O Túmulo do Horror

The film is known by a few titles 'La cripta e l'incubo' (original title)'Crypt of Horror' aka 'Terror in the Crypt' aka 'Crypt of the Vampire' - no matter the title, it's a pretty good Gothic vampire and witch film. I enjoyed the film anyway.

It's basically about a girl who is having nightmares and taken ill. Her father calls in a doctor for help and a historian to find out more about the family history - to see if he can find what the family curse is and help put an end to it.

This is a film that if you enjoy the clichés like: family curses, vampires, witches, worshiping devils, evil spirits, nightmares, castles, cellars, graveyards and crypts all rolled into a fun Gothic film experience then you might like this particular movie.

7.5/10

Christopher Lee is struggling with the usual dilemmas facing a single parent. His daughter is acting up and getting all goth on him, dreaming she's a vampire that's killing distant relatives, indulging in strange ceremonies with the housekeeper, listening to Cannibal Corpse, all that sort of stuff. Lee's also having a bit of an affair with his maid, who resents Lee's daughter as she sees her as an obstacle regarding getting hitched to Lee.

It's the usual modern day problems, but set in a huge brooding castle next to a ruined village of course. Lee hires a guy to find out what his ancient ancestor looks like to prove to his daughter that she's not her reincarnation, and the guy immediately gets a thing for Lee's daughter. That's a pity, however, as she's kind of taken with a young, mysterious girl who's staying at the castle for a few days while her carriage is getting fixed at the local Kwik Fit, in yet another Italian Goth Horror where suspected vampirism increases your chances of a homosexual experience. Usually of a Sapphic nature.

I quite enjoyed this one, which is your usual Gothic horror with some really grotesque imagery thrown in for good measure, including the housekeeper using a severed hand as a candle holder, a giallo-style killing, and the reveal of why the church bell keeps ringing in the ruined village is a doozy! There's a bit of a mystery about the whole thing too as the young guy keeps digging, trying to find the image of Christopher Lee's ancestor, and who can't like a film that has a hunchbacked soothsayer in it?

The lesbian isn't played up too much of course considering the year this was made, but it ticks all the Gothic Horror boxes for me. I think I've seen them all now, but who knows what waiting out there?

Though only superficially faithful to Joseph Sheridan Le Fanu's famous novella, "Carmilla," this picture merits praise for its consistent visual distinction, and a unity of mood, (elsewhere, and accurately described as "stately") that lift it far above the overpraised (and dramatically disjointed) "Castle of the Living Dead" which Mr. Lee completed about the same time.

Allegedly set in Styria, but filmed in Italy, this film boasts deep focus black and white cinematography that clearly takes its visual cues from Bava's "Black Sunday." Indeed, this film even features a witch condemnation sequence rather similar to the one depicted in the earlier film.

The castle interiors are alive with looming shadows, the rooms dressed with the appropriate paraphernalia of the genre, (flaming braziers, suits of armor, baroque prickets and saint statues; while the exteriors contain some of the most enchanting landscapes one could wish for--not to mention unforgettable nightscapes--as of two women fleeing across a hillside in billowing peignoirs and lit by the moon, (rather like the cover of a Phyllis Whitney novel).

Also in its favor are some scenes quite faithful to Mr. Le Fanu's original, as in the barouche accident which occasions the arrival of the vampiress, (here re-named "Luba" for inexplicable reasons).

There are some demerits: a heroine that looks like a cross between Barbara Streisand and Maria Callas, and an Elke Sommerish Lady in Waiting whose adulterous relationship with Mr. Lee seems entirely gratuitous.

Nonetheless, admirers of 1960s Italian gothics need to re-examine this piece which is often unfairly dismissed, as it warrants far more attention and respect than such slush as "Terror Creatures From the Grave."

Concerned about a 200 year old family curse that might bear fruition "Count Ludwig Karnstein" (Christopher Lee) hires an historian by the name of "Friedrich Klauss" (Jose Campos) to peruse all of the documents in Karnstein castle in order to settle the matter once and for all. What most disturbs Count Karnstein is the fact that his daughter "Laura" (Adriana Ambesi) is having strange dreams which typically come true adds to his concern. Throw in a scheming mistress named "Annette" (Vera Valmont) along with an unexpected visitor by the name of "Ljuba" (Ursula Davis) and things soon take a turn for worse in no time. Now rather than reveal any more I will just say that the director (Camillo Mastrocinque) managed to maintain the mystery and suspense in such a manner to keep my interest from start to finish. Likewise, although I was expecting a vampire movie similar in nature to those Christopher Lee has done in the past, this particular picture left me somewhat surprised. In any case, although this wasn't a great movie by any means, I still enjoyed it and for that reason I have rated it accordingly. Slightly above average.

Many of my fellow Eurohorror enthusiasts seem to have been disappointed by Camillo Mastrocinque's "La Cripta e l'incubo" aka. "Crypt of the Vampire" of 1964. For understandable reasons as the film, which stars Horror icon Christopher Lee, certainly doesn't range among the most memorable efforts in Italian Gothic Horror from the 1960s. Fact is, however, that this country, time and sub-genre stands for many of the greatest Horror films ever brought to screen, and even many of the lesser productions, such as this film, are entertaining films as such. This is one of only two Horror films by director Mastrocinque, the other being the vastly superior "Un Angelo Per Satana" of 1966 starring Genre-Goddess Barbara Steele (my favorite actress). This "Crypt of the Vampire" very obviously borrowed many story-elements from another Italian Gothic Horror film, Mario Bava's unequaled masterpiece "La Maschera Del Demonio" aka. "Black Sunday of 1960 (probably my choice for the greatest Horror film of all-time, and, of course, it also stars Barbara Steele). It can in no way compete with Bava's masterpiece, of course, nor with the many other Italian Gothic highlights from the day, be it Bava's, Antoino Margheriti's, or Riccardo Freda's films of even with Mastrocinque's own "Angelo Per Satana". Yet "Crypt of the Vampire" has many qualities. One has to give it to director Mastrocinque that he was capable of creating an uncanny atmosphere in spite of an obviously low budget. Again, he did so more impressively in "Un Angelo Per Satana", but one has to admit that this film is also highly atmospheric.

Count Karnstein (Christopher Lee) has sent for a doctor to help his daughter Laura (Adriana Ambesi). The young lady Karnstein has been tormented by terrible nightmares, and it is believed that she is possessed by the evil spirit of a dead ancestor... The film's major weakness is that it is too slow-going, especially in the first half. It is always atmospheric though, and the film really catches up in the second half, and gets quite creepy in some parts. Also, there are some nicely demented characters, such as a disfigured beggar. As it was the case with a truly brilliant Gothic film from the same year, Antonio Margheriti's "Danza Macabra" (aka. Castle of Blood"), this film has a certain lesbian subtext. The female cast in this film are beautiful, but not comparable to Barbara Steele (I can't stop praising her) and Margarete Robsahm who stunned viewers in "Danza Macabra". Also, while the (implied) lesbianism is a nicely exploitative element in this film, the explicit stuff that became common practice in Exploitation cinema only a few years later in the late 60s makes it look very harmless. Even so, it is a fun element of the film. More screen time for the great Christopher Lee would certainly have helped the film. The female cast members are entirely hot, but none of them is extremely talented. As said, the film's strong point lies in the atmosphere. Overall, "Crypt of the Vampire" is by no means a must-see or even a very good film. However, I personally enjoyed it and I think that many of my fellow fans of Italian 60s Gothic Horror might see it the same way.