prospered.

    Added to the mix we have the return from College "back East" of G.W.'s daughter, Becky McLintock (Stephanie Powers-Woo, woo, woo, woo!). Her affections were being sought after by College Boy and Glee Club Varsity Letterman, Matt Douglas, Jr. (Jerry Van Dyke), the son of U.S. Government Agent, Matt Douglas (Gordon Jones). Jerry Van Dyke does as fine a job as ever in doing comic relief. He gives a Stan Laurelesque interpretation to his character.* The biggest development in the whole chain of happenings is the return of G.W.'s estranged firebrand of a wife, Katherine Gilhooley McLintock (Maureen O'Hara), who has a real love-hate relationship with G.W. The climax of the film has an open air domestic "quarrel" that takes Mrs. Mc down the streets of the town, clad in (strictly non-revealing) foundation under-garments, with G.W. in pursuit, ah, it's true love! Many who have viewed both films agree that this was a sort of obvious attempt to recreate the high spot in John Ford's THE QUIET MAN (Argosy Pictures/Republic Pictures Corporation, 1952), in which both the Duke and Maureen O'Hara also coincidentally were the belligerents.

    In the viewing of McLINTOCK!, we witness a real hybrid of a production. As we have mentioned before, we have a particular sort of Horse Opera here. It is a true farce. Unlike Mel Brooks' BLAZING SADDLES (Crossbow Productions/ Warner Brothers, 1974), which was a spoof of the Western, the John Wayne film was a farce, all the way. If anything, we can describe it as a sort of "latter day" or modern, if you will, Mack Sennett Comedy. And it is with confidence we offer this thesis, for it seems to have all the same elements; namely, a central hero having some unusual difficulties, family troubles, bad business conditions and high expectations of his ability to weather the "storm." In the process of getting through the 2 hours, the Duke manages to instruct us on what his ideas were on the way things are and should be.

    If you notice, any Governmental Representative is seen with a dim view, not only of his intent, but also of the underlying intent and outright necessity of whatever their function is. He is obviously a Conservative, a believer in self help. His is truly a far cry from the Cradle to Grave, creeping socialism that we see so much today.

    One thing we do know about Mr. Marion Michael Morrison was his generosity and his loyalty toward his friends, both old and new. In McLINTOCK! We had a film that could have gotten by with a much smaller cast. But if they did that, so many of Mr. Wayne's friends wouldn't have a pay day. Subsequently we have people like the Director Andrew V. McLaglen (Victor's son) and a host of actors such as: Patrick Wayne, Stephanie Powers, Jack Kruschen, Chill Wills, Yvonne De Carlo, Jerry Van Dyke, Edgar Buchanan, Bruce Cabot, Perry Lopez, Strother Martin, Gordon Jones, Robert Lowery, Hank Worden, Michael Pate, Leo Gordon, Bob Steele and many others.

    Whatever the classification, McLINTOCK! is worth taking in. It's never dull, and certainly won't be hard to watch, that's for sure. And we dare you not to have your full share of laughs before it's over!
    7didi-5

    typical Big John Wayne

    Directed by Andrew MacLaglan, this rip-roaring John Wayne-Maureen O'Hara comedy lets them do what they did best.

    Wayne plays George Washington McLintock, a brawler and he-man in typical Western setting. O'Hara plays his feisty wife and Stefanie Powers their bratty daughter, Becky. Patrick Wayne, son of Big John, plays Becky's intended, a young man who looks like he'll wind up just like her pa.

    'McLintock' is fast, furious, and funny. About as far from PC as you can get, this Western take on The Taming of the Shrew is bawdy and boisterous, and the casting is perfect. John Wayne was a man's man in the 'gotta do what he has to do' mould and this role was perfect. O'Hara - his best co-star - is also superb.
    BibChr

    How did I miss this? It's great!

    I am a John Wayne fan, but have never heard much "buzz" about this movie. Indeed, I hesitated over it a number of times before renting it for my family's weekly movie. I almost introduced it apologetically.

    No worries, though! This movie is CLASSIC John Wayne. There are SO many elements to like in it. You get some good and timely philosophical comments about self-reliance versus dependency, some other good points on what goes into a marriage; but then there are truly funny comic moments, scenes, lines. Very un-PC, very memorable.

    In fact, this movie has so many great lines it will require more viewings. We re-ran several as it was.

    Put that together with a uniformly strong supporting class, and I think you've got vintage Wayne.

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    Enredo

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    Você sabia?

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    • Curiosidades
      John Wayne once remarked that, try as he might, he couldn't get Big John Hamilton to react properly in the scene where McLintock was "explaining" the rules for the fight between Fauntleroy and Dev at the party. Finally, Wayne resorted to actually stomping on Hamilton's foot and kicking him.
    • Erros de gravação
      In the mud fight scene, when John Wayne climbs out of the pit, a man is seen in the background wearing a modern grey business suit. In the same shot, there's also a person wearing sunglasses.
    • Citações

      George Washington McLintock: Becky! Come here. There's somethin' I ought to tell you. Guess now's as good a time as any. You're gonna have every young buck west of the Missouri around here tryin' to marry you - mostly because you're a handsome filly, but partly because I own everything in this country from here to there. They'll think you're gonna inherit it. Well, you're not. I'm gonna leave most of it to... well, to the nation really, for a park where no lumbermen'll cut down all the trees for houses with leaky roofs. Nobody'll kill all the beaver for hats for dudes nor murder the buffalo for robes. What I'm gonna give you is a 500-cow spread on the Upper Green River. Now that may not seem like much, but it's more than we had, your mother and I. Some folks are gonna say I'm doin' all this so I can sit up in the hereafter and look down on a park named after me, or that I was disappointed in you -- didn't want you to get all that money -- but the real reason, Becky, is because I love you, and I want you and some young man to have what I had, 'cause all the gold in the United States Treasury and all the harp music in Heaven can't equal what happens between a man and a woman with all that growin' together. I can't explain it any better than that.

    • Cenas durante ou pós-créditos
      There are no end credits at the end of the movie.
    • Versões alternativas
      Available in a 128 minutes version (by Goodtimes Entertainment) and in a shorter 122 minute version by Gemstone Entertainment. This is an edited version with all the original music and background music replaced with an all new soundtrack. Some musical scenes have been deleted and some dialogue dubbed.
    • Conexões
      Featured in Hollywood: The Great Stars (1963)
    • Trilhas sonoras
      Love in the Country
      Sung by The Limeliters

      Music Coordinator "By' Dunham'

      Words & Music by "By' Dunham' and Frank De Vol

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    Perguntas frequentes

    • How long is McLintock!?
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    Detalhes

    Editar
    • Data de lançamento
      • 13 de novembro de 1963 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Chinês
      • Navajo
    • Também conhecido como
      • McLintock!
    • Locações de filme
      • Old Tucson - 201 S. Kinney Road, Tucson, Arizona, EUA
    • Empresa de produção
      • Batjac Productions
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

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    • Orçamento
      • US$ 2.000.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

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    • Tempo de duração
      2 horas 6 minutos
    • Cor
      • Color
    • Proporção
      • 2.35 : 1

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