Tentação Diabólica

William Holden (looking disinterested) and fey Clifton Webb are priests in the 1940s serving at a Chinese mission and being terrorized by the Red Chinese Army. Holden is actually being terrorized in another way as well--by twinkling servant Frances Nuyen, who's anxious to snuggle up to the heavy-sighing Man of the Cloth. Director Leo McCarey helmed this adaptation of Pearl Buck's novel as either a comedy-drama or as a drama with a comedic undermining (I'm not sure which, as the tone of the film strays all over the place). There are Communist takeover sequences such as the crucifix thrown on the fire which should be harrowing, but McCarey directs it thoughtlessly, cartoonishly. We never really fear for Holden or Webb's safety because the direction is so dispassionate (and Holden is so laconic) that fear seems nearly unwarranted. I actually found the Nuyen-seducing-Holden scenes more tasteless than the violence, and the pat conclusion is tacked on for silly relief--but by then the viewer has no idea where to stand emotionally with "Satan Never Sleeps". It's a curiosity, but not a particularly good example of one. ** from ****

William Holden and Clifton Webb make an engaging pair of priests in China at the time of the 1949 Communist take-over.

Since Holden arrives late to replace Webb at the mission, the latter isn't able to get out in time as the Communist forces invade.

This is a story of how 2 different priests in the way of Crosby and Fitzgerald in "Going My Way" come to know one another under such adverse conditions.

The film succeeds due to its depiction of the eventual disillusionment towards Communism of a Chinese person who almost became a priest before being totally brainwashed by the Red system.

France Nuyen is absolutely wonderful as the young girl, who is saved by the Holden character and refuses to leave him. There is definitely a comic take to this fine film as Priest Webb will eventually think that her unborn child is that of Father O'Banion (Holden)

The film shows how the Communists would go to any length, including murder to get their point across. It shows how individual thought is done away with under the Communist system.

This movie is a typical example of American 1950-1960's anti-communist propaganda. Regardless of one's political persuasion, the portrayal of the Communist soldiers (and in particular the Communist colonel Ho San) is ridiculously exaggerated, just like the priests, who seem to be pure saints. A very black-and-white story, shot in colour. It can be interesting to watch as a historical document from a time of ideological hostility at the height of the Cold War, but as a movie it has few appealing qualities.

One thing which truly disturbed me was how the Chinese people were portrayed. The only Chinese characters who act like adults are the Communist leaders. The rest of them mostly act like enthusiastic but stupid children (despite them being adults), which reeks of racism. Just look at the thieving cook, he acts like a total imbecil. Not to mention Siu Lan, who seems to have the mental qualities of a 10-year old. If you're interested in Cold War propaganda history, or have similar academic reasons for watching this movie, then by all means do. Few movies are so outspoken as this one in terms of purpose. But if you're looking for some nice cineastic entertainment, don't waste your time.

Good feeling and moving film with awesome acting, rousing score and heartbreaking scenes. Adventure drama and a bit of history with the communist rebellion led by Mao spreading across China. Accompanied by a young native girl (France Nuyen), Father O'Banion (William Holden) travels to China to replace the tenacious Father Bovard (Clifton Webb) a priest who has become too old to take on the mission while following the strife-torn China in the 40s. As a result the pressure from the communists will complicate things. During the Chinese Civil War of 1949, the Communist leader (Robert Lee) constantly harasses the two priests of the remote Catholic mission outpost. They are pursued by Communist forces along the way. How Violators of Human Decency Work Their Terror Countdown!." Chances are, you'll laugh and cheer with maybe here and there a tear¨. Leo McCarey who gave you "Going My Way" and "The Bells of St. Mary's" now brings you his crowning achievement...Funmaking, filmmaking Leo McCarey, who has been delighting the hearts of countless millions, with a succession of merry movies...does it again! It's McCarey! It's Wonderful!

