Carry on Cabby

The best so far, the situation is a taxi company, and we are back to B&W film, the colour and picture quality might be a problem but the acting and screenplay isn't. The abduction chase is very good.

Sid James leads again, with Hattie Jacques proving what a good actor she was taking second billing, Kenneth Connor was third again, Liz Fraser provides the glamour again, but not with Dilys Laye, her place is taken by the equally stunning Amanda Barrie, for more glamour were the other 'Glam Cab' drivers but they were uncredited, the only one of note was Valerie Van Ost, who did 3 more, but all bit roles. Again some of the usual Carry On team are not in it, Kenneth Williams who did the most is not in this one, also Joan Sims but Charles Hawtrey is back and also Bill Owen, this was Bill's last Carry On but it did not affect his career, he went on to do many more roles and became famous in older life as Compo in 'Last of The Summer Wine', which was his last role, in fact his last few shows did not go out until after he had passed away, so 'proving the adage that "there is life after death" in 1999 aged 85. It was also Esma Cannon's last Carry On, she only did 3 but her presence made it seem like it was more, the "Mad Pixie" as Sid James called her did one more more small role before retiring and passed away in 1972 aged 66 in France. Charles Hawtrey was in it as was Cyril Chamberlain (Cyril plays his last proper role), and a new team member is Jim Dale, but he didn't know it at the time, he just got a bit role in this, also another new one was Peter Gilmore, not as high profile as Jim, but he did do a good few Carry-On's, a versatile actor.

But all in all the best so far so I gave it an Eight, despite that it was in B&W (the last one was in colour it would be a little while before the next one), the acting and direction was spot on though.

Sid James plays Charlie Hawkins, workaholic owner of Speedee Taxis, the only cab firm in town. After repeatedly ignoring his long-suffering wife Peg (Hattie Jacques) in favour of picking up fares, Charlie finds himself unexpectedly facing competition from his miffed spouse, who secretly sets up rival taxi company GlamCabs, featuring all female drivers.

From the above synopsis, one might think that this film intends to strike a blow or two for feminism, but this being a Carry On film from the early sixties, it quickly becomes apparent that fighting for sexual equality isn't the film's primary motive. With GlamCabs only employing women with an hour-glass figure and a cracking sets of pins, the film's 'battle of the sexes' plot is actually a thinly veiled excuse to fill the screen with cracking crumpet.

Not that I'm complaining: the leggy lovelies, whose number include the fabulous Amanda Barrie (who would go on to star as Queen Cleopatra in Carry On Cleo), not only provide viewers with quality eye-candy (especially in the scene where Kenneth Connor, disguised as a woman, is ushered into the ladies changing room), but also plenty of laughs as they use their impressive womanly attributes to steal Hawkin's business.

6.5 out of 10, rounded up to 7 for IMDb.

Made in the days when Cortenas were considered exotic; this is an unusual 'Carry On' in that the humour is gentler (Sid James - fresh from a TV series called 'Taxi' - isn't yet the coarse lecher he later became) and the woman more nuanced, possibly because it started life as a non-'Carry On'.

Written under the title 'Call Me a Cab' by Morecombe & Wise's old writers Sid Green & Dick Hills, this was one of the last 'Carry On's in black & white, the last to feature Cyril Chamberlain, Esma Cannon, and the lovely Liz Fraser (unless you count the unspeakable 'Carry On Behind', which I don't), the first to feature Jim Dale and Amanda Barrie and be scored by Eric Rogers. And one of the VERY few without Kenneth Williams.

I really liked this Carry On entry. This is considered as Hattie Jaques's personal favourite of the Carry Ons and it isn't hard to see why. She seems to be having a ball as the neglected wife of cab driver Charlie Hawkins, who is played to perfection by the one and only Sidney James. Carry On Cabby has a very irreverent screenplay, that will leave you in tears of laughter, but what made this particular Carry On stand out for me was that the plot was one of the strongest plot lines in Carry On history. As for the other performances, Jim Dale is hilarious in a small role, and Kenneth Connor is his usual charming self. Charles Hawtrey is solid in his role too. The photography was skillfully done, and the music score was great. My only complaints are its length and its rather slow beginning, other than that, pretty darn good if you ask me. 8/10 Bethany Cox

I write this exactly 60 years on from this film being made. The version of the UK it portrays is long gone, manners and behaviours have changed significantly and the monocultural nature is now morphing into something altogether new. In that respect the film is a nice view of a slightly idealised version of what life was like for ordinary people back then. As such one can enjoy it and, be amused, as it's as much historical relic as old fashioned comedy. The characters are the usual mix of caricatures, stereotypes and archetypes, each instantly recognisable, places are middle England and there is very subtle social commentary on the ex forces types being down at heel and needing a leg up.

The world of equality and sixties swinging was fast heading over the hill. This and many other films of the era marked the beginning of the end of the post war society and the emergence of the modern era that fought its way out of the shadows during the 70s.