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Having read some of the comments on this film I feel somehow compelled to defend one of my favourite childhood movies. First off, I find it very odd that accuracy in the depiction of Indian culture and the what kind of equipment was used in a film made in the 1960s, when with very few exceptions (such as Cheyenne Autumn and Broken Arrow) American Westerns only depicted Indians as villains. Moreover, in the 1960s cinematography was maybe a bit more boring by modern music-video style cutting standards. Also, the prop work (costumes, the kind of guns and knives used etc....excuse me?) was simply making do with what you could get. This was not a multi-million-dollar budget movie, it was produced for German TV in a coproduction with Yugoslavia and I think Italy. Of course the story is full of clichés, and that's not surprising since Karl May never even left Germany, he was writing escapist romanticised fantasies of noble savages and cowboys fighting against evil savages and cowboys, it's not an ethnographic study on mid-19th-century Native American war-painting styles. It is still a very good and entertaining movie with likable characters, including some for comic relief. It is still the best of all the Karl May films, even though it greatly deviates from the book. When you see these films as an adult and don't know them from childhood I can understand they don't really grip you or blow you away. But they are classics. Their clichés, great music, and scenery make them so popular and the films have, along with the books, had a great impact on popular culture in Germany, even having spawned their own spoofs and parodies. If you are looking for factual accuracy, don't watch Westerns at all, if you just like a good adventure story, watch it.

First off, I usually avoid commenting on the thoughts of other contributors to the IMDb, but since when does anyone evaluate a Western strictly on the basis of it's historical accuracy? Sounds about as logical as noting that Wile E. Coyote was working with materials purchased out of the ACME catalog that were not available in 1967 when a given cartoon was made. Like, whatever: Cowboys wear six-guns, ride horses, have mountains in the background of their locations, and don't look twice at supporting characters who are wearing baseball caps ... even though baseball had not yet been invented whenever TREASURE OF SILVER LAKE is supposed to be set.

Back to matters at hand, this was the first of a string of German made "Schnitzel Westerns" based on the books of Karl May, sort of a Teutonic version of Zane Gray who probably never got out to Dodge City either -- proof positive that anyone can write convincing fiction on any subject they choose so long as they are properly inspired & enthusiastic about it. As one other contributor notes this film is actually more progressive than American made productions of the time in it's respectful (if somewhat childish) portrayal of Native American culture. The Germans may not have gotten the war paint right but they were in awe of the Indians and don't just regard them as pop-up targets to be shot at -- though the idea of having the good guys shoot only their horses as a way to show that they were "friends" is questionable & unfortunate due to the wire tripped horse falls used to simulate it. But that's 1962 for you, and to impose modern day standards on the film is to condemn it to obscurity, which is sadly what has happened. It was wrong to trip the horsies in 1962 but even more wrong to condemn the film for being what it is, and it deserves to be seen.

Now with that said this is one of the most endearingly stupid Westerns I have ever encountered, infectiously likable from beginning to end. Euro Manbeef hero actor Lex Barker plays "Old Shatterhand", Mr. May's version of Daniel Boone and Davey Crockett combined into one character. He wears a buckskin suit, fights Injun style and at the beginning of the film is wearing a beard for the sole purpose of shaving it off to look more "civilized". Popular film villain Herbert Lom is on-hand to play the scheming, scowling, always cheezed-off villain, who wants to find a treasure of Injun gold and keep it all to himself. Villains are always more believable when they keep their motivations close to the wallet.

We also get the fetching 007 Bond Babe to be Karin Dor as the fresh-faced white woman who gets tied up to various posts no less than three times during the course of the movie and is not once felt-up by any of the bad guys. This was a more noble time in the west before Peckinpah when cowboys did each other the courtesy of fighting fair, washing regularly and wearing color coordinated costumes. There are mass horseback charges, duels to the death, a stockaded settlement to be defended, honor to be upheld, friends to be saved from doom, wise-spoken blue eyed Indian braves and doting womenfolk who dutifully stand by their men through thick & thin.