A sensitive and agreeable flm set in China during the Japanese invasion, concerning love, religion, escapades and sacrifice . Dealing with an enjoyable yarn about two priests in China sticking out for their beliefs against the onslaught of communism. China is the evil empire here though it was in fact filmed in England and Wales. The film's sets were the already used in¨The Inn of the Sixth Happiness¨. As 'Variety' noted, more occurs in the final 15 minutes than in the whole of the rest of picture. This is the last of the more than 100 films that make up Leo McCarey's long filmography and who began his career in silent films and accumulated a total of 3 Oscars. On this occasion, however, the director ended up so fed up with the shoot that he left it, 5 days before finishing it, passing the responsibility to his assistant David W. Orton. Curiously, it was also the last film of one of the protagonists, the legendary Clifton Webb, known for 'Laura' and for playing 'Lynn Beldevere' several times, who this time appears without his characteristic moustache.

There are attractive events, adventures, perilous situations , and fun situations throughout the film. Main and support cast are pretty good. William Holden is top-drawer as the obstinate priest O'Banion and outstanding France Nuyen as the sweet and young girl who relentlessly pursues Holden with whom she is deeply in love while providing comic relief. In addition, Clifton Webb is especially excellent as the already tired priest who after a life dedicated to missions has decided to retire and go to his beloved England.

The famed producer, director and author who teased your heart and made it cry for joy, with"The Bells of St. Mary's" "Going My Way" (which won him two Academy Awards) and "The Awful Truth" (which won him another), now takes you away from the everyday with his crowning achievement, "Satan never sleeps¨. Being unevenly but professionally directed by Leo McCarey. He was considered one of the most handsome directors in Hollywood, and some said as good looking as Cary Grant, whom he directed in four films. He is the first director to win three major categories at the Academy Awards : Best Picture, Best Director and Best Writing, Original Story, for this Going my way (1944). He directed five Academy Award Best Picture nominees: Ruggles of Red Gap (1935), The awful truth (1937), An affair to remember (1939), his big hit: Going my way (1944) and Bells of St Mary's (1945). Rating Satan never sleeps (1962) 6/10 . Well worth seeing . Essential and indispensable watching for William Holden fans.

This film is a living testimony to the fact that the messages sent in a movie do matter, not only socially, but also to the quality of the film it's self. In other words, just because a movie has good production value and acting does not make it a great film (e.g. Pulp Fiction, in my humble opinion) I know what I just said is not politically correct, but try reconciling the events in this movie with your emotions afterwards and I'm sure you will agree. Over all this is a wonderful film, very well directed by award winning comedic impresario Leo McCarey (An Affair To Remember, Going My Way, Duck Soup, and many others). Fantastic scenery and cinematography, solid acting all around, well... Holden is okay I guess, but I've never been a huge fan of his. Every one else, even the unknown Weaver Lee as the communist Colonel Ho San gives a strong performance, but the message of the film is unforgivable. This could have been a classic if it had a better storyline. France Nuyen (South Pacific) is spectacular. I found her every bit as appealing as any sex symbol, including the 3M's (I.E.) Monroe, Margret, Mansfield. If any woman could make a man forsake the priesthood, she was it (WOW!) The movie is worth watching just for her. But, back to my point, the messages sent in the film are so disturbing, it is no wonder no one has ever heard of it.

WARNING! THIS PARAGRAPH CONTAINS SPOILERS.

The villain in the story, Ho San, is an ex catholic turned communist that is now persecuting the mission that cared for him and his family. He rapes Siu Lan (France Nuyen), orders the destruction and desecration of the church and even is responsible for his own parents being shot for saving a crucifix from a fire. And his comeuppance for these atrocities? He gets the girl (the one he raped) and escapes to communist free Hong Kong. It makes it impossible to like this film.

I suppose Satin Never Sleeps could develop a cult following among communist rapists, but I'm not sure how large that market is. Actually, come to think of it, this film may well have a future.