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IMDbPro

O Cardeal

Título original: The Cardinal
  • 1963
  • Approved
  • 2 h 55 min
AVALIAÇÃO DA IMDb
6,7/10
3,1 mil
SUA AVALIAÇÃO
Romy Schneider and Tom Tryon in O Cardeal (1963)
A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal.
Reproduzir trailer1:03
1 vídeo
77 fotos
DramaHistoryWar

Adicionar um enredo no seu idiomaA young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal.A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal.A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal.

  • Direção
    • Otto Preminger
  • Roteiristas
    • Robert Dozier
    • Henry Morton Robinson
    • Ring Lardner Jr.
  • Artistas
    • Tom Tryon
    • John Huston
    • Romy Schneider
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,7/10
    3,1 mil
    SUA AVALIAÇÃO
    • Direção
      • Otto Preminger
    • Roteiristas
      • Robert Dozier
      • Henry Morton Robinson
      • Ring Lardner Jr.
    • Artistas
      • Tom Tryon
      • John Huston
      • Romy Schneider
    • 56Avaliações de usuários
    • 23Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Indicado a 6 Oscars
      • 3 vitórias e 13 indicações no total

    Vídeos1

    Trailer
    Trailer 1:03
    Trailer

    Fotos77

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    Elenco principal55

    Editar
    Tom Tryon
    Tom Tryon
    • Stephen Fermoyle
    John Huston
    John Huston
    • Glennon
    Romy Schneider
    Romy Schneider
    • Annemarie
    Carol Lynley
    Carol Lynley
    • Mona…
    Dorothy Gish
    Dorothy Gish
    • Celia
    Maggie McNamara
    Maggie McNamara
    • Florrie
    Bill Hayes
    Bill Hayes
    • Frank
    Cameron Prud'Homme
    Cameron Prud'Homme
    • Din
    Cecil Kellaway
    Cecil Kellaway
    • Monsignor Monaghan
    Loring Smith
    Loring Smith
    • Cornelius J. Deegan
    John Saxon
    John Saxon
    • Benny Rampell
    James Hickman
    • Father Lyons
    Berenice Gahm
    • Mrs. Rampell
    Jose Duvall
    • Ramon Gongaro
    • (as Jose Duval)
    Peter MacLean
    Peter MacLean
    • Father Callahan
    Robert Morse
    Robert Morse
    • Bobby
    • (as Robert {Morse} and His Adora-Belles)
    Billy Reed
    • Master of Ceremonies
    Pat Henning
    Pat Henning
    • Hercule Menton
    • Direção
      • Otto Preminger
    • Roteiristas
      • Robert Dozier
      • Henry Morton Robinson
      • Ring Lardner Jr.
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários56

    6,73.1K
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    Avaliações em destaque

    9Larry-98

    A great film; entertaining, insightful, historically significant.

    The Cardinal tracks the life of a young priest through an upwardly-mobile career to the point just prior to his being elevated to Cardinal. The historical time frame falls between the beginning of WWI and the beginning of WWII, and this volatile time in our country's history is reflected by the career of Father (later Monsignor, then Bishop) Fermoyle. Fr. Fermoyle encounters many people who touch his life and have an impact on his career which shakes his faith, and even threatens to end it at one point. You don't have to be Catholic to enjoy this film, but it would certainly help!

    The location scenes in Rome, Vienna and Boston give this film a feel which helps the viewer really get involved in the plot. The moral values truly reflect the era depicted; I only wish that a return to those values were possible today.

    If you like a good, dramatic story that develops characters you really get to know and care about, please see this film!
    8Billy1712

    A most beautiful forgotten gem

    I have seen his film so many times and with very few exceptions have come to the conclusion that it is one of the most rewarding films I have ever enjoyed. The photography and art direction are beautiful but the music is stunning and available on a recent CD release. I truly feel it has been very much forgotten and am delighted that it is available in letterbox format for all to enjoy.
    8Deusvolt

    A compelling story of a priest trying to fulfill his vocation in a world that sometimes conflicts with Catholic morality.