The movie has a cast of hundreds, it's Yugoslavian location work is impressively authentic if yet refreshingly unfamiliar, and the good old poetic justice ending for the greedy villains straight out of TREASURE OF THE SIERRA MADRE get the heroes out of having to actually kill anyone. It's sweeping theme music is quite enjoyable, the camera-work arty without being bogged down by distracting flourishes, and only some unnecessary comic relief in the form of a wayward butterfly collector come between the film and a masterpiece status. It is enjoyable if somewhat socially naive, wholesome and visually compelling entertainment that the whole family can enjoy together. A testimony to modern day man's unquenchable desire to play cowboys & Indians, with even the Indians coming off as the good guys. It's stupid for sure, but aside from some wire-tripped tumbling horsies (and I pray that none were hurt), what about this movie isn't there to like?

7/10

First entry of a string based on the famous saga about Karl May novel inspired by Fenimore Cooper with the ordinary Pierre Brice as Apache leader and the serious Lex Barker as a German adventurer , being well produced by great producer Horst Wendlandt . This was the first shooting of a novel by author Karl May set in the American West and his earlier movies after his novels were all set in the Near East . Glimmer and exciting Western that contains adventures , action , crossfire and gorgeous Yugoslavian exteriors magnificently photographed and in which take place the emotive meeting between Winnetou (Pierre Brice) and a bearded Old Shatterhand (Lex Barker) , being subsequently replaced by Old Surehand (Stewart Granger) . This is a thrilling and stirring adventure based on Karl May novel with two agreeable characters as Old Shatterhand and Winnetou , being stunningly played by Lex Barker as an expert scout and Pierre Brice as an Apache chief respectively . Old Shatterhand and Winnetou investigate the murder of a man at a stagecoach , being committed by a greedy outlaw named The Colonel (Herbert Lom) supported by his hoodlums . The stagecoach's passenger had a map that describes the treasure of Silver Lake and his son named Fred Engel (Gotz George) sets out in pursuit the murderers . Fred befriends Old Shatterland and Winnetou who along with the usual , the butterfly hunter named Lord Castlepool (Eddi Aren't) and Sam Hawkens (Ralf Wolter) set off in seek for treasure and chase the killers . Meanwhile , Fred saves and falls in love with Ellen Patterson (a gorgeous Karin Dor , director's wife who will follow playing other characters in various episodes) . Later on , there takes place a spectacular assault on a fort, a fighting between Shatterland and an Indian chief and a spectacular climax at Silver Lake.

This is an acceptable episode about one of the series of popular German made Western , featuring the intimate duo formed by valiant ¨Old Shatterhand¨ who agrees to guide the revolt against outlaws located at Indian territory and immortal ¨Winnetou¨ , both of them will repeat their same notorious roles as dignified as always . There appears Pierre Brice as noble Apache chief , he was hired in 1962 when the German producer Horst Wendlandt searched for an actor who should play the Native American chief Winnetou and got to know Brice at the Berlin Film Festival , as he got the role and portrayed "Winnetou" in ten more movies with his co-star Lex Barker as "Old Shatterhand" . These very successful productions made him a superstar in Germany, winning several awards such as Bambi or the Golden Otto . Although appearing on countless other movies and TV shows, he will always be best remembered as "Winnetou", whom he also played at theater. Highlights of the movie are the spectacular attack at a fort and the final scene in Silver Lake . This enjoyable saga benefits from sensational adventures , shootouts , action , emotion , larger-than-life characters and spectacular scenarios ; set-location was in former Yugoslavia , as Grobnicko Polje, Croatia , Paklenica National Park, Plitvice, Croatia and Hamburg, Germany . The immutable and incombustible Winnetou-Pierre Brice plays , as usual, his excellent and unforgettable role to be continued in a TV series . Lex Barker scored especially high marks , though he played as a serious and intelligent man who joins forces with Winnetou , while Stewart Granger as Old Surehand performs with humor and joy , he's the perfect counterpoint to Winnetou . Enjoyable relationship between Old Shatterhand/Lex Barker and Old Surehand/Stewart Granger along with Winnetou/Pierre Brice is quite match . The highbrow Lex Barker played most part of series : ¨Apache gold (1963)¨ by Harald Reinl , ¨Apaches last Battle(1964)¨ by Hugo Fregonese , ¨Last of renegades(1964)¨ , ¨The desperate trail¨, being succeeded by Stewart Granger : ¨Old Surehand¨ (1965) directed by Alfred Vohrer, ¨Rampage at Apache Wells or ¨Der Olprinz¨ by Harald Philipp . Stewart Granger as Old Surehand took the role in three occasions , he starred a diverse character but the role is pretty similar to Old Shatterland , he plays with mirth and liking manner but in ironic tone , almost parody style , as ¨Among vultures¨ and ¨Winnetou and Surehand¨ . Besides Rod Cameron starred only one : ¨Old Firehand¨ in which chemistry between stuffy Cameron and Brice is inexistent .

