Pavilhão 7

I enjoyed the movie very much. Of course I am one of those baby boomer's born after World War II. So I and my siblings would play war (those were the days when parents would remind their charges that movies were make believe). So being 12 years old at the time, "Captain Newman, M.D." was one of the few adult films that I as a kid that I enjoyed and understood. Even being that young I had for the most part enjoyed, Gregory Peck, Tony Curtis, Bobby Darin and Eddie Albert in their respective rolls. I felt for Eddie's character as a Colonel Norval Algate Bliss. Having sent his people out to death, it was a memory his character could not live with. To me, he played the character well, not just acting, but because he had "been there, done that" and so he had seen his share of death during World War II at Tarawa. I would recommend this movie to anyone who enjoys acting at its best.

With all due respect to HAL-900, Bobby Darin's excellent portrayal as "Little Jim" HAD to be less than subtle in order to allow the also very excellent Robert Duval to play his character as subtly as he did. Gregory Peck is excellent as the stalwart Psychiatrist dealing with medical as well as bureaucratic challenges. Angie Dickinson IS pretty much just for show, but she NEVER looked better. Yes, Peck's 'drunk' is a tad corny but necessary to show that he was not invulnerable to the suffering that whirled about him. Tony Curtis and Larry Storch provide (necessary) comic relief. Modern Psychiatry was still in it's infancy when this movie is set and a long way from where it is today when the movie was produced. Gregory Peck starred in a LOT of excellent films and I number CAPTAIN NEWMAN, MD among them. It is part of TCMs library so catch it if you can.(Added 11/01/08)Huzzah! A new GREGGORY PECK DVD collection will be released November 4th, 2008 and CAPTAIN NEWMAN, MD is one of the titles included along with TO KILL A MOCKINGBIRD, CAPE FEAR, ARABESQUE and THE WORLD IN HIS ARMS.

I previously gave a terrible review to Peck's movie Spellbound. This movie just goes to show that he CAN make a good movie about psychiatry (unlike Spellbound--yuck).

Peck is an officer running a psychiatric ward stateside during WWII. He has a good heart and good intentions and tries a lot of different techniques to help these men. What I like is that although he is generally successful, it is very clear Captain Newman feels, at times, over his head dealing with these many patients. He is not a SUPERMAN but a decent guy who's trying his best.

Tony Curtis is the comic relief. So, while the movie is VERY serious at times, it also can be rather comical. This is a tough balance but it is done well and I liked Curtis in this film.

However, apart from Gregory Peck, the real standout in the movie is Bobby Darin. Although he only is a supporting player, his is the meatiest performance. He wonderfully plays a man suffering from Post-Traumatic Stress Disorder (though he outwardly hides it with bravado and obnoxiousness)--this is particularly true when he is under the influence of Sodium Pentathol (or some other "truth serum"). I would say it is worth seeing the film just for this sequence--it's just so nice that there are many other good moments to recommend this flick.

Though highly entertaining at many points (largely due to the antics of Cpl. Jackson 'Jake' Leibowitz and his band of merry Italian POWs who sing semitic native American songs--don't ask, don't try to figure it out, just see the movie--and even some of the very well executed art of subtle humor carried out by Capt. Newman, MD) this movie manages to have a quite serious theme at its core . . . the intense psychological effects on a soldier's mind which can be brought upon by the reality of war. It's refreshing to see a movie from this period that touches on these more delicate, in-depth themes of war rather than portraying the glories of war as so many other films contemporary to this one do. Not to say that all other films from this era or before don't touch on these themes. One other great example would be 1949's Twelve O'Clock High, also starring Gregory Peck. The dialog is consistently fresh, and I found the pace to move along quite nicely. This movie features a superb cast who performs wonderfully throughout the film. If you like serious, thought-provoking, emotional themes, yet also enjoy lots of good laughs, then I would recommend seeing this film.

*On a side note, given the fact that this movie--from my perspective--seems to be somewhat ahead of its time in subject matter, directing style in some of the scenes, and even some concepts not too common during the 60s, it's interesting to point out that the movie still portrays the classical female role in life. There is one line that is spoken by Lt. Francie Corum that shows this perfectly. The line doesn't seem to be necessary and doesn't really fit with what the characters are discussing. I won't tell you the line, but try to find it for some fun.

Captain Newman, M.D. (1963)

Almost twenty years after WWII, a movie that reflected the growing public admission that there were many psychological victims from the war, often ignored or minimized at the time (unlike, say, Vietnam, which was just unfolding, and which demanded a different kind of accountability). And this one is set in the middle of the war, though in an Arizona military hospital far from direct action.

The star is certainly the title character, played by Gregory Peck, and Peck is his usual highly respectable self, moral and a natural leader, but likable and willing to take chances, too. That is, an ideal male, in many ways, the kind you might like to have as President, or at least the chief doctor in your hospital. He is, in particular, in charge of the mental ward, and his main intern played by Tony Curtis steals the show, on purpose. While much of the movie is funny, or at least peculiar enough to be ironic and wry, there are moments of heartfelt tragedy and even heartwrenching trauma (especially when a couple of the inmates go berserk). Third in line is a strong, sympathetic nurse (Angie Dickinson) and these three run the ward with unusual verve and intelligence. It clearly is a case in favor of the military giving good psych treatment.

There are several interesting patients, as well as a band of Italian POWs brought in for some nice comic relief (and for a reminder that people are people, even if they are enemies). The most famous and unusual is played by Bobby Darin, who I just saw in another movie from the period where he played a patient in an army psych ward, the riveting "Pressure Point." This is a whole different kind of movie, though Darin's performance is strong in similar ways in both cases. Here he even plays an impressive ten seconds on the guitar, and if you watch closely you'll see it's the real deal, not recorded later.

The color in the filming is unusually clear and vivid in a realistic way, and Russell Metty behind the camera has made a number of really solid, beautiful, richly colorful films ("That Touch of Mink" and "Imitation of Life" as well as the more earthy "The Misfits"). The lighting is usually fairly bright and broad, though there are some scenes pumped up with shadows. A couple of shots toward the end are oddly filmed against an obvious back projections (when they are rounding up the sheep) which is too bad because otherwise the standards are very high. Director David Miller isn't especially legendary, but he has one terrific film I'd recommend to anyone, "Sudden Fear" made a decade earlier. Here he shows general high production values and a sense of humor (mostly through the endlessly lively Curtis).

A nice little colorful film with a gently persuasive subtext.