AVALIAÇÃO DA IMDb
6,6/10
11 mil
SUA AVALIAÇÃO
Um empresário rico e uma jovem se sentem atraídos, mas ele só quer um caso enquanto ela quer se guardar para o casamento.Um empresário rico e uma jovem se sentem atraídos, mas ele só quer um caso enquanto ela quer se guardar para o casamento.Um empresário rico e uma jovem se sentem atraídos, mas ele só quer um caso enquanto ela quer se guardar para o casamento.
- Indicado a 3 Oscars
- 6 vitórias e 5 indicações no total
Dick Sargent
- Young Man (Harry Clark)
- (as Richard Sargent)
Dorothy Abbott
- Stewardess
- (não creditado)
Isabella Albonico
- Isabella
- (não creditado)
Louise Arthur
- Woman
- (não creditado)
Alice Backes
- Miriam
- (não creditado)
Suzanne Barton
- Model
- (não creditado)
Russ Bender
- Williams
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Doris Day and Cary Grant were my parents favorites as well as mine. To see That Touch Of Mink in 2018 is a bit of a cringing exercise. Two mega stars in their, let's say, mature years, specially Grant, behaving like adolescents it's a bit hard to take. Doris's character shares an apartment with Audrey Meadows - who I believe also needs some professional attention - they sleep in little twin beds. So bizarre to see. But and here is were the Doris Day mystery resides. I believed her unbelievable character, one hundred per cent. Doris Day was 39, Cary Grant 58 but everything I saw in Doris Days was true. That's why, I presume, this is a favorite comedy of the Coen brothers. My niece, who is 15, saw the film with me and her comment was that Cary Grant's and Gig Young's characters should be arrested. Yes, 2018 is not 1962 and films are socio-historical documents.
I would not place 'Touch Of Mink' with the likes of Tarkovsky's films, but I will say that it is a beautifully-filmed fantasy that is really titillatingly funny in a genuinely charming way. Even the most serious film viewers cannot deny the smiles that are inevitable when Doris is on the screen. The film's story evolves when two lives are randomly thrown together - that of a hard-working waitress and a rich bachelor playboy. What ensues is delicious full-on Technicolor romantic comedy.
There are also some classic moments: The hand emerging from the 'atuomatic' restaurant where Doris and Audrey work to smack the face of a particularly offending male patron (those where the days when a woman could smack a man in a film and get great laughs...) - Doris's fantasy sequence as she's driven through the streets in a bed - with a man - and they're NOT MARRIED! It's a harmless, light film that still has such a centered beauty and sophistication that shows off the bright side of Hollywood-produced films of that era. As previous posters have commented, HD Digital video just cannot produce the same wonderful hues of celluloid - and there is something irresistible about Ms. Day in this film - her character's innocence is rather genuine, as is her male lead (Cary Grant) who obviously loves her for his ability to win her over with gifts and his own brand of charm.
I think it's important to have a second look at many of Doris Day's films in the lights of the 21st century. Touch of Mink, in particular, holds a dream-bubble of blissful idealism and moral irony that has incredible resonance today, when so many have found that we must reexamine our attitudes toward casual sex. This is the central core of the film, and many would now see's Ms. Day's character's reaction to such a thought as far more intelligent than when it was viewed in the 1970's- 80's.
Give the film a view; especially on a Friday night when you really, truly want to be entertained by a dazzling screen star.
There are also some classic moments: The hand emerging from the 'atuomatic' restaurant where Doris and Audrey work to smack the face of a particularly offending male patron (those where the days when a woman could smack a man in a film and get great laughs...) - Doris's fantasy sequence as she's driven through the streets in a bed - with a man - and they're NOT MARRIED! It's a harmless, light film that still has such a centered beauty and sophistication that shows off the bright side of Hollywood-produced films of that era. As previous posters have commented, HD Digital video just cannot produce the same wonderful hues of celluloid - and there is something irresistible about Ms. Day in this film - her character's innocence is rather genuine, as is her male lead (Cary Grant) who obviously loves her for his ability to win her over with gifts and his own brand of charm.
