Feras Sanguinárias

All through the opening credit sequences of "Black Zoo", I anticipated to see the typical disclaimer-message "no animals were harmed during the shooting of this film" appear, but it didn't come. Five minutes later, though, I exactly knew why it didn't come. Beautiful big cats, like Siberian tigers and African lions, walk little circles in ridiculously small cages, chimpanzees are dressed up in hideous clothing and forced to inhale cigarette smoke for the sake of "entertainment", and that sort of things. Perhaps these animals weren't physically abused, but they certainly were traumatized for life. But hey, it was the early sixties and organizations like ALF or PETA didn't exist yet, so let's assume we believe Michael Gough's character when he claims his animals love and respect him.

"Black Zoo" is fantastic 60s horror entertainment, with a grotesquely absurd plot and preposterous lead characters! Simply the idea that someone penned down a horror plot in which a tyrannical private zoo owner assumes he can get away with letting animals commit gruesome murders is delightful, or at least in my crazy world it is. Michael Conrad unleashes his mighty lion in arrogant realtors' mansions or sends his grinning gorilla to the garage of female talent agents, and he honestly thinks he's untouchable! It must be said, though, the sequences with the animal attacking are genuinely impressive; - kudos to the trainers.

Gough goes genially over the top once again, just like he did in "Horrors of the Black Museum" and "Konga"; - his previous collaborations with producer Herman Cohen. True horror-fanatics adore Michael Gough. He may not be in the same league as the Vincent Prices, Christopher Lees or Boris Karloffs of this world, but his movies never disappoint!

BLACK ZOO (1963) marks another pairing for B-movie producer Herman Cohen and star Michael Gough, following on from their HORRORS OF THE BLACK MUSEUM and KONGA. This time around the story is set in America, where Gough plays a zookeeper who specialises in all manner of big cats. His philosophy is to show his creatures the utmost kindness and care, but he doesn't treat people in quite the same way...

Although the film begins with an arresting murder, this turns out to be quite the plodder. The nature of the production means that the kills are typically kept off screen and are few and far between as it is. Gough delivers a delightful barnstorming performance as usual - truly an underrated presence in the genre - but the rest is pretty talky with only the occasional element of depth or interest.

The deliciously theatrical Brit thespian Michael Gough is at his scenery devouring best in the role of Michael Conrad, owner of a private zoo that specializes in big cats. Michael is insanely devoted to these creatures, and is also mad enough to sic them on any nuisance in his life - including an extremely pesky realtor (Jerome Cowan). He keeps his wife Edna (Jeanne Cooper, 'The Young and the Restless') and mute employee Carl (Rod Lauren, "The Crawling Hand") completely under his thumb, to boot.

Very nicely shot in Panavision by Floyd Crosby, the man who was who doing such exemplary work on those Roger Corman Poe pictures during this time, "Black Zoo" is decent, but that's mostly due to Gough. Overall, director Robert Gordon ("It Came from Beneath the Sea"), working from the script by Aben Kandel and producer Herman Cohen, just doesn't make this that much fun. It might have helped if the animals had been let loose upon a couple more victims; as it is, the story is only mildly entertaining most of the time. Still, there's camp value in the presence of an obvious "man in a costume" styled gorilla (played by George Barrows), the absurdly touching funeral for one of the big cats, and in the laughable meeting of a cult of cat worshipers called The True Believers - a definite highlight of silliness. And those felines appear to be extremely well trained.

Unlike Gough, much of the cast is required to play it straight, and it is delightful to see such familiar faces as "Maltese Falcon" cast members Cowan and Elisha Cook Jr., Edward Platt ('Get Smart'), lovely Marianna Hill ("Messiah of Evil", "Blood Beach"), Byron Morrow ("Colossus: The Forbin Project"), and Warrene Ott ("The Undertaker and His Pals").

This is fairly enjoyable schlock that might play well alongside another Cohen-Gough collaboration, "Konga".

Six out of 10.

This was actually the first time George Barrow himself worked for Herman Cohen. The first time out, KONGA, Barrows sent his ape suit over to London. When it returned the worse for wear, he decided he'd never do it again.

BLACK ZOO was shot in Hollywood. For producer Cohen to have arranged for a foreign actor to come to Hollywood and take a job that could have been done by any number if US actors must've been quite an argument to both SAG and the Imigration Department. "Sirs, you must understand, my script calls for the zoo keeper to be the maddest, most outlandish, least subtle character ever to grace the movie screen. We just don't have an actor anywhere in the country who can do this. There is no one n the world who can out-mug Mr. Gough. I know, I've used him twice, and every time he gets bigger and badder."

Welcome to the Michael Gough School of Dramatic Acting where subtlety is as foreign as class is for Roseanne Barr. Gough teams up with producer Herman Cohen for one more time(previously making Horrors of the Black Museum and Konga together). The result is a fun if not flawed film. Gough plays Michael Conrad the owner of Conrad's Animal Kingdom and one man accustomed to getting his way in life. Seems to also have quite a good relationship with his zoo pals, especially the big cats: a lion, a lioness, a pair of cheetahs, a tiger, a black panther, and also a fake looking gorilla(George Barrows AGAIN!). Gough plays organ music to his animal friends in his living room, belongs to a cult group of animal worshipers, and uses his friends to kill any personages that get in his way. To say Gough overacts is an incredible understatement. He bellows his lines with ferocity in scenes that do not need such vigour, but he is always fun to watch. The film is really very interesting as the cats are real and they have been trained very nicely. The acting, aside from Gough, is uniformly good with a nice performance turned in by Rod Lauren(The Crawling Hand) as a mute assistant forced to aid Gough. Jeane Cooper is lovely and does well as Gough's wife, and the character acting of Elisha Cook, Ed Platt, Virginia Grey, and Jerome Cowan all enhance the film. Make no mistake though, even though he wildly overacts, Gough is the film's main attraction. You have to look a ways to find a more over-the-top performance and a bigger slice of ham! The film also boats a wonderful scene where a tiger gets buried. Amidst the swirling fogs and moody backdrops, Gough, with mute assistant and wife, gives a eulogy before all the big cats. Effectively eerie.