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"That Touch of Mink" has its high points as well as its lows. The film's main theme revolves around undulating social morays of a cultural transition which, if one examines history, aren't all that transitional as they would appear to be. Day, Grant, Meadows and Young give some solid performances in an early 60's "sex" comedy. The humor is suggestive rather than explicit, which should create some fun for the more conservative minded. I can't say I laughed a whole lot (if at all), but I did enjoy the film on its own terms.

Regrettably the currant DVD offered by Artisan Entertainment is sub par. "That Touch of Mink" isn't the greatest film ever made, but, like so many other offerings of the period, it is a solid piece of cinema, and deserves a better visual release.

Currently Artisan Home Entertainment bolsters a "Digitally Mastered" disk, but the only mastering that was done was to put the film onto DVD format in the first place, and nothing more. I say nothing more because the film image is absolutely horrible. There's lots of video noise overlaying the film image, and where the film is shown in widescreen format, it's hardly an anamorphic transfer. Instead the consumer is given a low resolution transfer which, were it not for Day, would not be worth watching.

The audio is clear, even though its monaural. A remastered soundtrack really isn't required for a film like this, as there's really nothing more to listen to other than dialog and incidental music. That is there're no explosions, gun shots, rockets, bands or other things demanding a digital 5.1 mastered soundtrack. Still, having said all this, good clean audio should accompany a good clean image.

Too bad this disc is missing both.

In N. Y. C and unemployed secretary named Cathy Timberlake (Doris Day) is splashed with water and mud by a Rolls Royce on her way . Car owner is Philip , a rich businessman tycoon (Gary Grant) who asks her for apologies . Cathy then is involved on a journey to Bermudas Islands where several antics and mayhem happen in a game of cat and mouse.

This is a sex-comedy in which a sympathetic woman falls in love with a man not interested in marriage. Classic and light romantic comedy of the 60s with two comedy masters : Doris Day and Gary Grant , both of whom exhibiting considerable rapport even when they are arguing. Doris Day was probably the only Hollywood actress by the time who could have handled this brand of bright and simple comedy with kinks in such expert fashion. The film is one of the various starred by Doris Day during the 50s and 60s , such as : ¨Lover come back" , "Send me flowers" , "More over darling" , "Do not disturb", "Glass bottom boat" , "Do not distur¨ among others , with usual partners as Rock Hudson and other big stars as James Garner, Rod Taylor and Gary Grant himself . And appearing likeable secondaries : Gig Young , he's ever better than habitual as the inevitable sidekick of the starring , John Astin also scores as a man with a lugubrious leer and besides Dick Sargent (Bewitched) as a nervous husband justly married. The screenplay gets fun lines and amusing situations , being written by expert Stanley Shapiro (producer too) that enables the actors to make the most of themselves. Furthermore , it displays a colorful cinematography by Russell Metty and and lively musical score by George Duning. The motion picture was well directed by Delbert Mann (Separate tables, Desire under the Elms , Marty) . The flick will appeal to Gary Grant and Doris Day fans.

Doris Day and Cary Grant were my parents favorites as well as mine. To see That Touch Of Mink in 2018 is a bit of a cringing exercise. Two mega stars in their, let's say, mature years, specially Grant, behaving like adolescents it's a bit hard to take. Doris's character shares an apartment with Audrey Meadows - who I believe also needs some professional attention - they sleep in little twin beds. So bizarre to see. But and here is were the Doris Day mystery resides. I believed her unbelievable character, one hundred per cent. Doris Day was 39, Cary Grant 58 but everything I saw in Doris Days was true. That's why, I presume, this is a favorite comedy of the Coen brothers. My niece, who is 15, saw the film with me and her comment was that Cary Grant's and Gig Young's characters should be arrested. Yes, 2018 is not 1962 and films are socio-historical documents.

Great writing, cool gowns, and Cary Grant panache only begin to describe the pleasures of this surprisingly refreshing film. Cary Grant is an overly-controlling business executive; Gig Young plays his side-kick, junior, and alter-ego. Doris Day is strong-willed and fun to watch, but Audrey Meadows is sensational in her over-the-top performance as Doris Day's older and wiser roommate. Two scenes stand out: one in the fabled NY quick-meal restaurant, the Automat, the other a computer room scene that has to be seen by anyone who knows what IBM stands for. See this movie. It will surprise you.

I would not place 'Touch Of Mink' with the likes of Tarkovsky's films, but I will say that it is a beautifully-filmed fantasy that is really titillatingly funny in a genuinely charming way. Even the most serious film viewers cannot deny the smiles that are inevitable when Doris is on the screen. The film's story evolves when two lives are randomly thrown together - that of a hard-working waitress and a rich bachelor playboy. What ensues is delicious full-on Technicolor romantic comedy.

There are also some classic moments: The hand emerging from the 'atuomatic' restaurant where Doris and Audrey work to smack the face of a particularly offending male patron (those where the days when a woman could smack a man in a film and get great laughs...) - Doris's fantasy sequence as she's driven through the streets in a bed - with a man - and they're NOT MARRIED! It's a harmless, light film that still has such a centered beauty and sophistication that shows off the bright side of Hollywood-produced films of that era. As previous posters have commented, HD Digital video just cannot produce the same wonderful hues of celluloid - and there is something irresistible about Ms. Day in this film - her character's innocence is rather genuine, as is her male lead (Cary Grant) who obviously loves her for his ability to win her over with gifts and his own brand of charm.

I think it's important to have a second look at many of Doris Day's films in the lights of the 21st century. Touch of Mink, in particular, holds a dream-bubble of blissful idealism and moral irony that has incredible resonance today, when so many have found that we must reexamine our attitudes toward casual sex. This is the central core of the film, and many would now see's Ms. Day's character's reaction to such a thought as far more intelligent than when it was viewed in the 1970's- 80's.

Give the film a view; especially on a Friday night when you really, truly want to be entertained by a dazzling screen star.