Obsessão Macabra

Roger Corman's Edgar Allan Poe cycle ranges among the most essential moments ever in Horror cinema, some of the adaptations such as "Pit And The Pendulum" (1961), "The Masque of the Red Death" (1964) or (the actually Lovecraft-inspired) "The Haunted Palace" (1963) being among the greatest Gothic Horror films ever brought to screen. The brilliance of these films lies in the creepy Poe-themed stories, Corman's outstanding talent for eerie Gothic atmosphere, and, not least, the leading performances by Horror-deity Vincent Price.

"Premature Burial" of 1962 treats an eponymous subject that is as essentially 'Poe' as it gets - being buried alive, or more precisely, the terror of being buried alive.While I did have high expectations for this film, it had been lying on my DVD shelf for a long while before I finally saw it, the only reason for delaying the viewing being the lack of Vincent Price in this film. Ray Milland, who plays the lead here, was a fantastic actor, but simply not quite as fantastic as Vincent Price (who happens to be my all-time favorite actor). Price simply was one of the greatest actors who ever lived, and the Poe-adaptations are arguably the ultimate highlights of his career. The only flaw of this film, is therefore not really a flaw, but the greatness of Corman's other Poe-adaptations: The fact that the other films had Vincent Price, and this one doesn't. As great as Milland is - and he IS great - every fan of the other films will see that Price could have been greater in some scenes. Vincent Price had a unique quality of being likable sinister. Price played dozens of Horror villains and murderous madmen, yet one always somehow had to like them (the one notable exception being his entirely diabolical eponymous role in Michael Reeves' 1968 masterpiece "Witchfinder General"). Ray Milland is a great actor, but he doesn't share this unique talent for being macabre, creepy, even scary, and yet somehow likable at the same time. Actually, his character here is not villainous, and yet he is somewhat unlikable.

This being said, "Premature Burial" is still and wonderful Gothic Horror experience, which once again proves that Corman is a true master of creepy greatness and beautifully eerie atmosphere. Ray Milland plays Guy Carrell, a man living in paralyzing fear of being interred alive. The beautiful Emily (Hazel Court) nonetheless falls for him and becomes his wife. Once they are married, however, his obsessions become worse and worse... The setting in an eerie mansion near a foggy cemetery is perfect for a Gothic Horror film like this one, and, apart from the usual atmosphere donors such as foggy grounds, Corman includes many morbid set-pieces, such as a demented live-in mausoleum. The fact that Milland's leading character is a painter of very morbid pictures also helps the film's creepiness. The stunning Hazel Court is, as always, absolutely wonderful in the female lead.

Overall, "Premature Burial" isn't quite as essential as films like "House of Usher" (1960), "Pit and the Pendulum" (1961), "The Haunted Palace" (1963) or "The Masque of the Red Death" (1964), but it is still a fantastic Gothic Horror that no genre-lover can afford to miss. The true genius of this film manifests in that it creates a uniquely claustrophobic atmosphere - which actually makes the viewer afraid of being buried prematurely!

Most of the reviews and comments on "The Premature Burial" tend to dismiss this film as second rate. I don't agree. In fact I think it is as good or better than many of the other Roger Corman produced/directed Edgar Allan Poe adaptations.

The basis of the story is man's fear of death and more specifically of somehow being buried alive. Guy Carrell (Ray Milland) is one such person. He believes that his father was a victim of a premature burial and as such thinks that he will suffer the same fate. He goes so far as to construct a crypt that has many fail safe escape devices in case that he does suffer the same fate as his father.

Carrell marries the beautiful Emily Gault (Hazel Court) and with her help, tries to overcome his fears. Also involved in the mystery is Carrell's sinister sister Kate (Heather Angel), family friend Dr. Miles Archer (Richard Ney) and Emily's father Dr. Gault (Alan Napier). Guy begins to hear eerie sounds and is seemingly tormented by two grave diggers (John Dierkes, Dick Miller) that he encountered earlier. Are there plans afoot to drive poor Guy mad? Who in his household could be behind such a plan? Does he ultimately suffer the fate that he fears most?

Ray Milland was chosen to play the lead because Roger Corman was in a dispute with American International Pictures (AIP) at the time and decided to make the movie with another studio. Vincent Price who starred in most of Corman's Poe adaptations was under contract to AIP and therefore, could not play the lead. Ultimately the dispute was resolved and the picture was eventually released under the AIP banner.