This time the support cast is top-notch such as Götz George (The Deathmaker) , the gorgeous Karin Dor (Topaz) and special mention to excellent villain Herbert Lom (Inspector Clouseau) . The film displays a colorful and rousing cinematography by Kalinke . Catching , sensitive musical score by Martin Bottcher , series' ordinary , and achieved super-retails , being eventually replaced in some episode by Peter Thomas . The "Old Shatterhand-Melodie" was the most successful track in German hit parades in the 1960s ; the theme later also was recorded as vocal track by several singers, including a version by the movie's actor Pierre Brice . The film achieved a successful box office and was the very first movie to receive the "Golden Screen" for having over 3 million visitors within 12 months . The motion picture produced by Rialto Productions (by producer Wendlandt who was subsequently succeeded by Arthur Brauner) was professionally directed Harald Reinl who directed various Karl May episodes and was a German thriller expert called Krimi - Edward Wallace adaptation . Rating : 6'5/10 , acceptable and passable first installment . Worthwhile seeing for marvelous scenarios and breathtaking outdoors from Yugoslavia including breathtaking falls , canyon , rivers , lake and mountains; all of them as spectacular as Almeria- Spain- outdoors where at the same time were shot numerous European Western .

Paving the way for the Italian "Spaghetti Westerns" was this German-made "Kraut Western" that kicked off a whole series of films based on the writings of frontier adventure author Karl May. American audiences will likely have a difficult time fully appreciating this film because of the downright horrendous dubbing. Also, even though this film is inspired by the countless American westerns that preceded it, it has certain elements that may be a turn-off to traditional western enthusiasts. However, to those who approach the film with an open mind and anticipate that the dialogue will sometimes sound unintentionally funny when paired with the faces on screen, the film is more than a little entertaining. Barker plays a legendary drifter called Old Shatterhand. He roams the plains with his best pal Winnetou ("Chief of all Apaches" as the script dictates) played by Brice (and apparently played over and over by Brice in film and even on stage!) This neo-"Lone Ranger and Tonto" duo rights wrongs and helps various settlers with their sizable problems. This time out, they team up to thwart a ruthless band of criminals (led by Lom) who will stop at nothing to retrieve the title goods. If this rather simple plot sounds dull, it is decidedly not! The nearly epic film depicts stunning scenery, a nail-biting assault on a fort, a knock down contest between Barker and a towering Indian chief and a satisfactory climax at Silver Lake. Barker, a gloriously handsome former "Tarzan" has his beautiful mug hidden under a beard at first, but not for too long. He gives a standout performance in a role which won him multitudinous European fans. Brice (a French, blue-eyed actor!) doesn't get to do as much, but still made enough impact to assure a long career as this character. Also in the cast is hunky, stocky, deliriously sexy George. He manages to overcome the ridiculous vocal dubbing and provide a highly energetic and entertaining performance. In fact, all of the actors got a rigorous workout in the making of this film. They clearly did much of their own riding and stunt work. (Some of it is really odd. Watch for the fight scene between George and Lom in which George practically sits on Lom's face and then picks him up by his genitals to throw him! George also throws a dead/injured man down a well....the only source of drinking water for miles and miles! Why?) On hand for decorative purposes (which she fulfills well) is Dor, who would later be a Bond girl and the subject of one of Hitchcock's most famous camera shots in "Topaz". Lom (with a shocking burst of red hair on his usually bald head) is also beset by bad dubbing, but comes across as a serious villain. There are some comic relief characters that are excruciating. A Gabby Hayes-style rip off in a fright wig, a foppish entomologist with a butterfly net and, worst of all, a lanky, coonskin cap-wearing man who insists (to the utter torture of the viewing audience) on speaking everything in rhyme! There are also goofy elements like people hiding behind tiny trees and bushes in plain sight, yet not being seen. Still, the good outweighs the bad here with the colorful characters and exciting situations going a long way to make the film entertaining. The music also tends to be pretty interesting when it isn't intrusive. The scenes at the title lake are truly beautiful, not only due to the gorgeous setting, but also because George finally takes his shirt off for a while. Fans of "Indiana Jones and the Last Crusade" will find the climax of this film to be a bit of an inspiration for the climax of that film.

The first of the very popular Karl May films of the sixties in Germany is at the same time really embarrassing and touching with its simple good vs. evil plot. A German Western, shot at location in oops, Yugoslavia, is surely strange, but if Italian Western movies have their charme why not German?

Winnetou and Old Shatterhand as played by Bierce and Barker have shaped our image of the way heroes have to look and behave. Götz George, arguably the best living German actor, plays one of his early roles and you can see that he is taking it not really seriously.

I recently tried to watch it when it was on TV on prime time. There is a treasure somewhere in the "silver lake" and evil guys trying to steel the plan. Nothing really spectacular. But good supporting cast. It is really only endurable on a Sunday afternoon when you are relaxed and can enjoy the haunting film score. It helps to have read the books which are very popular in Germany. A perfect example of how the mood of a book can be recaptured with a movie. In fact one of my teachers said that the Karl May films were the only examples of films that come close to the literature that they are based on. And that only because the books are not worth much. It is not true really. There are other examples like...hm, Name of the Rose?

If it were not for the terrible dubbing and the overpowering score that sounded more suitable for a "Tarzan" film, this would actually have made quite decent western. Lex Barker and his "magic silver stick" with his blood brother Apache "Winnetou" (Pierre Brice) have some quite exciting escapades as they try to thwart Herbert Lom ("The Colonel") and his seemingly never-ending army of men who are on the search for the eponymous treasure. It's a colourful adventure story with plenty of gunfights, a mini siege and, of course, plenty of rough and tumble. Made for the German market, which explains the rather quirky inclusion of a German aristocratic butterfly hunter, it has some a rather stilted, almost academic, script; it lacks vernacular and that can render it ridiculous at times, but it's still a decent effort from a nation not known for exploration into the Wild West.

As a fan of western movies, I was astonished by this one. There was at least 300 or more extras in this film. There were bad guys, good guys, a whole lot of Indians, a secret tunnel, a cave with treasure, a beautiful girl, etc. The scenery was terrific. Apparently it was shot in southern or eastern Europe. All in all, a terrific film. I gave it a 10.

Let me put this topic on a nationalistic setting - namely, that this movie, Treasure of Silver Lake or "Der Schatz im Silbersee" (1962) is strictly German movie and that it reflects a specific historical period of that country from 19th century, the literary Romanticism and struggle for Unification of the Masses. Karl May (1842-1912) as the protagonist writer of the adventure story came from a poor background and strive hard to make for a living his whole life. He was an enigmatic author for Germany, Adolf Hitler admitted he was overwhelmed by him as a boy and Albert Einstein was also great fan of his books. This is purely German phenomenon we have here of both exasperation and charm - viz, Karl May who used to tell his stories from first person had never visited America or the Orient or China before later years when he personally was devoted to Evangelism, whatsoever.

