Castelo Assombrado

Centuries ago in Arkham, New England, the warlock Joseph Curwen (Vincent Price) abducts young ladies from the local village and brings them to his castle to use in experiments with the Necronomicon. The local Edgar Weeden (Leo Gordon) raises a lynch mob that go to the castle and burn Joseph Curwen alive at the stake. Before dying, he curses the village, the villagers and their descendants.

One hundred and ten years later, Charles Dexter Ward (Vincent Price), who has inherited the manor, comes to Arkham with his beautiful wife Ann Ward (Debra Paget) to visit the real estate and has a cold and hostile reception by the dwellers. Only Dr. Priam Willet (Frank Maxwell) helps him and tells that the village has many mutants and the villagers believe that it is a cursed town.

When Charles arrives in the castle, he meets two former associates of Joseph Curwen that also worship the devil, and Charles is possessed by the evil Joseph Curwen that wants to revenge on the descendants of those who killed him and to bring his beloved mistress back to life. Ann and Dr. Willet try to help Charles to escape from Curwen's power.

"The Haunted Palace" is a classic Gothic horror by Roger Corman that follows the same style of the Hammer films. The plot is very simple but works perfectly well, supported by Vincent Price and the gorgeous Debra Paget. Further, this is the last feature of this beautiful actress that retired after getting married for the third time. My vote is seven.

Title (Brazil): "O Castelo Assombrado" ("The Haunted Castle")

Note: On 25 December 2020, I saw this film again.

Charles Dexter Ward (Vincent Price) arrives at a small village to visit the house he inherited from his ancestor (also Price) who died there 110 years ago.

The full title of this film is "Edgar Allan Poe's The Haunted Palace", which is not only incorrect and misleading to the audience, but an insult to H. P. Lovecraft, who had virtually no films made of his stories up to this point. Sure, in the 1980s and after Stuart Gordon championed Lovecraft... but hardly a peep before that!

Where else are you going to hear the words Cthulhu, Arkham, Necronomicon and more in one film? Talk about the Elder Gods? You are not, at least not in the 1960s. This film was groundbreaking, and Corman deserves a lot of credit for bringing the Charles Dexter Ward story to a bigger audience.

Vincent Price looks great in this film, perhaps better than ever. Certainly, this is among his most menacing roles, not only killing but threatening sexual assault. This was Debra Paget's final role, and she did excellently as the story's heroine. As Ivan Butler says, Corman has a "skill in finding beauty in the conventional misty landscapes, huge baroque rooms, unending stone-flagged passages" and more. AIP and Corman never failed to give us some beautiful sets and costumes.

Howard Maxford says the film "never quite shifts into first gear." I see his point, as the suspense is not strong and the movie seems to idle for quite a bit (to continue his analogy), but I think this can be overlooked by the great things this film has to offer. For example, the child called "it" is pretty great. So much potential here.

While this is not my favorite Corman-Price collaboration (that award goes to "The Raven"), this is still well worth checking out. Price never disappoints, and this has all the trappings of a decent film, both for its time and today. I am sad such films do not get made anymore, and that this one seems to be among the least known and appreciated among Corman's "Poe" series.

Roger Corman's 'Poe' series is one of the all time highlights of cinema. With low budgets, great stories and Vincent Price; Corman has created a legacy that is hard to react to with anything but admiration, and it's certainly a style of film-making that will never be utilised again. This film is, actually, not based on a story by Edgar Allen Poe; but one by the almost equally excellent HP Lovecraft. You will notice Poe's name on the posters, but that's nothing more than a ploy by American International to ensure that people went to see it. However, whoever wrote it is inconsequential, because it's incredible whatever. From the moment it begins, with an incredibly malevolent Vincent Price being burned for witchcraft shortly after putting a curse on the village of Arkham in one of the man's finest monologues ever; this film grabs you doesn't let go until the words 'The End' appear on your screen. The subject of witchcraft and burning witches has, and will always be absolutely fascinating and this film capitalises on that. Adding to the intrigue is some otherworldly creatures in the basement that Price feeds young women to, and a village full of deformed residents! Lovecraft's Necronomicon joins the party as well...

