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IMDbPro

Os sete Pecados Capitais

Título original: Les sept péchés capitaux
  • 1962
  • 1 h 53 min
AVALIAÇÃO DA IMDb
6,3/10
715
SUA AVALIAÇÃO
Os sete Pecados Capitais (1962)
Comedy

Adicionar um enredo no seu idiomaThe vision of the seven deadly sins by seven French directors as follows: (1) Anger: In a gentle French town, several men find flies in their Sunday soups. They have arguments with their wiv... Ler tudoThe vision of the seven deadly sins by seven French directors as follows: (1) Anger: In a gentle French town, several men find flies in their Sunday soups. They have arguments with their wives, that grows successively to the streets, country and world. (2) Gluttony: A family arri... Ler tudoThe vision of the seven deadly sins by seven French directors as follows: (1) Anger: In a gentle French town, several men find flies in their Sunday soups. They have arguments with their wives, that grows successively to the streets, country and world. (2) Gluttony: A family arrives late for the buffet of the funeral of the father of the patriarch. (3) Envy: The maid ... Ler tudo

  • Direção
    • Philippe de Broca
    • Claude Chabrol
    • Jacques Demy
  • Roteiristas
    • Eugène Ionesco
    • Claude Mauriac
    • Daniel Boulanger
  • Artistas
    • Marie-José Nat
    • Dominique Paturel
    • Danièle Barraud
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,3/10
    715
    SUA AVALIAÇÃO
    • Direção
      • Philippe de Broca
      • Claude Chabrol
      • Jacques Demy
    • Roteiristas
      • Eugène Ionesco
      • Claude Mauriac
      • Daniel Boulanger
    • Artistas
      • Marie-José Nat
      • Dominique Paturel
      • Danièle Barraud
    • 9Avaliações de usuários
    • 7Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos9

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    Elenco principal68

    Editar
    Marie-José Nat
    Marie-José Nat
    • La jeune femme (segment "Colère, La")
    Dominique Paturel
    • Le mari (segment "La Colère")
    Danièle Barraud
    Danièle Barraud
    • Suzon, prostitute (segment "Avarice, L'")
    • (as Daniele Barraud)
    Jean-Pierre Cassel
    Jean-Pierre Cassel
    • Raymond (segment "Avarice, L'")
    Jacques Charrier
    Jacques Charrier
    • Antoine (segment "Avarice, L'")
    Claude Rich
    Claude Rich
    • Armand (segment "Avarice, L'")
    Sacha Briquet
    • Harry (segment "Avarice, L'")
    Jean-Claude Brialy
    Jean-Claude Brialy
    • Arthur (segment "Avarice, L'")
    Dany Saval
    Dany Saval
    • Rosette (segment "Envie, L'")
    Claude Brasseur
    Claude Brasseur
    • Riri (segment "Envie, L'")
    Geneviève Casile
    Geneviève Casile
    • Rita Gerly (segment "Envie, L'")
    Jean Murat
    Jean Murat
    • Duchemin (segment "Envie. L'")
    Jacques Monod
    Jacques Monod
    • Monsieur Jasmin (segment "Envie, L'")
    Georges Wilson
    Georges Wilson
    • Valentin (segment "Gourmandise, La")
    Marcelle Arnold
    Marcelle Arnold
    • L'épouse de Valentin (segment "Gourmandise, La")
    Paul Préboist
    Paul Préboist
    • Alphonse - le facteur (segment "Gourmandise, La")
    Magdeleine Bérubet
    • Nénesse - la belle-mère (segment "Gourmandise, La")
    • (as Magdeleine Berubet)
    Jean Desailly
    Jean Desailly
    • Monsieur Duparc - le père de Bernard (segment "Luxure, La")
    • Direção
      • Philippe de Broca
      • Claude Chabrol
      • Jacques Demy
    • Roteiristas
      • Eugène Ionesco
      • Claude Mauriac
      • Daniel Boulanger
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários9

    6,3715
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    Avaliações em destaque

    10John-444

    Marvelous

    I saw this after Godard's "Breathless" & Truffaut's "400 Blows" and I found this the nicest of the three. I was immediately caught up in the surreal "Anger" and never felt let down by any of the "sins" that followed. The narratives are fine, the acting humane, and the directing lovely.
    dbdumonteil

    Seven deadly sins.

    This is a pretty mediocre film made up of sketches.Julien Duvivier did a lot better with "le diable et les dix commandements" ,and he did all the segments single-handedly .

    Only Godard snubs can enjoy the sloth sketch which is a saddening bore,with Eddie Constantine,an actor who made duds by the dozen.The anger sketch recalls the silent movies era,that is to say it's modern! Philippe De Broca's part is vulgarity itself,which is amazing,coming from a director known for his elegance.There's nothing to expect from Roger Vadim ,whose movies have not worn well,it's the least we can say.

    Edouard MOlinaro will be dismissed by the "connoisseurs" ,just because he's not part of the new wave;however his sketch is not that much bad.But the two best segments are Chabrol's and DEmy's .

    Demy's "lust" ,abetted by two peerless thespians,Laurent Terzieff and Jean-Louis Trintignant ,blends present and past when the latter,still a young kid,didn't know what "lust" meant.This is the most daring sketch,even featuring furtive nudities.

    Chabrol's segment ends up the movie on an unpretentious welcome note .The "polytechniciens" putting their problem -how can we sleep with the de luxe prostitute?- in equation is one of the funniest moment of the whole movie.