We shouldn't regard May's literature as trivial or in that case that already during his lifetime he has been copied or parodied. He is one of the great writers of adventure literature from the period before the World Wars, together with Mayne Reid and Emilio Salgari. Their Indians are not ethnological North Americans but simply savages prone to evangelization. Their White Male characters are prototypes of the Superman from the 20th century, always justified and invincible. In the case of American Wild West stories their heroes lack historical accuracy although many of the plots develop in mid-nineteen centuries, presumably before the American Civil War 1862-1865 and with no certain American Geography. So don't look for typical Western Film and try use your imagination. I will further explicate myself.

I have numerous historical books in my library on Modern American History but not a single volume about Indian Wars in literary perspective. I have some scattered materials on Zane Gray, Louis L'Amour, etc. but they are top-listing from 20th century and have numerous film adaptations. The fellows we are talking above are firstly coming from abroad (Germany, Ireland, Italy) and secondly, have historical sense that is indifferent to Anglo-American political issues. So they come and go as foreigners, more or less, the only common ground being Christianity of the advancing trappers or sometimes the eccentricity of a visiting European scholar. Women are always beautiful and stick to family values. I will speak by my memory since I have read those books long time ago and their plot is fuzzy in my mind, but Mayne Reid's books concern the period before American-Mexican War 1846-1848 where the titular was wounded in the thigh and returned to Ireland. After that he started to write books (from Ireland) about his past adventures and mostly dealing with Texas sharp-shooters; Mayne Reid doesn't speak about the defense of Alamo or General Santa Ana - which are subject to many American Films and stories. He did write about Tecumseh the Creek and Osceola the Seminole before they were defeated and sent to Indian Reservations. There were two films based on Reid's novels about those early Indian heroes that were produced by DEFA (formerly, the GDR Film Studio) with Serbian actor Gojko Mitic as principal star. The latter participated in the 1970s at some 20 Indian Films, all based on genuine book plots from Fenimore Cooper, Mayne Reid, Liselotte Welskopf-Henrich, etc.

I will skip the material on Emilio Salgari, but he deserve special attention for his Far West Trilogy (1908) dealing with Chief Red Cloud the Sioux, his wife Yalla and daughter Minehaha, being persecuted by American trapper and agent John T. that was scalped by the Sioux. The book was exemplary 1000 pages, with some historical events and personages like Chivington Massacre and General Custer among others traversing 30 years of time. No railroads existing, which started to appear in the Wild West circa 1860s.

Now let's go to Karl May. I will try to plot the geography of his novels and leave aside the timeline which is not very clear to me. By the time Old Shatterhand arrive in Santa Fe, the Great Plains are the last abode of Native Americans. Here still roam consolidated tribes of several ethnic groups (meaning, territory west of Mississippi River and no American States charted) - Kiowa, Cheyenne, Dakota, Sioux, Arapaho, Comanche and westernmost are Apache, Navajo; still further west are Shoshone and Ute). So looking back at a political map today, these are the states that join the American Union after the mentioned war with Mexico - firstly, Texas along the Rio Grande River; then New Mexico which is undivided and later its western part become Arizona. California become a state but at first is sparsely populated before the Gold Rush in 1870s. Between the Pacific Coast and the New Mexico territories to the North lies the state of Utah and then Nevada. Here principally develop the story in "Treasure of Silver Lake" with no big cattle towns and only wooden forts available. The concept of Cowboy or "cattle-herder" is non-existent yet.

Finally, few words about the actors staff. Lex Barker and Pierre Brice (Winnetou) are excellent in their performance in all 13 movies of the Karl May franchise. Herbert Low (the Colonel Villain) is the most popular actor in this movie. He was Austro-Hungarian by birth and performed in 113 credits for Anglo-American productions. Lom died 95 years old in 2012. Thank You!

