Carry on Cabby

Made in the days when Cortenas were considered exotic; this is an unusual 'Carry On' in that the humour is gentler (Sid James - fresh from a TV series called 'Taxi' - isn't yet the coarse lecher he later became) and the woman more nuanced, possibly because it started life as a non-'Carry On'.

Written under the title 'Call Me a Cab' by Morecombe & Wise's old writers Sid Green & Dick Hills, this was one of the last 'Carry On's in black & white, the last to feature Cyril Chamberlain, Esma Cannon, and the lovely Liz Fraser (unless you count the unspeakable 'Carry On Behind', which I don't), the first to feature Jim Dale and Amanda Barrie and be scored by Eric Rogers. And one of the VERY few without Kenneth Williams.

Sid James plays Charlie Hawkins, workaholic owner of Speedee Taxis, the only cab firm in town. After repeatedly ignoring his long-suffering wife Peg (Hattie Jacques) in favour of picking up fares, Charlie finds himself unexpectedly facing competition from his miffed spouse, who secretly sets up rival taxi company GlamCabs, featuring all female drivers.

From the above synopsis, one might think that this film intends to strike a blow or two for feminism, but this being a Carry On film from the early sixties, it quickly becomes apparent that fighting for sexual equality isn't the film's primary motive. With GlamCabs only employing women with an hour-glass figure and a cracking sets of pins, the film's 'battle of the sexes' plot is actually a thinly veiled excuse to fill the screen with cracking crumpet.

Not that I'm complaining: the leggy lovelies, whose number include the fabulous Amanda Barrie (who would go on to star as Queen Cleopatra in Carry On Cleo), not only provide viewers with quality eye-candy (especially in the scene where Kenneth Connor, disguised as a woman, is ushered into the ladies changing room), but also plenty of laughs as they use their impressive womanly attributes to steal Hawkin's business.

6.5 out of 10, rounded up to 7 for IMDb.

This is a really heart warming flick with a cracking story. Sure, the gags are there, but they are not the forefront of the film.

James and Jacques have rarely been in finer form, and manage to construct some very poignant scenes. Amanda Barrie is absolutely drop dead gorgeous.

Perhaps most overlooked, this film has one of the loveliest scores of all the Carry Ons, and makes use of some lovely arrangements.

Definitely a must see if you like the genre.

Carry on Cabby is quite good, there are definite strengths to the production. It's nice to see Sid James and Hattie Jacques as a wife and husband and we get Kenneth Connor, Liz Fraser and Charles Hawtrey but no Kenneth Williams this time round which was a shame but still had a strong cast.

The plot's about the women setting up a rival cabby group to the men, it's got a cool girl power message and it's one of the only Carry on films that has a definite start, middle and end instead of just sketch type things. I feel like it could have had some funnier moments but it was strong.

7/10: Good

I write this exactly 60 years on from this film being made. The version of the UK it portrays is long gone, manners and behaviours have changed significantly and the monocultural nature is now morphing into something altogether new. In that respect the film is a nice view of a slightly idealised version of what life was like for ordinary people back then. As such one can enjoy it and, be amused, as it's as much historical relic as old fashioned comedy. The characters are the usual mix of caricatures, stereotypes and archetypes, each instantly recognisable, places are middle England and there is very subtle social commentary on the ex forces types being down at heel and needing a leg up.

The world of equality and sixties swinging was fast heading over the hill. This and many other films of the era marked the beginning of the end of the post war society and the emergence of the modern era that fought its way out of the shadows during the 70s.