    Two sketches and a half:you make it on the percentages but lose out on the bonuses.So why don't you try Duvivier's "le diable et les dix commandements" instead?No ,Duvivier is no part of the new wave.It's not a crime,is it?
    6claudio_carvalho

    The Vision of the Seven Deadly Sins by Seven French Directors

    The seven deadly sins are divided into seven segments as follows: 1) Anger: (Director: Sylvain Dhomme) In a gentle French town, several men find flies in their Sunday soups. They have arguments with their wives, that grows successively to the streets, country and world. Very silly. (4) 2) Gluttony: (Director: Philippe de Broca) A family arrives late for the buffet of the funeral of the father of the patriarch. Very weak. (3) 3) Envy: (Director: Édouard Molinaro) The maid Rosette is envious of a movie star that is lodged in the hotel she works. Rosette seduces her lover and later she returns to the hotel as a client. Reasonable. (6) 4) Lust: (Director: Jacques Demy) Two friends discuss the meaning of lust. One of them recalls that when he was a child, he misunderstood the meaning of lust with luxury. Funny to see a boy smoking cigarette. Reasonable. (6) 5) Sloth: (Director: Jean-Luc Godard) An aspirant actress asks for a ride to the actor Eddie Constantine with the clear intention to seduce him. They go to his apartment, but Eddie is so lazy that does not have sex with her to avoid having to dress again. Very funny. (7) 6) Pride: (Director: Roger Vadim) One unfaithful couple cheats each other. The businesswoman has a love affair with a man that asks her to travel to Paris with him and get married when she gets the divorce. Her husband is a salesman that cheats her with her friend Heloise. Great short film. (8) 7) Greed: (Director: Claude Chabrol) Seven university students want to have sex with an expensive prostitute that charges 50,000 francs to spend a night with the client. They decide to make a lottery with 25 students giving 2,000 francs each. On the next morning, the prostitute asks the winner how he got money to be with her, and he tells about the lottery. She says that she will return his money but greed wins. The best. (8) My vote is six.

    Title (Brazil): "Os Sete Pecados Capitais" ("The Seven Deadly Sins")
    taylor9885

    Snapshot of French cinema in early 60's

    This is a blend of the bad, commercial work of journeymen French directors and the exciting new wave of Godard, Chabrol and Demy. Anger is the first sin to be treated, and Sylvain Dhomme does a terrible job with this silly story of flies in the soup provoking world catastrophe. Molinaro's version of Envy is no better. Philippe de Broca gets a fine hammy performance from Georges Wilson in Gluttony; some great satire of French country eating habits here. Jacques Demy is next with Lust, and he loses steam with a static visual style (none of the grace of Lola) and stiff acting. We can only surmise what he could have done with a better script.

    Godard has the best segment, he's got Eddy Constantine playing a loafer for a change, not his Lemmy Caution-like nerveless violence. The cheesy Hawaiian music suits the story well. It's more verite than we are used to from Godard. After Sloth, we get Pride from Roger Vadim, and the banality of the story is relieved by some good acting by Sami Frey and Marina Vlady. I always thought it was a shame Vlady wasn't more popular; she had a gorgeous sleek cat's face and could do comedy. Chabrol is last with Greed, and he shows the usual facility and empty social commentary we have come to expect from him.
    2brogmiller

    'Deadly' is the word!

    The 'seven deadly sins' were first introduced by the Catholic Church (needless to say!) in the sixth century. Since then they have proved an inexhaustible source of inspiration for creative artistes and provided boundless entertainment. Let's face it, they are infinitely more interesting than the seven deadly virtues and as Mark Twain observed:"you go to Heaven for the climate, to Hell for the company"!

    A fair-to-middling portmanteau film about the capital vices had been made in France in 1952 but this later 'New Wave' version is nothing short of catastrophic. Most of the segments are worthless but by the law of averages there has to be just one that is redeeming. That one is directed by Roger Vadim and features Marina Vlady whose wifely pride prevents her leaving her husband, played by Jean-Pierre Aumont, when she discovers that he too is being unfaithful. The linear narrative here at least provides relief from the others. This is followed by a bizarre tale directed by Godard in which Michael Constantine plays a film star who cannot even be bothered to take off his clothes to have sex with a gorgeous starlet as it requires too much effort to put them back on. In keeping with its title 'Sloth' this has the effect of sending one to sleep.

    The score, mostly by Michel Legrand, is intensely irritating even by his standards but Sacha Distel has written a haunting theme for the 'Pride' segment which would later become an international hit as 'The Good Life'.

    Episodes 1, 2, 3, 4 and 7 are monumental misfires by directors trying to be 'clever' which must surely rank as the eighth sin!

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    Você sabia?

    Editar
    • Curiosidades
      The producer had presided over an earlier compilation film of The Seven Deadly Sins a decade earlier, and wanted to retry the popular idea with some of the younger directors from the New Wave.
    • Conexões
      Edited from La luxure (1961)

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    Perguntas frequentes11

    • How long is The Seven Deadly Sins?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 7 de março de 1962 (França)
    • Países de origem
      • França
      • Itália
    • Idioma
      • Francês
    • Também conhecido como
      • The Seven Deadly Sins
    • Locações de filme
      • Paris, França(segment "L'Avarice")
    • Empresas de produção
      • Films Gibé
      • Franco London Films
      • Titanus
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 53 minutos
    • Cor
      • Black and White
    • Mixagem de som
      • Mono
    • Proporção
      • 2.35 : 1

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