Treasure of Silver Lake is one of the most entertaining films I've ever seen. Establishing the template for every euro-western that followed, it features non-stop action, beautiful scenery (unfortunately compromised by the pan and scan version recently aired on Encore Westerns), and an amusing and watchable cast. Like most euro-westerns the film is more sympathetic to Native Americans than a typical Hollywood movie, but the Indians aren't really the focal point of the story--though they do ride around a great deal and emit fearsome war whoops. The Good Guys, led by sometime Tarzan Lex Barker, have a treasure map that will lead them to, erm, some treasure. The Bad Guys, led by a re-dubbed Herbert Lom (and who seem to have an unlimited supply of men, horses, and ammo), want that map! Much gunplay ensues. Lom gets to whip some of his men into shape (literally), there's a trapper with a frightwig (literally), and another trapper who speaks in rhyme! Highest recommendation, as long as you know what you're getting: a fun movie with lots of action.

This "natural" looking and tentious Western will give pleasure to nature-bound spectators as well as to Western fans. The first Winnetou western acts after the introduction of Old-Shatterhand (Lex Barker) and Apache-chief Winnetou (Pierre Brice) in the movie "Winnetou 1". Herbert Lom had been got for playing a colonel, restricted by the script. Marianne Hoppe had her first international movie. For the laughers: Eddie Arent (Lord Castlepool) and Ralf Wolter (Trapper Sam Hawkins) can be seen.

I can only hope that the original Karl May Shatterhand/Winnetou stories were a lot more entertaining that this cinematic adaptation! To be sure, the scenery is very nice (particularly near the end at Silver Lake), and the widescreen photography really captures the feeling of the open west. (Unfortunately, the only print circulating on this side of the Atlantic is in pan-and-scan.) The large gun-battle against the ranch fortress isn't bad as well.

If only the screenplay had been much better than it was! For starters, it has a curiously childish tone for much of its running time, similar to the kiddie westerns made by B movie outfits in Hollywood in the '30s and '40s. It goes on abnormally on (almost 105 minutes long), partly because of a slow pace - see how that stagecoach at the beginning of the movie rides on... and on... and on... and on... and on! Also, the story takes a number of diversions that bring the story to a halt, like when the heroes are captured. Not to mention some really laughable turns in the script, like how the heroes decide to take a women with them into hostile territory to look for the treasure. Still, it's fun seeing Herbert Lom in western garb, and this may be one of the only chances you see the INDIANS instead of the calvary riding to the rescue!

No pun intended ... the first outing of Winnetou and Old Shatterhand ... still when they made the Winnetou trilogy they began from scratch. As if they never had met before and all that. Interesting and really good casting choices. A European cast and therefor surely a babylonian effort to make this work - everyone surely talking in their native language. What I did not have on my radar when I watched this as a kid, was the fact that one very infamous actor from the Pink Panther movies would be in this ... the one that does not work well with Inspector Clouseau that is.

Here he plays a villain again - though a very straight one. These westerns were made in Europe and mostly in Jugoslavia ... it still looks really good. If you are a fan of the movies back then, you will cherish them ... if not, it might be better to start off with the Winnetou trilogy first ... see if you like what you ... see. Continue from there if that is something you'd like to do.

I must say I was wondering what might be in stall for me tonight as I watched this flick on the Westerns Channel here in the states. I read that it was a "German Western." Now, I have studied both German films and Westerns here in grad school, as I study film and screenwriting. I must say this is a delightfully bad example of both! I am also not one of these Americans who is going through an anti-Euro political thing at the moment as it is I am half-Turkish, and I certainly see no need for it at all. So, there is no cultural prejudice here. This is simply a really bad (but interesting) movie! There are other countries which have tried their hand at Westerns, including believe it or not Turkey! They made at least two Turkish Westerns in the late 60s/early 70s, including a version of "Ringo Kid!" What makes "Silver Lake" the annomally that it is has to be the very bad way it was shot. The cinematography is horrible! Also, this film contains every Western cliche in the book and the plot is really ridicilous! On top of that, the American-dubbed version has both cowboys and Indians speaking in German accents! And, it is clear at least two or three of the dubbers could barely speak English! This makes for some very funny moments though including the scene where Chief Big Wolf (pronounced big wuhlf) makes his entrance. This is simply funnier than anything you'd see in "Blazing Saddles!" Also, the way the guns are fired and the actors fall from their horses is hysterical, and there is the blood.... Anyway, this was apparently filmed in Yugoslavia which is a long way from Tulsa, where the story takes place. This is certainly not a John Ford Western, but it is entertaining. Nevertheless, since it is really that bad, I must give it a 3 out of 10:)

