AVALIAÇÃO DA IMDb
5,0/10
7,7 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn Egyptian caterer kills various women in suburban Miami to use their body parts to revive a dormant Egyptian goddess while an inept police detective tries to track him down.An Egyptian caterer kills various women in suburban Miami to use their body parts to revive a dormant Egyptian goddess while an inept police detective tries to track him down.An Egyptian caterer kills various women in suburban Miami to use their body parts to revive a dormant Egyptian goddess while an inept police detective tries to track him down.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
William Kerwin
- Det. Pete Thornton
- (as Thomas Wood)
Christy Foushee
- Trudy Sanders
- (as Toni Calvert)
Louise Downe
- Woman at lecture
- (não creditado)
Jerome Eden
- High Priest
- (não creditado)
David F. Friedman
- Drunken Husband
- (não creditado)
Herschell Gordon Lewis
- Radio Announcer
- (narração)
- (não creditado)
Craig Maudslay Jr.
- Garbage Truck Driver
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Oft-credited as the first traditional "gore" pic, 'Blood Feast' establishes all of typical conventions of the genre; including nubile, young women (including a Playboy Playmate), excessive blood and guts, and even some dark humor (including the "hamburger" line and the trash-compactor ending). It's also inept in every way, from the atrocious acting and horrible directing to the dumb-as-dirt characters. Hell, the most intelligent character in this movie is the murderer, Faud Ramses - what, with him having penned a seemingly popular non-fiction work and running a bang-up catering business to boot - and even he is not too bright, which unfortunately catches up with him in the end.
If you love bad movies in that MST3K kind of way, than this is one to see. It's laugh-a-minute riot (and you've go to love the score). So put down that copy of 'Ancient Weird Religious Rites' and check this movie out.
If you love bad movies in that MST3K kind of way, than this is one to see. It's laugh-a-minute riot (and you've go to love the score). So put down that copy of 'Ancient Weird Religious Rites' and check this movie out.
Well whether you like it or not Blood Feast will always be a landmark movie. This is truly the year zero when it comes to depictions of graphic cinematic violence. Sure it wasn't the first movie to show scenes of gore but it took the concept to an unheard of level, basing the entire movie around the idea. Director H. G. Lewis is nothing if not fearless in his presentation of blood and guts. While the gore scenes are hardly realistic, they are often somewhat nasty. Lewis's subsequent gore movies follow this specific template, where they are simultaneously funny and mean-spirited. A crazy combination that simply should be a disaster but in the case of Blood Feast, the sheer audacity of it is jaw-dropping. It's a film that sure has its flaws. Production values are extremely low and the acting is often mind-boggling. Lewis's camera work is at best, uneven. But, frankly, the scenes of carnage are so in your face, and do not disappoint. The film remains far more violent than most horror films today and it's difficult to imagine what audiences of the early 60's would have made of the atrocities that spooled before their eyes. I expect it must've been a mixture of appalled outrage and morbid glee.
Mal Arnold is pretty unforgettable as the murderous caretaker. His delivery of lines is just nuts; it often looks like he is reading off a board just off-screen. He's a lot of fun. Connie Mason provides the eye-candy and she is hardly an actress, but her stiff line-delivery fits into this trash-opus perfectly. Lewis himself is of course hugely unpretentious and straightforward as a film director, so he basically points the camera at the action and films, there is no artistry in Blood Feast. But this is very much a part of the fun, as this is pure exploitation with no apologies. In my opinion this remains Lewis's best feature. I realise it has many, many faults but I just find the whole thing a very entertaining trash-fest. And one of the most important exploitation films in history too.
Mal Arnold is pretty unforgettable as the murderous caretaker. His delivery of lines is just nuts; it often looks like he is reading off a board just off-screen. He's a lot of fun. Connie Mason provides the eye-candy and she is hardly an actress, but her stiff line-delivery fits into this trash-opus perfectly. Lewis himself is of course hugely unpretentious and straightforward as a film director, so he basically points the camera at the action and films, there is no artistry in Blood Feast. But this is very much a part of the fun, as this is pure exploitation with no apologies. In my opinion this remains Lewis's best feature. I realise it has many, many faults but I just find the whole thing a very entertaining trash-fest. And one of the most important exploitation films in history too.
Blood Feast by H. G. Lewis was the first splatter film ever made, and it changed the path of the horror film forever. Its importance, whether good or bad, is undeniable. The film is in many ways the very essence of amateurishness. I do not believe I have ever seen a film where no one...and I mean no one...had ANY acting ability. For me, the only one that comes closest is Mal Arnold as the Egyptian caterer Fuad Ramses. These people cannot laugh, cry, scream, or even speak with any degree of credibility at all. I mean you would have to train people to get results like this if you had wanted them to be like this in the first place. I can only think that maybe with the leads being so poor...the other actors had no inspiration. The direction is not a great deal better...but then the film was made in 9 days. The script is silly and filled with lamentable dialogue where every facet of the plot must be explained and re-explained. What then does this "classic" have going for it? Well, it is fun to watch. It will make you laugh at its unreal gore and its poor acting and direction. The gore is a given and it is abundant....bright red dapples and drapes the bodices of many victimized girls...all of which I might point out are very easy on the eyes...another plus for male viewers. The music, created by Lewis, is surprisingly very good and stylish, helping create the mood and pacing of the film. All in all, I recommend seeing Blood Feast for its ineptitude and the laughs it will derive. If you are a fan of horror, it is a must see to satisfy your curiosity of what caused the change from good horror stories to graphic horror films. The answer lies with Blood Feast.
