Dois Errados no Espaço

At its most inspired when it breaks the fourth wall ("That's the plot of the movie? Come on, I must hide you" -"From the killers?" -"No, from the critics"!). Of special interest to James Bond fans, as it was released the same year as the first official Bond movie ("Dr.No"), so it got the pulse of the era early, and the outlandish plot could actually be considered a precursor to "Moonraker"! Other plusses include an excellent villain in Robert Morley, the ravishing young Joan Collins and the equally ravishing not-so-young Dorothy Lamour, and a series of funny cameos which I, for one, will not spoil. **1/2 out of 4.

Yes, Bob and Bing are almost elderly and Dotty only gets a minor role in it but I really enjoy watching this, the last of the Road films. I am old enough to rightly claim that I saw it as a kid when it first hit the screen and it has gotten better as I have grown older. I certainly didn't get some of the quips like "I think this guy rolls his own" in response to the supreme leader's rant about dominating the world from his bases on the moon. I didn't know why Peter Sellers was so funny as he spoofs his Indian doctor from "The Millionairess". I didn't know why David Niven was sniggering as he was remembering "Lady Chatterleys Lover". I loved the dynamic between Bob and Bing. I enjoyed the songs - no classics but very catchy and witty. There was some broad comedy and the salute to Chaplin's "Modern Times" as the machines designed to feed and comfort the apes rather than humans whilst in space go out of synch and at double speed. There was the usual breaking of the fourth wall and cameo that became a staple in the series. The film was almost prescient in being a spoof on Bond films that had not been made. Walter Gotell playing the cold blooded right hand man in much the same manner as he did in "From Russia with Love". There is a super villain who plans to take over control of the world from space. There is a beautiful agent to be won over to the side of right and good. Even the chess master in "From Russia with Love", Peter Madden, turns up as a monk who tells Bing and Bob that money and women are of no importance. To which Bob retorts, "He needs to spend a weekend in Vegas". Another strangely prescient quip that only a year later was echoed by Major Kong in "Dr Strangelove". But I digress - as does the film. I suppose the film is a case of the film being like an old vaudeville show. It's got all sorts of bits and pieces cobbled together with the storyline being of least importance. At one point Bob asks Bing why he is foolishly going to try to fly with a "malted milkshake machine" strapped to his behind. Bing explains it in terms of the money etc. But then adds, " Besides it's a plot point". Again, that one flew over my head as a kid but today it gives me a smile if not a laugh. Yes, people who are not of my vintage and sensibilities are free to not enjoy the film but I am glad to be able to enjoy the last of Bob and Bings' teamwork.

There are no bad ROAD movies, and I do not except this one from that statement. As someone once said of the Marx Brothers film AT THE CIRCUS (and I paraphrase) in the career of any other comedy team this picture would be considered a classic. It not only holds its own with the rest of the series but I actually prefer it to ROAD TO RIO, which (while still adhering to the Road Rule stated above) always seemed like the weakest of the series to me. It's funny the reasons some other posters have given for not liking the film: It looks like it was made in the Sixties (it was), the stars looks like they're nearing their sixties (they were, and so what?), it's not as funny as the others in the series (in any given horse race one horse will come in last, but he still had to be pretty damn good to get into the race in the first place). And nobody seems to much like Joan Collins. Well, she was gorgeous and a competent enough actress and in a movie like this who cares anyway? It's Bob and Bing's movie and despite what anyone says they prove they've still got the goods and deliver them with ease. I say quit carping and enjoy.

This is actually the first Cosby/Hope "Road" picture I ever saw. I knew it was the last (after a 10 year break) and (for some reason) was in b&w--probably because Cosby and Hope looked better that way. I also heard it was pretty bad. While it's not great, I sort of enjoyed it.

The plot was REALLY silly and involves the boys in espionage with Joan Collins along for the ride and a (surprisingly) very bad job by Robert Morley as the lead villain. Dorothy Lamour decided to not costar in this one but she does pop up (playing herself) in an amusing cameo and sings one song (Cosby sings too). There's also a really silly and pointless bit when Cosby and Hope are sent to outer space. And the ending is desperate.

Still, it was well-made and Cosby and Hope were a wonderful team--their easy banter is great to watch and they made the worst lines seem funny. Also it's fun to see Collins (who's quite good) so young and full of sex appeal.

So, it's enjoyable way to kill 90 minutes. I'm seen better but I've seen worse too.

Someone remarked that the boys in their 60's were too old to be on adventures, and should be in retirement homes instead. I would hate to be that person's parents if he/she believes that people in their 60's belong in retirement homes! You're never too old for goofy adventures.

As it happens, H&C were 59 when they did this final Road picture, and it was definitely not their best work. The plot is even thinner than previous farces without the superb timing and camaraderie we associate with the two.

Far sadder is the way they ditched their witty and lovely partner Dorothy Lamour for a girl half their age; Joan Collins was 29 when she scampered around with the pair. This is a painful mirror of our society's tacit approval for older men to dump their wives for a younger model.

By far the funniest scene features Peter Sellers as a ditzy neurologist.