The Crawling Hand

This is a pretty typical piece of Sci-Fi tripe of the late 50's-early 60's period. With the assistence of the Skipper (Yep, Alan Hale) two scientists track down a rougue body part that takes over the mind of a local teen, Paul. The hand controls him through some "cosmic force" that goes unexplained. The hand/arm strangles the poor lad's toadlike landlady before taking over his mind. Paul is less successful in killing people, as he fails to kill both a sour soda shop keeper and his Swedish girlfriend.

Will Paul be able to defeat his foe? Or will he need the help of alley cats? "Dames like this ALWAYS got beer around".

Now here's what cheap sci-fi teen horror is all about, and it's from AIP, of course! Astronaut is killed in space while possessed by an evil alien force, but somehow his severed arm makes its way to earth, still hosting the alien, and begins a killing spree. If that's not good enough, you've got troubled teens, two proto-X-Files scientists tracking the hand, a sublimely weird malt-shop assault scene, and the crawling arm's demise comes via a pack of stray cats! Classic trash from start to finish!

This is not a great movie. It's definitely a B movie. It was clearly done on a low budget, belongs to a generally unremarkable genre, and has a plot that leaves much to be desired. For all that, it's actually not nearly as bad as would be expected.

The major premise (that in space there is some kind of immateriel life form that possesses human flesh and wants to kill people) is obscurely bogus, yes, but many much better movies are open to the same criticism. SpiderMan's premise is hardly more realistic, for example, but that is a major motion picture and gets very good reviews.

Then there's the plot. Sure, it's a little thin, but the movie does *have* a discernible plot (not something you can take for granted in a B-grade movie), and what is more, the plot is quite coherent. You do not find yourself confused part-way through about what is going on, which of the people on the screen are from which group (good guys, bad guys, et cetera), or any of the other vagaries that often haunt the plots of lousy movies. The plot isn't deep, but as far as it goes it is solid.

The acting, moreover, is not bad. I did not notice a single instance of noticeably poor acting. Not that anyone's going to win any awards for the acting in this movie, but they don't do anything to break all pretenses of mimesis and make you want to scream at the actors, either. This is fairly unusual, especially for such an obviously low-budget flick, and extra-especially in the horror genre. You expect, in a movie of this sort, to be disgusted when actors stutter, scream at the wrong times, leave long pauses between lines, and have wooden, unlifelike expressions on their faces. I didn't notice any of that, unless you count characters who were at the time possessed by the alien life form, and that was clearly a deliberate charactarization of the menace as quirkily unhuman.

As for the writing, I've seen worse. The characters were mostly flat and static, but horror movies seldom make any pretenses about having round, dynamic characters. Only a couple of the characters were really obvious stereotypes (notably, the scientists' boss and the deputy).

Probably the worst thing about this movie is that the ending quite obviously left things wide open for a sequel.

One of my guilty pleasures is watching 50s and 60s schlock horror films. So, when I found this DVD listed on Netflix, it seemed like a natural choice for me! Well, after having seen it, I can happily report that it was every bit as bad as I expected--meaning that it was fun to sit and laugh at the ineptness of this film.

The movie begins with hearing that the space program has once again lost contact with one of their ships returning from the moon. They assume the astronauts are dead but don't know why. Then, suddenly, one of the men appears on the view screen. Oddly, he now has eyes like a raccoon or Robert Downey and he is screaming about having an urge to kill. He begs the people on Earth to push the self-destruct button before the ship can return and so naturally they do(!).

Later, some horny teens are at the beach and bits and pieces of the ship are scattered about--including a human arm that naturally made it through the atmosphere. In such a case like this, what would you do? Yep,...take the arm home and stick it on a shelf!! And, since this is a low-budget horror film the arm comes to life and begins to kill--though how a disembodied arm can so easily find people (even though it's missing eyes and ears) is beyond me. And, when it fails to kill our dumb hero (the one who brought it home), he, too, becomes a raccoon-eyed maniac!

The film is dumb but what makes it worse is that again and again, scenes were not re-shot even though they had obvious mistakes. My favorite was when the hero woke up in the back of an ambulance. When he saw the corpse next to him, he screamed AND then the corpse blinked its eyes!! Also, this same lady was seen breathing at one point AFTER she died! So my recommendation is that if you like good film, keep looking. If you like schlock and could use a laugh, give this one a try.

I saw this movie on the Saturday night "Sci-Fi Movie" when I was a kid in the mid to late 60s. It scared me then. I had to find a copy and watch it again almost 40 years later. Upon this second viewing, the part that scared me the most is that there may have been people who took this seriously! I can't believe grown men (OK people for the PC world we now live in) could actually invest time and money on a project like this but I'm glad they did because I must admit that I am a fan of "bad horror movies." They don't get much worse than this so of course I enjoyed it. As another reviewer pointed out, there is almost no acting. Also, there isn't much of a plot, the special effects are terrible, if not, non-existent. All of which adds up to one of the best bad horror movies I've ever seen. Very entertaining in that regard.