This is the splatter anticlassic all us sickos know and love. The non-plot is, well, pretty simple and it's only an excuse to cut loose with loads of very extreme gore and sadism. Fuad Ramses (Mal Arnold), an Egyptian maniac of pagan bloodlust, must serve up a "blood feast" to Ishtar, his horrible goddess of gory days gone by. Y'know, back when chicks used to get their hearts yanked out on altars IN BLOOD COLOR! How does he get the morsels for his feast? It's an easy guess! Tongues pulled out. Limbs cut off. Brains hacked out in a blood-splattered mess. It's the grand-daddy of all the sickest stuff you've ever seen, and even though it's pretty stupid and bad, it sure is fun! It's even funny on purpose (as well as the other way around). For those of you who dig this unsavory and depraved type of junk the way I do, find this bad mother as soon as possible and surrender to the forbidden pleasures of the first splatter-comedy ever! (I think...)
This is where it all started. And it's also the first of what's known as Herschell Gordon Lewis' "blood trilogy" of gorefests.
Yeah the acting's terrible. Yes, the special effects are awful and yeah, it looks like it was filmed on a shoestring budget, but that's what makes this thing so great! (laughs)
A series of young women are slaughtered in Miami by a local crackpot named Faud Ramses (Mal Arnold). He only takes one part of the woman's body each time by cutting off a leg or a heart or using a machete and cutting out a woman's brains on a dark Miami beach and leaves the local police (led by Bill Kerwin) baffled and clueless.
Ramses is also the local, exotic caterer who uses these woman's body parts to serve his customers without them knowing about it. And that includes a party thrown by Kerwin's girlfriend's (played by 1963 Playboy Playmate, Connie Mason) mother. Connie looks better here than she later did in TWO THOUSAND MANIACS.
The Something Weird DVD uses a crisp master print taken from the original negative. It's real clean without any scratches or damage. The sound is as good as can be expected from the original mono source. It also has 45 minutes of rare outtakes that that are almost as interesting as the film itself with topless scenes that weren't shown in the film.
It also includes a short industrial film starring Kerwin and Harvey Korman (yes, that Harvey Korman) called "Carving Magic" that was done around the same time as this film. We learn the fine art of 'meat' carving so I guess it's supposed to tie into the irony of this film, right?
This is camp as it's best, folks. (laughs)
7 out of 10
Yeah the acting's terrible. Yes, the special effects are awful and yeah, it looks like it was filmed on a shoestring budget, but that's what makes this thing so great! (laughs)
A series of young women are slaughtered in Miami by a local crackpot named Faud Ramses (Mal Arnold). He only takes one part of the woman's body each time by cutting off a leg or a heart or using a machete and cutting out a woman's brains on a dark Miami beach and leaves the local police (led by Bill Kerwin) baffled and clueless.
Ramses is also the local, exotic caterer who uses these woman's body parts to serve his customers without them knowing about it. And that includes a party thrown by Kerwin's girlfriend's (played by 1963 Playboy Playmate, Connie Mason) mother. Connie looks better here than she later did in TWO THOUSAND MANIACS.
The Something Weird DVD uses a crisp master print taken from the original negative. It's real clean without any scratches or damage. The sound is as good as can be expected from the original mono source. It also has 45 minutes of rare outtakes that that are almost as interesting as the film itself with topless scenes that weren't shown in the film.
It also includes a short industrial film starring Kerwin and Harvey Korman (yes, that Harvey Korman) called "Carving Magic" that was done around the same time as this film. We learn the fine art of 'meat' carving so I guess it's supposed to tie into the irony of this film, right?
This is camp as it's best, folks. (laughs)
7 out of 10
Você sabia?
- CuriosidadesWas filmed in Miami in only nine days and cost just under $25,000 (some sources say $60,000) and earned back millions for its creator and associates.
- Erros de gravaçãoIshtar was actually an ancient Babylonian mythological goddess, not an Egyptian one, though Lewis and Friedman were aware of this.
- Citações
[the killer is crushed to death in a garbage truck]
Police Captain: He died a fitting end for the garbage he was.
- Versões alternativasThe 2001 Tartan Video UK DVD release was cut by the BBFC to remove 23 secs of shots of Ramses's whip hitting the girl in his back room. These were replaced with shots of the statue's head and Ramses's face. The BBFC waived these cuts for the 2005 Odeon DVD issue.
- ConexõesFeatured in Reveillon Maldito (1980)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
Bilheteria
- Orçamento
- US$ 24.500 (estimativa)
- Tempo de duração
- 1 h 7 min(67 min)
- Mixagem de som
- Proporção
- 1.37 : 1(original ratio)
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente