Mafioso

Mafioso was filmed in 1961 with the Barber Shop, in which Alberto Sordi shot his target who was sitting in the barber chair of the Embassy Barber Shop which was in Guttenberg, Hudson County, NJ. My certainty is my Dad owned the barber shop and both he and I were in the movie. Just wanted to set the record straight. I have the original VHS tape of the movie. It was first released in the United States in a theater in Union City about 1 or 2 years later. I did see it, of course. The movie followed me for over 20 years giving me wonderful memories. My father's wish before he died was see the movie once more before he died. I was able to have friends who owned an Italian store locate a copy that a store in the Bronx, NY would sell. I bought it and had a private showing for my Dad.

An important and overlooked film that unfolds to reveal a reality as immutable as family: family. Alberto Sordi's first return after eight years to his Sicilian homeland after establishing himself as an engineer in Milan, a position given him by his Sicilian Patron, proves his life on mainland Italy was the real vacation. This film understands its message and never misses the mark, an expectation Sordi's character is expected to fulfill. Mafioso makes Coppola's "The Godfather" an over-produced operatic spectacle. Mafioso is family.

I just had the opportunity to see this film in a newly restored print of the Italian original. The story concerns a manager of an auto plant (played to perfection by Italian screen idol,Alberto Sordi) in Milan who takes his family to Sicily to meet his family & his old friends, when he finds himself involved in the local Mafia Don & his ner do well cronies. The screenplay was written by it's director (Alberto Lattuada), Raphel Alzcona & Marco Ferreri (some years before he raised eyebrows with his films 'The Grand Bufet' & 'The Last Woman'). Although the films use of black & white was quite striking, I kind of wished it had been shot in Technicolor (for the panoramic shots of Sicily & it's beautiful coastline). An overlooked gem that's well worth seeking out, if it's being screened in a proper cinema,but it won't lose much on DVD either.

Excellent, underseen comedy/drama by Alberto Lattuada, best known for co-directing Variety Lights with Federico Fellini. In a Fellini biography I once read Lattuada was quoted as bitterly claiming that he invented Fellini, that Fellini had basically participated in the making of Variety Lights but it was Lattuada's film. Lattuada was just trying to be nice, to help the kid start off his career, and Fellini pretty much stole the style for his subsequent films. Judging by this film, made 12 years afterward, Lattuada had apparently moved on, because this isn't much like Fellini's style (though one could imagine Fellini making a similarly plotted film). However, it is an excellently directed film, one that makes me wonder how many other gems might be hiding in Lattuada's filmography. It stars Alberto Sordi, whom you'll recognize from two early Fellini films, The White Sheik and I Vitelloni. He plays a Sicilian who is now a successful man in Milan. He's married with two young daughters, but he hasn't been home to visit the family since he left. This is the story of his twelve day vacation visiting home, bringing along his family. To his wife (Norma Bengell, a Brazilian actress), Sicily seems an extremely backward country. The whole culture is strange and very different from mainland Italy, and there seem to be hints of criminal activity between every line. She's not wrong. Sordi was never exactly in the mafia when he lived in Sicily, but he was more than a little connected, and now some of the high ranking criminals are thinking his status as unknown outsider might be useful to them. The film is very funny, but it also goes to some dark places. One thing's for sure: I don't think he or his family will want to visit the family again anytime soon.

A factory efficiency expert decides to take his family on a nostalgic vacation to the small town in Sicily where he grew up. Big mistake. He quickly becomes embroiled with the local Mafia, who see him as the perfect candidate to take care of a little job for them in America. Long before THE GODFATHER or THE SOPRANOS, Alberto Lattuada made this tragicomedy about Mob life. Between this and SEDUCED AND ABANDONED, one gets the impression that Sicily in the early sixties was an outer circle in Dante's Inferno. Shot in glorious black and white on location. A forgotten gem, recently restored. Note to foodies: there are several terrific meals in this movie. You may not live long in the Mafia, but you'll dine well.