Milland is surprisingly excellent in the lead. He conveys the building paranoia of Guy Carrell very convincingly. The lovely Hazel Court was a veteran of many films in her native England and nicely complements Milland and Heather Angel provides an air of mystery as Guy's sister/

Some useless trivia:

1. Ray Milland and Heather Angel had starred together some 25 years earlier in "Bulldog Drummond Escapes" (1937).

2. Miles Archer was the name of Sam Spade's partner who was murdered at the beginning of "The Maltese Falcon" (1941).

3. Alan Napier achieved greater fame as Alfred the butler in the "Batman" TV series of the 60s.

Solid, well crafted entry in producer / director Roger Corman's cycle of Edgar Allan Poe adaptations that's an effective exercise in psychological horror as well as more traditional kinds of horror (such as we see in the nightmare sequence, for example). It shows just how badly one's life can be affected by an unhealthy obsession.

Corman initially tried to get Vincent Price for the lead, needing to switch to Ray Milland instead. While the casting of Milland may have seemed odd at the time, the esteemed, Oscar winning actor would go on to make appearances in other genre and schlock movies in the future. Milland offers a mostly understated performance as the tormented Guy Carrell, medical student and painter who can't get his supposed legacy and phobia of being entombed alive out of his mind. Meanwhile, good friend Miles (Richard Ney), new wife Emily (beautiful genre vixen Hazel Court), and sister Kate (Heather Angel) grow increasingly concerned over his behaviour.

Working with his consistently reliable production design / cinematography team of Daniel Haller and Floyd Crosby, Corman is able to create very effective atmosphere for the production, and the 2.35:1 aspect ratio allows him to pack the frame with detail, and he also continues the practise of creating depth to the images. The music by the great Ronald Stein would be enjoyable enough on its own, but it's supplemented by the repeated refrain of the "Molly Malone" melody, whether it's whistled or played on the piano.

Milland does some delicious work here, particularly in the sequence where Guy is showing Emily and Miles all the safeguards he's put in place in case of his being "buried alive". The excellent cast also includes Alan Napier as Emily's doctor father (who utters one of the best lines, "I never enjoy myself, I merely experience greater and lesser amounts of tedium."), and John Dierkes & Corman regular Dick Miller as the unsavoury grave diggers.

The script by Charles Beaumont and Ray Russell has a very literate quality, and Milland gives his dialogue all of the gravitas that he can muster.

While this wouldn't rank among the best of Corman's Poe series (that honour would have to go to "House of Usher" and "The Masque of the Red Death"), it's still very respectable and fun viewing for classic horror fans.

Seven out of 10.

Guy Carrell suffers with catalepsy, a condition that makes him appear dead, a condition that heightens his primal fear, that if being buried alive.

A wonderfully macabre tale from Edgar Allan Poe, Directed by Roger Corman, horror fans are probably more aware of some of his other titles, such as The Pit and The Pendulum.

It's a well paced film, the pace quickens as the story develops, it features some fine horror moments, the thought of being buried alive is a true primal fear for many, and they didn't hold back.

I loved the way the newly married couple were taking a stroll, collecting flowers from The Graveyard, no wonder he got a little tetchy.

It's a very nicely made film, you'll instantly be aware of the strong production values, great sets and costumes, it holds up well.

First time round, it surprised me seeing Ray Milland cast as the leading man, a role that would probably have gone to Vincent Price had be been available, but Milland was a fine actor, not known for horror, but he definitely adds some Star quality.

7/10.

This is the only film in Corman's Poe cycle without Vincent Price. He chose instead Ray Milland as the man haunted by fear of being buried alive. In fact Milland portrays the protagonist more "seriously" than Price would have, or more "realisticaly". This is a good film for those who like the subject. Some critics have talked about films filled with fascination with death, quoting some times "Obsession" by Brian de Palma, for example. But if there is a "necrophiliac" film ever, this is "Premature Burial". Loosely based in Edgar Allan Poe's unfilmable tale, it has a magnificent plot and many hints and blinks. It is a disturbing film, too. Its atmosphere is perfectly gloomy. Milland seems genuinely tormented by his fears, and he delivers some modified Poe lines with intensity. I think that this picture is in the better half of the Poe cycle, and has a particular quality of its own.