I don't know how much American International paid Vincent Price for making this and other Corman films, but whatever it was, it wasn't enough. Price holds the viewer's attention like no other actor has ever, and probably will ever do again. He handles his dual role fantastically, and switches between the darkly macabre and an innocent naivety at the drop of a hat. Also joining in the fun is fellow horror legend, Lon Chaney; who puts in a delightful performance and provides most of the scares! Corman does an absolutely fantastic job of building atmosphere in this movie, and the village of Arkham is constantly foreboding and intriguing. The use of smoke is right on cue; as is the music, which is massively over the top; but very, very effective. The problem with many horror films is that in spite of being excellent, they're often not very frightening; but there's one sequence in this film that sees a bunch of deformed villagers surround Price and his wife that is positively nightmare inducing! I have nothing but respect and admiration for this picture as it is an immense achievement in Corman's Poe cycle, and don't let the fact that it's not a Poe story put you off - if you're a fan of Price, Corman or just low budget atmospheric horror in general, see this film NOW!

Charles Dexter Ward (Vincent Price) arrives in the creepy village of Arkham with his wife Ann (Debra Paget) to look at a large mansion he inherited. The villagers are none too happy to see Ward as he is the descendant of a warlock that placed a curse on Arkham a century before when he was burned at the stake. The curse, they believe, is responsible for the large number of mutants in their village. Ward soon finds himself being possessed by the spirit of his ancestor, who seeks revenge on the descendants of the villagers who killed him.

Another great Roger Corman 'Poe' movie, though this owes only the title to Poe. The story is H.P. Lovecraft's "The Case of Charles Dexter Ward" and it's one of the better adaptations of a Lovecraft story to film, even if it's a loose one. Vincent Price is excellent, as you probably expect. Lon Chaney, Jr. has one of his better later roles. He replaced Boris Karloff, who was ill at the time of filming. This was Chaney's only Corman movie. Beautiful Debra Paget and busty Cathie Merchant provide the sex appeal. This was Paget's last film. Leo Gordon, Frank Maxwell, Elisha Cook, Jr. and the other villagers are all good support. Nice music, cinematography, and direction. Cool sets, costumes, and makeup. An entertaining Gothic horror movie that fans of Corman and Price will love.

The darkest of Roger Corman's Poe chillers, though this yarn owes more to HP Lovecraft than Edgar Allan's poetry. Vincent Price gives his all time greatest performance in a dual role as possessed and possessor, aided by a wonderfully literate script by Charles Beaumont. It gives Price no leeway to indulge his tendency to sometimes ham it up.

Here, he keeps tight dramatic restraint on himself, making his gradual transformation from kindly innocent to the reincarnation of his warlock ancestor a virtuoso portrayal of inner turmoil overwhelmed by fiendish evil. Corman even provides a last good role for Lon Chaney Jr (as he'd done previously for Boris Karloff, Peter Lorre and Basil Rathbone) as a ghoulish henchman.

Undeniably, 'The Haunted Palace' does have a rather ponderous pace and music score that makes the film seem stretched as Price wanders down just one more hidden corridor. Floyd Crosby's widescreen cinematography is also unrelenting, capturing the drab, muted blue and brown pastels of a Puritan village plagued by witchcraft. And the barely glimpsed green demon lurking inside the vault was perhaps a mistake.

But Corman's skill on a 15-day schedule and a cheap budget is evident throughout. He introduces Chaney in a splendidly done sudden shock appearance that will still make unwary audiences jump (asked why he is preparing a room in the dark, he tells Price, "One becomes accustomed to the darkness... here").

True Corman fans will rank this chilling piece of American Gothic among his best. Not least where an exasperated Chaney asks the possessed Price when he will be satisfied avenging himself on the descendants of those who burned him at the stake. "Not until this village is a graveyard," Price promises Chaney sibilantly. "Not until they too have felt the kiss of fire on their soft flesh... all of them."