Winnetou and Old Shatterhand chase after the unscrupulous crook Brinkley, who is trying with all his might to find the legendary treasure in the Silver Lake. Through murder and kidnapping he managed to get his hands on the secret plan for the treasure. In their pursuit, the two blood brothers are repeatedly stopped by hostile Indian tribes and have to watch as their adversary reaches the treasure cave before their eyes. Brinkley kills the guardian of the grotto and believes he has now achieved the goal of his dreams. But the dying guardian of the treasure can use his last strength to set a mechanism in motion that causes the entire cave to collapse.

The Winnetou westerns are great fun, vibrant, lively and imaginative and action-packed, and this 1962 entry starring Lex Barker as Old Shatterhand and Pierre Brice as Winnetou is the first of the long series featuring our two heroes and it's off to a great start with Herbert Lom playing an evil gang member with much gusto and he's devoid of any good attributes. He bullies his men and naturally double crosses some of them, but it wouldn't be a western if he didn't get his up commence. And it's a fitting send-off. It's a solid western, has energetic action, great scenery and the plot sucks you in.

I saw this strange little film at a rural drive-in as a child, and was struck even then by a strangeness that no one else seems to have remarked upon: the Indians appear to be wearing uniforms -- a strange departure from the usual Western convention whereby the Indians "all look the same," but are hardly dressed to resemble an army. This anomaly remains my most vivid memory of what we judged, as a family, a horrifically awful film and worse Western (a genre on which my father considered himself something of an expert, having followed Westerns since Tom Mix, in his youth) -- making it a perfect booking for drive-in showing in the sticks when it entered U.S. release. A question for the more knowledgeable and hard-core devotees out there: did this film gain wide release in U.S. theaters at the time?

I just watched this turkey on the Western channel and I must say that it is extremely inaccurate.

First off,the choice of firearms was laughable.I saw Nagant revolvers that didn't come out till the 1890s and even then they were only available in Europe.I also saw what looked like S&W M1917 revolver. Virtually every firearm in this movie was in the wrong place. Even their choice of knives was inaccurate.Two of the characters get into a knife fight with Puma White hunters.Now these knives didn't come out till the 1950s.I guess they were used because they were popular in Europe.

On to the other flaws. The choice of war paint and giving all the indians bows and arrows was just plain ignorant.

All in all,this movie just didn't cut it. 1* out of 5*

This film begins with a group of bandits led by a desperado named "Colonel Brinkley" (Herbert Lom) ambushing a stagecoach and, after murdering everyone on board, riding off with whatever loot they can find. Strangely enough, when the stagecoach is discovered by the residents of a nearby town, it causes a number of questions considering that it was known not to be carrying that much money in the cash box. What it was carrying, however, was a passenger who had half of a secret treasure map worth possibly millions of dollars in gold--and it was this map that Colonel Brinkley was after. Needless to say, he is rather disappointed to find only half of the map. However, it isn't long before he discovers who has the other half. Realizing this, a legendary mountain man known as "Old Shatterhand" (Lex Barker) and his trusted Apache friend "Winnetou" (Pierre Brice) immediately take it upon themselves to protect the owner of the map at all costs. What they don't realize is just how many men Colonel Brinkley can gather to ride with him. Now, rather than reveal any more, I will just say that this was the first film in a series of Western movies produced by German studios during the 1960s. To its credit, the scenery was beautiful, and the background music was also quite pleasant. The script, on the other hand, was much too elementary and almost seemed tailored for a very young audience. Likewise, some of the action scenes could have used some improvement as well. In any case, although I don't consider this to be a great Western by any means, it still managed to pass the time fairly well, and I have rated it accordingly. Average.