I think it's important to have a second look at many of Doris Day's films in the lights of the 21st century. Touch of Mink, in particular, holds a dream-bubble of blissful idealism and moral irony that has incredible resonance today, when so many have found that we must reexamine our attitudes toward casual sex. This is the central core of the film, and many would now see's Ms. Day's character's reaction to such a thought as far more intelligent than when it was viewed in the 1970's- 80's.
Give the film a view; especially on a Friday night when you really, truly want to be entertained by a dazzling screen star.
Great writing, cool gowns, and Cary Grant panache only begin to describe the pleasures of this surprisingly refreshing film. Cary Grant is an overly-controlling business executive; Gig Young plays his side-kick, junior, and alter-ego. Doris Day is strong-willed and fun to watch, but Audrey Meadows is sensational in her over-the-top performance as Doris Day's older and wiser roommate. Two scenes stand out: one in the fabled NY quick-meal restaurant, the Automat, the other a computer room scene that has to be seen by anyone who knows what IBM stands for. See this movie. It will surprise you.
While going to receive her unemployment paycheck and to a job interview later, the coat of the naive Cathy Timberlake (Doris Day) is splashed with mud by the Rolls Royce of the millionaire businessman Philip Shayne (Cary Grant). Later he sees her going to have lunch from his office and sends his financial adviser Roger (Gig Young) to give some money to Cathy to compensate her loss. Cathy feels offended with the offer and she goes to Philip's office with the intention of throwing the money on his face. However, when she sees the handsome Philip, she immediately falls in love with him. They date and Cathy expects that Philip proposes to marry her, but he does not have this intention.
"That Touch of Mink" is a silly and naive but funny romantic comedy. The premise is dumb and is irritating to see Cathy buying expensive clothing and traveling to Bermudas with a playboy expecting to give nothing in return. But the comedy has many funny situations, like the just married couple in the motel or Roger being mistakenly taken as Philip in Cathy's apartment building. My vote is seven.
Title (Brazil): "Carícias de Luxo" ("Caresses of Luxury")
"That Touch of Mink" is a silly and naive but funny romantic comedy. The premise is dumb and is irritating to see Cathy buying expensive clothing and traveling to Bermudas with a playboy expecting to give nothing in return. But the comedy has many funny situations, like the just married couple in the motel or Roger being mistakenly taken as Philip in Cathy's apartment building. My vote is seven.
Title (Brazil): "Carícias de Luxo" ("Caresses of Luxury")
Very cute movie. It was very enjoyable and put a smile on my face. It's obviously a bit dated, I doubt there are many young, independant working women that swoon over losing their virginity these days. I even doubt it was quite like that back in 1962. It's still very sweet and it would make a good date movie.
I should also mention the movie looks beautiful. Movies from this era tend to look great. The quality of production in movies seriously declined the closer Hollywood got to the 70's.
I should also mention the movie looks beautiful. Movies from this era tend to look great. The quality of production in movies seriously declined the closer Hollywood got to the 70's.
Você sabia?
- CuriosidadesIn her autobiography, Doris Day wrote: "Of all the people I performed with, I got to know Cary Grant least of all. He is a completely private person, totally reserved, and there is no way into him. Our relationship on Carícias de Luxo (1962) was amicable but devoid of give-and-take...Not that he wasn't friendly and polite - he certainly was. But distant. Very distant. But very professional - maybe the most professional, exacting actor I ever worked with. In the scenes we played, he concerned himself with every little detail: clothes, sets, production values, the works. Cary even got involved in helping to choose the kind of mink I was slated to wear in the film."
- Erros de gravaçãoWhen Shayne and Roger are talking in the office, Shayne is drinking from a teacup. The camera angle is from behind Shayne's right shoulder, and, as he raises the cup, it can be seen that the cup is empty.
- Citações
Philip Shayne: Why would she go away with someone like that?
Roger: Who knows? He's a man and she's a woman.
Philip Shayne: That's the most dangerous combination to turn loose in a motel.
- Cenas durante ou pós-créditosClosing credits: Our special thanks to Bergdorf Goodman for being Bergdorf Goodman.
- ConexõesEdited into Abaixo o Amor (2003)
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Amor al vuelo
- Locações de filme
- Asbury Park, Nova Jersey, EUA(background)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 14.628.923
- Tempo de duração1 hora 39 minutos
- Proporção
- 2.35 : 1
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By what name was Carícias de Luxo (1962) officially released in India in English?
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