    Tom Tryon is one of the better but less appreciated actors of the '50s and '60s when mature top stars were the likes of Rock Hudson. Tryon, however, is not only an excellent actor but a good writer as well with a number of books to his name just like Sterling Hayden, another almost forgotten actor of the period.

    This movie should be required viewing in Moral Theology as it provides guidance on how a serious practicing Catholic should act when faced with moral dilemmas. With the current moral divide on the question of abortion, I am reminded of that crucial scene in the movie when the character portrayed by Tryon had to decide on what medical procedure to choose in the case of an emergency arising out of a childbirth gone awry. He was the nearest of kin of the woman involved and the doctors advised him that there was a choice as to whether to abort the baby (by crushing its head with forceps) or let the childbirth proceed in which case the mother's life would be compromised. In such cases, Catholic morality requires that the best effort should be made to save both infant and mother but in no case may an intervention be made to kill either one of them.
    8elo-equipamentos

    A life devoted to God

    The Cardinal l'd watched in 1984 on TV, an overlong movie, in that time l didn't have any idea how meaning of the pictures itself, today after a long time l've the opportunity to re-watch this one from Otto Preminger's unknown movie, after almost three hours long l finally recognized this picture is really amazing, telling a story about a young priest in Boston until a high position in Catholic Church, the movie is showing in flashbacks since the beginning, all the facts one of the most remarkable is about the Father Ned Halley played by Burgess Meredith who died in poverty, another was when he has to help a nigro priest in Georgia and has to confront the segregationist system in this town, the story through the time have many faces until the final, once more Otto Preminger proves as one of best directors for all times!! Underrated movie!!

    Resume:

    First watch: 1984 / How many: 2 / Source: TV-DVD / Rating: 8.5
    8nicholas.rhodes

    Ooooooooooh !!! That soundtrack.

    I don't care if anyone believes this but I was actually "attracted" to this film via its incredible, grandiose and very emotional soundtrack which I heard on a Frank Chacksfield Cd ! I thought, with an incredible score like that, the film just cannot be bad ! Might sound stupid, but there it is ! So I found this on a DVD from the USA - very nicely presented in colorful red packaging together with a bonus DVD about the life of O Preminger !

    In fact, I did enjoy the film quite a lot ! Excellent picture quality and reasonable sound. Being a Roman Catholic, and always educated in catholic schools, jesuits and De La Salle Brothers, having often attended Holy Mass, I felt, on watching this film to be on familiar ground, so to speak. I thought the film illustrated well certain contradictions within the church, notably of course with regards to "racism" and the "Nazis" in the World War II where its rôle seemed to have been ambiguous to say the least.

    I am one of those people who believed that the doctrines of religion have been fixed by God for eternity - you must either accept them as they are or reject them - no one said it would be easy, for this reason I believe that you can not and must not modify religious doctrine to suit the fashion at a given moment in time. If you cannot accept the church's position on one or other point, then you are perfectly free to refuse the Church, the time of the Inquisition is long past, but you certainly should not try to change the doctrine of the Church to suit your own particular views. Only God can do that ! For this reason I agree with the reaction of Fermoyle confronted with various "crucial" situations .... abortion, inter-faith marriage, racism, Nazism etc etc. Sometimes unpopular stances have to be taken and it is good to see Fermoyle have the courage of his convictions even if we do see at times that he is no more than a human being who has doubts about what he is doing and his own weaknesses.

    The film is a series of very intense episodes, each one being good to watch but the linking together of them not very smooth, just as you're getting involved in one of these, begorrah ! You're whisked onto the next one without knowing really how the one before resolved itself.

    I had never heard of the actor Tom Tryon ! He was not bad but I think the part could have been played better by certain other more well known actors. Tryon had a good, powerful and imposing physique but in some scenes he appears rather emotionless or should I say not emotional enough.

