Golias e os Pecadores da Babilônia

Named as Sword & Sandal genre is one my favorite ones, my DVD copy has a Italian original language, therefore in the Italian version Mark forest is Maciste, arriving at Nefer he gathered with 41 revolutionary gladiators to put a close over send 40 virgins girls a year to Babylon to be sacrificed, it's was a price to maintain the peace, they hijack a ship to sink Babylon's ship that is coming to takes all girls to there, the picture has another highlight, a chariots race, likes Ben Hur, the love between the princess with Xandros (Gemma) however the most exiting sequence certainly was the Maciste was chained on a table with several spurs hold by ropes from the celing, their friends have to cut the rope that release the spur toward Maciste's body, many them reach closest, a true breathtaking haunting scene, by the way a true unique, many battles, betrays, lavish giant sets, among others things, has a Midge called Goliath on this version, a true amusing guy, bringing humor to small group, valuable and enjoyable adventure, unfortunately it already didn't come out officially in Brazil, my DVD-R copy is came from internet download!!!

Resume:

First watch: 2012 / How many: 2 / Source: DVD-R / Rating: 6.5

Technically, this is at the better end of the genre as both the production standards and - mercifully - the dubbing hold up quite well. Mark Forest could hardly be described as versatile, or good - really - but here, he is also quite decent as the eponymous hero who steps in to stop the annual tribute of thirty young virgins being sent from his Nefer homeland to Babylon. Certainly, the plot offers nothing new - we have seen the same story time and time again with the hero being "Hercules" or "Maciste", but the costumes and sets are colourful and vibrant, there is plenty of strong-man action and although it is a bit heavy on the dialogue side from time to-time, it's still quite an entertaining sword and sandals caper full of the usual court intrigues, gladiatorial sword fights and quite a fun contribution from Arnaldo Fabrizio ("Ninneto") too. You won't remember it afterwards, but it passes eighty-odd minutes amiably enough.

The use of Little People (or "midgets" in hammerhead speak) in these Italian Peplum films always puzzles me. I am sure the diminutive actors were delighted to have the opportunity to work and it looks like most of them enjoyed their experiences. The purpose appears to be comic relief: Watch the little guy run between the legs of the two Pizza-Pizza guards with their plumed helmets, they bend down to grab him, their heads konk together & the mini hero turns, issues a poorly lip synced wise crack, and later ends up reclining on a couch surrounded by fawning harem girls who think he's so cute ... Watch the midget bonk a guy over the head with a club to save the muscle bound hero, Ho Ho Ho. I'll grant that the Midget Role is an important part of the Peplum film formula, but the hyperactive, wise-cracking ball of energy in this one is SO obnoxiously used that it detracts from what otherwise would have been a 10/10 effort. Times have changed over the course of the 43 years (!!) since this film was made and I don't find midgets to be inherently funny. So pardon my raining on the parade here a bit.

All that aside this is a *WAY* superior action/adventure film populated & made by the best from the Italian cult genre school of film-making: Director Michele Lupo, composer Francesco De Masi, and performers Mark Forest, genre legend Giuliano Gemma, José Greci, José Canalejas, Piero Lulli, and the great Paul Muller. The scope of the film is also on a much grander scale than the usual throwaway Peplum shenanigans of Pizza-Pizza guards chasing a Son of Hercules & his damsel in distress over the familiar looking countrysides of Morocco, Spain, France or Italy that would later be featured in the Spaghetti Western craze which came after the Peplum Fad died out: It's like SPARTACUS meets BEN HUR meets HERCULES meets THE SEVEN GLADIATORS -- A group of super noble Adonis types battles an evil tyrant king to free their people from the yoke of oppression, namely a yearly tribute of "The 30 most lovely virgins" as sacrifices to the gods. The whole idea of depleting a people of their most sexually attractive women just to sacrifice them is of course appalling but ultimately counter-productive. Who in their right mind would want to selectively exterminate all of the good lookin' babes??

Again, with all that aside, this movie totally rocks: There is an extended, violent chariot race, duels to the death a-plenty, scenes where the Herculean heroes take on entire squadrons of Pizza-Pizza guards & make them look like buffoons, prisoners being thrown to the lions for kicks, and an eye-popping battle between two full-sized war galleons that were made just for use in the film that is amongst the most spectacular battle scenes from these potboilers that I've ever witnessed. A surprisingly large sum of money & talent was sunk into this project (1963 was perhaps the zenith year for the Peplum Fad) and it shows. Even non-fans of the genre will be impressed & entertained by the film, with gorgeous women, expansive detailed set construction, some genuinely creative camera work, a cast of thousands and a body count to match, dialog that actually sounds like stuff out of classical Roman history, nefarious court intrigue that holds the fates of entire peoples in the balance, and truly committed performances by the leads ... even the midget throws himself into the role with a certain amount of gusto that's admirable if ultimately annoying to the point of detracting from how seriously one can really regard the film during his scenes.

No offense meant mind you, I just don't understand why someone would go through so much effort to create a really superior, epic scale entertainment & then shoot themselves in the foot with extraneous craparoni. But to quote the late Dr. Carl Sagan yet again, "The universe is not required to be in perfect harmony with mere human ambition", and if getting to enjoy such a splendid film requires couple dozen stupid midget humor scenes then that is a price I will be happy to pay. This movie RULEZ!

9/10: Leave the midget at home next time guys, they aren't funny anymore, and serve only to demonstrate the insensitivity of the times in which the movie was made. So be it.

Goliath returns to his home land to help stop the flow of 30 virgins a year to Babylon.

As Sword and Sandal films go this is pretty good. Its not the worst its not the best. Its just a good, light entertaining film that makes you smile as things go along. Filled with interesting set pieces, a chariot race, a sea battle, dungeon torture, this movie attempts to give you more than the usual film of this nature.

The trouble is that the film seems to have been done before. Its not even so much that the film has the same plot as the vast majority of this type of film, its that the sets, the tortures and perhaps whole sequences show up elsewhere. Even allowing for the fact that the trailer has shown up on various other taps and DVDs, this film seems overly familiar, especially to anyone who has ever watched more than a handful of these films.

Still as these things go its not a bad movie. See it.

Goliath returns to a kingdom (Nefer?) on the Persian Gulf which has fallen under the cruel domination of Babylon. Each year a number of the kingdom's most beautiful virgins must be sent off to serve the evil Babylonian king. Goliath unites with some local rebels to end this domination, destroying by fire the city of Babylon in the process.

This "peplum" comes with a lot of action: the usual fights, a chariot race, a sea battle, and a climactic conflagration. There's also a touch of romance, (though not involving Goliath), and for comic-relief we're offered one of those midget sidekicks so dear to the hearts of Italian audiences. As usual our hero is subjected to a torture or test-of-strength. In this case he's spreadeagled face-up on a sloping table while spears drop toward him from holes in the ceiling. Some of these spears crash into the table just to one side of the hero's flesh while other spears are halted in their downward plunge mere inches above various parts of the hero's body. (The spear that hurtles toward Goliath's groin is a real attention getter!)

Fans of such goings-on will probably find this an adequate way to pass 80 or so minutes, but there's little to distinguish these goings-on from numerous similar movies. Had Steve Reeves played the lead, the situation might have improved, but here we have Mark Forest (born Lou Degni), a bodybuilder who has the necessary pecs but is short on charisma. Something about the way the skin crinkles around his eyes whenever he smiles makes him look a bit "wimpy."