A Incrível Jornada

My only problem with the movie is the fact that both the narrator AND the families themselves refer to Bodger, the white pit bull, as a "he" when clearly the dog is female!?!?!?!?!? Whats up with that???? Did Bodger spend alot of time in doggie therapy due to this?

Yep, I can still recall just how much this particular film managed to stir, thrill, rattle and enthral me when I was first introduced to it at the age of four. Having spanned the past couple of decades or so as an afternoon TV favourite, it's given me plenty of opportunities over the years to catch up with it every so often and witness Lua the retriever, Bodger the bull terrier and Tao the Siamese cat making the incredible journey referenced in the title all over again. No matter how archaic it could easily be dismissed as in comparison to the kind of household pet movies that get snapped up nowadays (no celebrity voice-overs here…no voice-overs at all for that matter), it remains as charming and wonderful as I ever remember it being - simple, engaging, maybe even a little powerful, especially for anyone who's ever felt close to an animal companion of their own. The plot, straightforward enough for a young kid to easily follow, but never crossing the line into the overly simplistic or childish, is the perfect definition of loyalty and devotion, particularly in regards to the bond between a pet and their owner. Two dogs (one a sprightly youngster, the other an aged fellow struggling to keep up) and their feline friend get separated from the human family that's doted on them all their lives, and are compelled by their strong sense of homing instinct and longing for their two-legged pals to head off together in the direction of home - completely oblivious, of course, to the fact that it's over 200 miles away and leads mostly through a terrain of beautiful but treacherous wilderness where wild animals have the upper paw.

What works so well about 'the Incredible Journey' is that the animals themselves are actually a very good set of actors (the highly expressive cat playing Tao is particularly impressive), and the film-makers show a lot of well-judged willingness to let that tell the bulk of the story in itself. Contrast this with the 1993 remake, 'Homeward Bound', which updated the tale to a contemporary setting and, inevitably, gave them celebrity voice-overs and human personalities (a handful of people embraced it for precisely those reasons, but, even if one of those voices did come from the legendary Michael J Fox, I found it a little unconvincing and distracting myself). While that particular version chose to up the emphasis on comedy, and had its four-legged trio spouting throwaway wisecracks and playground dialogue for much of the time, the original was much more confident (and rightly so) in the animals' abilities to charm and engage us with their own naturalistic merits. An off-screen narrator does explain a lot of the details that they probably couldn't have otherwise conveyed on their own, but these never feel forced or excessively anthropomorphic - they remain animals at all times, natural and convincing, and in the process actually manage to express far more depth and character than the 'Homeward Bound' trio ever could, even with their firm grasp of the English language. That scene where Bodger licks and nudges Tao so enthusiastically says a lot more about the affection they have for one another, I think, than all the throwaway gags in the world.

The human actors are more of a mixed bag - some of them are good, some of them are just average - but hey, they're hardly the reason why most of us would choose to watch this movie in the first place. Things are generally a lot stronger when they're focusing on the animals, a fair exception being the sequence involving a lonely young girl who provides temporary refuge for Tao, which paves way for one of the most poignant moments in the entire film (and which the remake, oddly enough, has no equivalent scene for).

Another great thing about 'the Incredible Journey' is the way in which it manages to blend both the beauty and splendour of the natural wilderness with the far rougher 'survival of the fittest' principle that drives it. The scene involving the mother bear and her cubs goes from being cute and amusing to outright towering in the blink of an eye (allowing the ever-charismatic Tao to bag one of his finest moments). The scene where Tao gets pursued by the lynx is also pretty frightening (and certainly not without its irony), and Lua's run-in with the porcupine becomes rather harrowing when the poor dog has to deal with the consequences of going after such prickly prey. Incidents which all serve as sharp reminders of just how vulnerable these pampered pets really are in a world so far out of their usual kitchen-and-fireside-rug element. Though it was the river-crossing sequence, along with the less dramatic but equally affecting scene that follows, that I'll readily admit to finding most heart-rending the first time I saw it, and on every single viewing since I can't help but feel just a little apprehensive inside as it happens.

Still, while it's certainly a more daunting experience than its light-hearted remake (which reformulated most of those scenes for their comic effect), it also maintains a good balance between the danger and the warmth, and the robust appeal of its trio of leads gives it a heart of solid gold from beginning to end. Other than the animals, the scenery and the background score, there really isn't a great deal else to it when all is said and done, but those assets alone are effective enough to make it soar - indeed, the only modern creature flick that could stand a chance of outclassing it would have to be 'Babe'. Tailor-made for any pet lover, 'the Incredible Journey' is one of Disney's key live action classics, one which I've enjoyed watching all my life, and I anticipate many a pleasurable repeated viewing in the years and afternoon TV airings still to come.

Grade: A-

A movie that's almost only 'acted' by animals might not sound interesting to some, but I must say that I truly love this movie. Not only because I love animals, but also because this is very good example of a very enjoyable movie with pets as main characters. Nowadays it seems that the only way to make animals 'act' is to make them talk and tell silly jokes, usually by using some awful CGI effects. This very well done tale, instead, delivers the goods through a very nice narration, and through an interesting plot that doesn't get silly and stays almost true to complete credibility: two dogs and a cat start a long and adventurous trip home after accidentally getting lost (this has happened various times in history, even for long distances). A very nice tale for the whole family, and a mild yet captivating story that will almost bring a tear -- a happy one -- to the eye of any true pet lover.

8/10

This is Disney at its best. Filmed on location amidst beautiful scenery. An intelligent and common sense screenplay. Human actors that are down to earth and believable. A truly outstanding narrator. An endearing story line that isn't really that far-fetched; pets, especially dogs, have been known to travel great distances to get back home.

I want to emphasize the narration. This movie is just one example of Disney's ability to find highly skilled narrators for movies/documentaries in which humans play a minor part; and sometimes no part at all.

Wonderful adventure from Walt Disney, adapted from Sheila Burnford's book and a total charmer that should captivate any audience, regardless of age. A gorgeous Golden Retriever, a Bull Terrier, and a Siamese cat travel 200 miles together across wilderness territory in Canada to be reunited with their human family. Director Fletcher Markle does amazing things with these animals (much more so than he does with the somewhat-stilted human actors, anyway). Beautifully photographed, exciting, and funny/sweet without resorting to the obvious. These plucky pets are something to see, much better than those cast for the 1993 remake (in which celebrities 'voiced' the animals' thoughts). Some things are better left simplified. *** from ****