The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!?

This is a fascinating artifact from another era of pop culture; From the convoluted title (complete with "!!?" at the end) to the open mike "Amateur Night" numbers to the horribly muddled sound recording to the goofy throwaway dialog to the discombobulated ending to the paper-thin plot, this one has to be seen to be believed.

You know the old saw about a movie being 'like a train wreck - you can't look away'?? Well, imagine if a school bus ran into the train wreck and a 727 crashed on top of it and then a herd of lemmings swarmed over the smoking remains on their way to go over a cliff. And then the Jolly Green Giant picked up everything and threw it over the mountain range and into the next state.

The movie piles one jarring, disorienting choice after another in rapid succession. First 'Jerry' rubs boogers out of his eyes on camera, then 'Harold' is jamming our ears with his Lithuanian/Chicano accent, and then 'Angela' throws off the composition of an entire scene with her Mile High Beehive of Hair, following which a bunch of 'dancers' perform bad choreography with all the precision of a dance recital for kindergarten girls, and then some dick-weed who can't carry a tune in a bucket sings the most insipid love song in the history of music while strumming a guitar that sounds like a ukulele. Then Elizabeth Taylor spins a pinwheel to make Jerry commit badly staged murder to cover up the fact that she threw acid in the face of a lumpy alcoholic, following which Jerry dreams that he got his face painted at a Renaissance festival and leaps about like a Thompson's Gazelle while a montage of women point and laugh at him. Then a mechanical wind-up monkey shrieks that we should "GET YOUR TICKETS HERE!! GET YOUR TICKETS HERE!!!" and a bunch of people who previously got acid thrown in their face and were drawn by the Rat Fink Hod Rod guy and have apparently been living on Angel Dust and Pop Tarts break loose and rampage through an Inuit/Swedish/African dance revue until the police come and shoot everyone, including Jerry who also had acid thrown in his face just before the titular 'zombies' got loose. Oh, and there's no moral, THE END.

I'm making the movie sound more coherent than it really is.

And yet, the whole mess is somehow entertaining and amusing, and I ended up being glad I saw it. If I were to meet Steckler (unlikely), I'd shake his hand and comment on how weird the movie was and ask him "WHAT THE HELL WAS HE THINKING?" when he made it.

MST's riffs on the movie are inspired and their version is worth getting hold of. But the movie stand on its own as a lunatic pinball of weirdness, careening randomly off the walls of our expectations of pop culture.

See it if you have a fondness for silly stuff. Otherwise, stay far, far away.

If you were born during the spring of 1965, you may have been conceived while this was playing at the drive-in. I watched this on TCM, which didn't have closed captioning as an option, so I don't know if a DVD offers captioning, but it would help. Part of the movie takes place at a carnival midway, which is cool, the rides, the burlesque show, fortune teller, etc. - this almost could pass for a Scooby-Doo episode, and without the song and dance numbers, probably would last as long as one.

Yes, songs and dance numbers in a horror (probably not the right genre) movie. It's low budget, it's cheesy, and gosh darn it, they made an effort to create this, uh, movie.

Incredibly Strange, yes..... but is it alive? No, it's got some good points ("hallucinogenic hypnovision", which is detailed in a preface not seen in most U.S. video prints, turns out to involve ushers in monster masks, hardly the doctor's prescription for a happy trip) but overall dull and slack and looking exactly like five dollars. Still, it's a movie that shows Steckler's love for film, even if this somhow doesn't make up for LENGTHY semi-burlesque dance sequences and the absence of any real "zombies."

B-movie fans in the bay area have been treated over the last few years to Steckler's appearances at Will Viharo's "Thrillville Revue", and I'm happy to say that Steckler is a director who can sit in a theater and laugh at his movie with an audience (you just have to take my word for it that there are A LOT of directors who make bad films and take them VERY seriously... just listen to the director's commentary on the film "the Bone Yard" for an example). This is not his best effort (see "The Thrill Killers" for that), but it's pretty fun if you see it with popcorn and a bunch of drunk people. And heck, that's what movies are all about, isn't it?

One of the most famous BAD movies ever made, mainly because of its legendary title, which is arguably the best thing about it. Look this is an awful movie, everybody knows that, but the question that should be asked is is it worth watching? And the answer is HELL YES.

Ray Dennis Steckler lies somewhere between Ed Wood, Jr and Russ Meyer for me. Wood made laughably bad genre movies that have continued to fascinate because of their campy silliness. His movies are still tons of FUN all these years later. Russ Meyer was certainly not incompetent, but he created bizarre movies populated with strange, sex obsessed characters, who found themselves involved in twisted, often indescribable plots spouting absolutely insane dialogue.

Steckler like both those directors creates his own unique world. He is closer to Wood because of his sheer ineptness I suppose, but unlike Wood's movies his are tough going at times. Truly (unintentionally) hilarious sequences are repeatedly interspersed with some of the dullest and most pointless scenes you'll ever see. That makes his movies totally unlike anyone else's before or since. 'Incredibly Strange Creatures...' is arguably his most consistent effort, and even this one is dragged down by the endless musical numbers. Even so it is a movie that HAS to be watched at least once by any trash fiend or cult movie enthusiast. You really have to see it to believe it!

I recommend this film for those of you who, like me, work out of the home and enjoy having warm, harmless, unimposing movies playing quietly in the background during the workday. Many critics have commented negatively about this movie's novel title, confusing plot (or lack thereof), queerly dated characters, unintelligible dialogue, garish color, inferior sound, etc. But in this connection, I can think of no other film that keeps on simultaneously garnering so much praise, while incurring an exactly proportionate censure, over precisely the same agreed "shortcomings." For example, some viewers balk that the film's dance numbers are both irrelevant and amateurish, therefore doubly unendurable. Others, like myself, find them so deliciously preposterous and unaccountably charming in their dated foolishness as to be worthy of repeated viewings. And this dualism just may be "Incredibly Weird. . ."s real strong suit. There's so much I could say in defense of this poorly-made film from a nicer, nostalgic time, when even Hollywood's low-rent district seemed sunny and safe- but much of it has already been said in these reviews, and very well at that. Let me confine my recommendation to this: if you're shopping to buy or rent a notoriously "bad" film, don't choose a jaded, overblown, written-by-committee, painfully self-conscious finger-wagger made c.1994 at a cost of over 50 million, and which was panned as a 1/2-star flop by every critic and moviegoer, yet managed to not only recoup its investment but launched three big-name careers in the process. No, friend, go with a stinker such as this fetid little endeavor, made on a shoestring, enlisting the dubious cooperation of an uninspired carnival sideshow troupe, and which best of all bears the boisterous but distinctive thumb-print of an overly-ambitious director/lead actor/ out-of-his-depth galoot like Ray Dennis Steckler. I couldn't explain it properly here in the space allowed, but "Incredibly Weird" seems to unintentionally exude a charmingly flatulent air biscuit of Americana; and if a film must have warts, this one has the ones that are best had. "Incredibly Weird . . ." - a pleasingly inept offering from the days when a film could be bizarre without giving in completely to the perverse, and could gain an audience with no visible means of sustaining one but its overwrought title and its hopelessly inept charm.