A Torre de Londres

The team of Roger Corman and Vincent Price is undoubtedly most famous for the adaptations of Edgar Allen Poe's works, but it would be unwise to ignore this interpretation of William Shakespeare's play 'Richard III' as it's one of the duo's finest hours! This same story was brought to the screen 23 years earlier with the 1939 film of the same name (also featuring Vincent Price), but Corman's version, although obviously made on a limited budget is still a great version of the tale. The plot features prominent themes of envy, greed and insanity, and the story of one of England's most famous rulers is interesting for its own merits, and Corman's portrayal of it makes it interesting for fans of classic horror also. The plot begins with the death of the current king of England, Richard's brother. The throne is intended to go to the brother's son, but King Richard has other ideas as he begins to murder all those that stand in his path to the most coveted seat in the country. However, what he doesn't count on is his conscience getting in the way; and before long, he is being haunted by the ghosts of his victims.

Every film in the Corman's Poe Anthology is filmed in colour, but here Corman shoots on black and white film, and it does the story no end of favours as the atmosphere always feel thick and foreboding, and gorgeous shots of smoke filled locations help to increase the tension. The fact that the film stars the great Vincent Price is most definitely its strongest element. Price is best at playing villains and people suffering from mental torment, and here he gets to do both in the meaty role of King Richard III. Price's acting style certainly suits Shakespearian roles as he's never afraid to go over the top, and I'm sure Corman was always happy to capitalise on this fact as Price is allowed to let rip completely during many instances of the film. Price also manages to look sinister while he's being hammy, and just small things such as the little hat that Price wears give him an understated villainy that suits the role like a glove. The supernatural elements of the film are well utilised, and Corman is happy to capitalise on the horror aspects of the play at all times. The ending is a little abrupt, but overall, this film is a definite 'hit' and one that shouldn't be missed by Price, Corman and even Shakespeare fans!

'Tower of London' is fictionalized historical horror film that accounts the rise and fall of King Richard III. The film itself is above average '60s horror stuff, but it is elevate by Vincent Price's sleazy and sinister portrayal of King Richard, fighting for the right to throne and battling his own growing madness. The fans of Price will definitely be pleased - one of the few actors who can look terrifying while being over the top hammy. With 'Tower of London' Roger Corman proved he can handle more Shakespearian stuff pretty well.

Not the greatest work from them both, Corman and Price, but still worthy enough that hour and twenty minutes doesn't feel wasted one bit.

Sure, one shouldn't watch this looking to learn history lessons. Sure, it's not one of director Roger Cormans' better films. And yes, it's clear that Corman and his producer / brother Gene were working with a limited budget. But you just can't go wrong with Vincent Price at his theatrical, Shakespearean best. The film is thick with atmosphere, and the madness in the air of this thing provides the story with a lot of potency. This thing is FUN, damn it, and it merits a look.

This is a remake of the 1939 film that also told the tale of the evil and conniving Richard of Gloucester. Price, who played the Duke of Clarence in "Tower of London" '39, here stars as Richard, a monster who contrives his way to the position of King of England. However, his misdeeds will not go unnoticed - various subjects plot to put a monkey wrench in his plans - or unpunished. Those people that Richard tortures or murders reappear as spirits that taunt him mercilessly.

Price is ably supported by a fine bunch of actors: Michael Pate as his loyal henchman, lovely Joan Freeman as Lady Margaret, Robert Brown as the strapping Sir Justin, Bruce Gordon as the Earl of Buckingham, Joan Camden as Richards' Lady Macbeth-like wife, Richard Hale as Tyrus the physician, sexy Sandra Knight as Mistress Shore, and Charles Macaulay as Clarence. But make no mistake: this is his show. He dominates "Tower of London" with true ferocity. Richard is a compelling variety of antagonist.

The ending falls short of being very satisfying, but up until then this historical drama / horror film shows its viewers a rollicking good time.

Seven out of 10.

I came across this movie by chance one night late on the tv. I checked the review in the tv guide and thought it would be an adaptation of one of my favourite plays by Shakespeare: Richard III. However, when I noticed that Roger Corman directed and the guide labelled this movie a horror movie I had mixed feelings. Corman turned the story of Richard Gloucester who "gets rid" of those who stand between him and the throne of England. Corman does that in accordance with the way the people are put away with in the Shakespearean play, but (of course) with greater detail. Plus, Corman focuses more on theoccult aspects - Richard haunted by the spirits of those he killed. However, during the whole movie it does not quite become clear whether those ghosts are real or just hallucinations of Richard's poor soul. Vincent Price - once again - gives a superb villain, very reminiscent of Boris Karloff (who I think played Richard, as well). A perfect movie for dark, chilly nights, with fog and storm outside, and a blanket to crouch underneath.

Not anywhere nearly as well done as the 1939 version, this Corman/Price vehicle has to be the weakest of their collaborations.

Price is generally too hammy here, not well-directed as in other Corman films, and definitely nowhere near his excellent performance in Witchfinder General. Sets are pretty much bare-bones, effects and battle scenes look like stock footage superimposed over characters acting out in front of a black curtain.

The murder of the two young heirs to the throne of England is the best scene and very effective, however. The end of this film of a mere 79 mins. is very welcome to the viewer as about 70 mins. of it are practically a complete bore. Pretty much one to forget unless you have to collect every Corman/Price film ever made.