O Revólver é a Minha Lei

A gunslinger, chased by lawmen for a killing, makes his way to an outlaw hideout called Sanctuary. Along the way he teams up with a young punk who has a yearning for "a good fight and a bad woman". The law tries to take the gunman out of the compound but things took another turn. Average western.

A heavy, self important western (i.e. Trying too hard to "say something" significant about the human yadda yadda). Most of the oppressiveness comes from Jo Heims' too talky, too expositional and definitely too philosophical screenplay but Jimmie Haskell's score is not far behind and director Edward Ludwig, in his last film, is only too happy to attach himself to Heims/Haskell. As is Rory Calhoun, a poor man's Robert Taylor, Ruta Lee, a poor woman's Stella Stevens, and Rod Laurin, a very poor boy's James Dean. About the only person who manages to rise above the dreck is Rod Cameron, doing a more than passable aging lawman. Not Joel McRae in "Ride The High Country", which this film wishes it was, but close. Give it a C.

Edward Ludwig was mainly known for his adventures yarns: CARIBBEAN, WAKE OF THE RED WITCH, JIVARO, SMUGGLER'S ISLAND, FLAME OF THE ISLANDS, though he also gave some other genres stuff, horror: BLACK SCORPION; crime. LAST GANGSTER; and war/ FIGHTING SEABEES; Also I admit a couple of westerns such as VANQUISHED and the one I am talking about now. This is a typical mid sixties western, not speaking of those starring the Duke, directed by the likes of Burt Kennedy or Andy McLaglen in the pure forties, fifties and Jack Ford tradition. No I speak of those westerns which were somewhere the transition between Ford and Peckinpah. Westerns with a bit of bittersweet taste and melancholy; for instance Dick Thorpe - also last stand, what a coincidence - THE LAST CHALLENGE - with of course nearly the same scheme as GUNHAWK, or those B westerns produced by Paramount pictures and AC Lyles, during also the early sixties, and starring old timers such as George Montgomery, Yvonne de Carlo, Richard Arlen. And don't forget last Spencer Gordon Bennet's film, - one of the most famous and prolific serial maker with Bill Witney, who, for his last feature, as like Thorpe and Ludwig, gave us two tremendous little films, BOUNTY KILLER, and REQUIEM FOR A GUNFIGHTER. In one of them, Dan Duryea gave one of his best performances ever as a pure anti hero, who announced the downbeat late sixties and early seventies. So GUNHAWK is for me a terrific piece of work, especially for the B genre. Which i have always loved.

Two veterans of the B western movie genre Rory Calhoun and Rod Cameron team up for The Gun Hawk. Cameron plays an upright sheriff who saw some promise in Rory Calhoun and wanted to make him his deputy. But Calhoun preferred the dark side and became a notorious gunfighter.

Calhoun is back in Cameron's town for some personal business. But a gunfight that resulted in the accidental killing of his father sends Calhoun on a vengeance quest rather than let the sheriff handle it. He kills the two shooters and now has Cameron and his deputy Morgan Woodward after him. Cameron wounds him in the right arm, Calhoun's shooting arm.

But Calhoun has another scheme in mind. He's the kingpin in a town called Sanctuary, an outlaw town. Calhoun's also got his girl friend Ruta Lee there as well. He'll need her presence as his gun hand is out of commission.

Both Cameron and Calhoun are shown to good advantage, Calhoun having the more complex part in The Gun Hawk. Also look for a nice performance by Rod Lauren as a young kid who both Calhoun and Cameron are courting. Yet another young man of promise.

Definitely a must for fans of the B western.

THE GUN HAWK was advertised in theaters as a typical action packed shoot em up western, which must have disappointed the drive-in fans who were expecting that. What they saw instead was a thoughtful, superbly acted character study written by Jo Heims, who would later write PLAY MISTY FOR ME for Clint Eastwood. Rory Calhoun and Rod Cameron both prove they are excellent actors, bring nuanced performances to roles similar to those they had both played in countless B westerns. Rod Lauren, Ruta Lee, and Morgan Woodward provide excellent support. I think this movie got lost in the era between the 50's B westerns and the 60's spaghetti westerns, neither of which does it fit comfortably in, which is a shame. Highly recommended!