    The film is pretty long, there's an intermission which allows the spectator to take a breather,and I found the second part a bit more interesting and intense than the first. That said, the film doubtlessly needs several viewings to be fully appreciated. There are other intense moments, where Fermoyle has to choose between permitting the life of his sister or that of her child-to-be but not both of them, an extremely painful decision for anyone to have to make, also his priest friend who is dying of multiple sclerosis. I was reading the other comments about this film and one of them was limited to the episode of ROmy Schneider's husband who had been sitting at table one minute, hears the Gestapo comes, and in one-and-a-half shakes of a duck's tail, has precipitated himself out of the window to his death on the street below ! It's true that you don't see it coming and remain flabbergasted because it all takes place so quickly. Funny, though that that particular episode should have marked the commentator to such a point that it was the only detail of the film that he/she wrote about !

    Another extremely emotional scene is when Fermoyle journeys to Georgia USA at the request of a black priest whose church has been burned down by KKK extremists. He takes a very strong stand against this and pays for it by being whipped by the KKK. A few hours later, one of those who has participated in the whipping ( the harmonica player ) comes back and helps him up ! Although Fermoyle realizes that he was one of the evil-doers, he just gives him a pat on the back and walks off with him. It's a difficult and very uncomfortable scene to bear. I could not forgive a man who had done that to me !

    The scene in Vienna where the church singers are bothered by a band of marauding Nazis is extremely intense violent and uncomfortable for the spectator ... the way those Nazis just smash their way into the church building ...... Fermoyle manages to escape via a secret passage to the church crypt .

    suddenly it just fades away and we jump forward in time. It was a little frustrating as that was the end of the film. I was surprised to see Romy Schneider in this film, I have seen her often in French and German films but did not know she had starred in American ones. She was very beautiful but her rôle was pretty limited. Perhaps a little more passion between her and Fermoyle would have added some spice to the story ......... never mind !

    To conclude then, a fairly long film with intense moments. I'm absolutely not sure whether today many people would like it as unfortunately religion seems to be declining in Western society. But to those people who are religious or have an association with religion or concerned about its development, it is sure to have a certain interest and relevance.

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    Enredo

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    Você sabia?

    Editar
    • Curiosidades
      The Vatican bankrolled some of the film, and the Vatican liaison was a young Joseph Ratzinger, who in 2005 became the 265th Catholic Pope as Benedict XVI.
    • Erros de gravação
      All along the movie, we see, leading to St Peter's square, the Via della Conciliazione and its palazzi, built for the Holy Year of 1950, under the pontificate of Pius XII, whose election Cardinal Fermoyle is supposed to take part at the very end of the movie.
    • Citações

      Cardinal Glennon: We've never had a priest working with the Mafia before. But I suppose you made some interesting contacts in Rome.

      Stephen Fermoyle: I had no choice, Your Eminence. I had to work my way through the seminary by selling opium in St. Peter's Square.

      Cardinal Glennon: You're not afraid of me.

      Stephen Fermoyle: No.

      Cardinal Glennon: Why not? Most people are.

      Stephen Fermoyle: I think it's because you remind me of my father. He was known as "Den the Down Shouter," but I soon learned his roar was the only fierce thing about him.

      Cardinal Glennon: He's a lucky man to have a son who's not afraid of him.

    • Conexões
      Featured in Preminger: Anatomy of a Filmmaker (1991)
    • Trilhas sonoras
      They Haven't Got the Girls in the U.S.A.
      Lyrics by Al Stillman

      Music by Jerome Moross (uncredited)

      Performed by Robert Morse (uncredited)

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    • How long is The Cardinal?
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    Detalhes

    Editar
    • Data de lançamento
      • 12 de dezembro de 1963 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Alemão
      • Latim
    • Também conhecido como
      • El cardenal
    • Locações de filme
      • Lynn, Massachusetts, EUA
    • Empresa de produção
      • Otto Preminger Films
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 55 minutos
    • Cor
      • Color
    • Proporção
      • 2.35 : 1

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