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Waldrausch

  • 1962
  • 1 h 29 min
AVALIAÇÃO DA IMDb
5,6/10
47
SUA AVALIAÇÃO
Waldrausch (1962)
Drama

Adicionar um enredo no seu idiomaAfter years of absence, engineer Lutz Ambross returns to his home village Maria Schnee with the job to build a dam. He can persuade most of the residents to accept the offered compensation f... Ler tudoAfter years of absence, engineer Lutz Ambross returns to his home village Maria Schnee with the job to build a dam. He can persuade most of the residents to accept the offered compensation for their land and houses - only the greedy Crispin sets them up against Lutz to raise the ... Ler tudoAfter years of absence, engineer Lutz Ambross returns to his home village Maria Schnee with the job to build a dam. He can persuade most of the residents to accept the offered compensation for their land and houses - only the greedy Crispin sets them up against Lutz to raise the price. Both do also compete for the love of Beda.

  • Direção
    • Paul May
  • Roteiristas
    • Erna Fentsch
    • Ludwig Ganghofer
    • Kurt Heuser
  • Artistas
    • Marianne Hold
    • Gerhard Riedmann
    • Ingeborg Schöner
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,6/10
    47
    SUA AVALIAÇÃO
    • Direção
      • Paul May
    • Roteiristas
      • Erna Fentsch
      • Ludwig Ganghofer
      • Kurt Heuser
    • Artistas
      • Marianne Hold
      • Gerhard Riedmann
      • Ingeborg Schöner
    • 2Avaliações de usuários
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos10

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 4
    Ver pôster

    Elenco principal20

    Editar
    Marianne Hold
    Marianne Hold
    • Beda
    Gerhard Riedmann
    Gerhard Riedmann
    • Ambros Lutz
    Ingeborg Schöner
    Ingeborg Schöner
    • Annette von Larenburg
    Sieghardt Rupp
    Sieghardt Rupp
    • Crispin Sagenbacher
    Paul Hartmann
    Paul Hartmann
    • Der alte Stuiber
    Peter Toifl
    • Der kleine Toni
    Adrienne Gessner
    • Die Zieblingen
    Alexander Trojan
    • Boris von Larenburg
    Sepp Rist
    • Der Mann von Kaprun
    Edd Stavjanik
    • Diener Kesselschmidt
    Hans Habietinek
    • Regierungsrat
    Raoul Retzer
    • Der Lange
    Walter Regelsberger
    • Ein Fahrer
    Herbert Fux
    Herbert Fux
    • Bauführer Seidl
    Walter Lehr
    • Peter Stich
    Edgar Wenzel
    • Ein Ausländer
    Henry van Lyck
    Henry van Lyck
    • Ein Italiener
    Sepp Löwinger
    • Bürgermeister
    • (não creditado)
    • Direção
      • Paul May
    • Roteiristas
      • Erna Fentsch
      • Ludwig Ganghofer
      • Kurt Heuser
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários2

    5,647
    1
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    10

    Avaliações em destaque

    10Roman-Nies

    Heimatfilm and the German peculiarity

    To understand and appreciate the meaning of "Heimatfilm" you have to consider a few facts. The word "Heimatfilm" has in cinematographic Germany of today not such a good sound. But that is the kind of entertainment the people in Germany needed after the traumatic WW II. That Genre was totally produced for the taste of the masses and served well for this. It is a similar speciality of German cinematography like the Karl May films (Winnetou and friends) and the Edgar Wallace films of the sixties. Nothing that can be very interesting for Non-Germans, neither could be understood by other people. You should notice that Germans in the fifties were not politically interested. They just wanted "Heimat", a manageable scope for daily life. Mostly the "Heimatfilm" plays in the mountain areas, where You could not see the damage the war brought to the German cities, the place as well where a short trip for holidays was possible for the German people. If You went for holidays, You went to the Sea or to the Mountains. The Heimatfilm and the „Bergfilm", which is another speciality of the German cinematography (films featuring mountain stories), are closely related, the first comes from the latter. That started already in the twenties. Even Luis Trenker was a German filmmaker, because the people of South Tirol did not regard themselves as Italians ( and still don't) German film-making has not been a successful story in the last 30 years, but in the fifties with the „Heimatfilm" and in the sixties it was. You could also grasp the meaning of these movies for the German audience when You compare them with the Bollywood movies. The Indian audience is also not interested in politics, they just want to escape into a hail world for a few hours. There are no more "Heimatfilme" for the cinema any longer, but there were always TV-series about the same Genre. What the "western" is for the US citizen is the "Heimatfilm" for the Germans. This is something for depth psychology. The Germans seem to have a strong inclination for having a nice time in a natural surrounding (natural but under control) where they can dedicate themselves to their "Weltschmerz" and cultivate their longing for peace and harmony (which should not be interrupted again). So far it is not alarming that violence-films are not produced in this country. Unfortunately they are shown on TV, made in the USA. The elder people look the harmless "Heimatfilm", the younger look violence- and action-films. A new generation of violent-prepared Germans is brought up, with the help of US movie and TV productions.
    7sdj-5

    Nice love-drama, not as funny as films in the years after

    A nice movie from the "pre-entertaining" era in Austria. A bit over exaggerated in dramaturgy, but overall a very nice flick. Seeing some users rating it at one here at IMDb really is a weird choice, because there are much worse films out there. It boosts a plausible hero (Ambros), and a good and attractive villain (Crispin). As well as quite beautiful and very talented Austrian actresses of that time in the female leading parts. Marianne Hold was a really attractive woman and Ingeborg Schöner was on of those pretty girls (later casted in funny, romantic movies - cannot remember seeing here in a lot of drama's like this one, though).

    Austria had it's movie peek until the beginning of the 70's. This movie is more a love drama than the more happier and a lot funnier Austrian movies in the years after. It boosts traditional values and there's also the occasional annoying little boy who pulls on strings story-wise.

    A nice appearance of the young Herbert Fux can also be seen, he is the co-worker of the hero Ambros. Already showing his potential ;) A 7 out of 10. Though I wanted to give a 6 first.

    Enredo

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    Editar
    • Curiosidades
      Final film of Erna Fentsch .
    • Conexões
      Remade as Waldrausch (1977)

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    Detalhes

    Editar
    • Data de lançamento
      • 17 de agosto de 1962 (Alemanha Ocidental)
    • País de origem
      • Áustria
    • Idioma
      • Alemão
    • Também conhecido como
      • Når skovene kalder
    • Locações de filme
      • Aschach an der Donau, Upper Austria, Áustria
    • Empresa de produção
      • Sascha-Verleih
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 29 minutos
    • Cor
      • Color
    • Proporção
      • 1.33 : 1

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