Um ex-prisioneiro de guerra sofre uma lavagem cerebral para se tornar um assassino à serviço de uma conspiração comunista internacional.Um ex-prisioneiro de guerra sofre uma lavagem cerebral para se tornar um assassino à serviço de uma conspiração comunista internacional.Um ex-prisioneiro de guerra sofre uma lavagem cerebral para se tornar um assassino à serviço de uma conspiração comunista internacional.
- Direção
- Roteiristas
- Artistas
- Indicado a 2 Oscars
- 6 vitórias e 9 indicações no total
Joe Adams
- Psychiatrist
- (não creditado)
Alyce Allen
- Woman
- (não creditado)
Benjie Bancroft
- Chauffeur
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I went into "The Manchurian Candidate" without knowing too much about the movie itself. I knew about its critical acclaim, but I was unfamiliar with the plot. Regardless, when I rented and watched the film, I had high expectations. I was not disappointed either.
The plot revolves around the strange case of Raymond Shaw, a sergeant who wins the Congressional Medal of Honor for his bravery in the cold war. Two of the men in his company, however, have strange nightmares that suggest Raymond is not as deserving of the award as he seems. One of these men, Major Bennet Marco, led on by these recurring nightmares, unravels a sinister Communist plot. Set against the cold war paranoia of the sixties and McCarthyism, "The Manchurian Candidate" does an excellent job of recreating the intense suspense and tension of the time.
The acting in this film is superb. A great script is heightened by excellent acting in this movie. It's hard not to like Frank Sinatra in his role as Marco, who is the protagonist. Laurence Harvey as Raymond does a good job showing us a character that is wholly unlikable and snobby, yet pathetic and sad at the same time. And of course, Angela Lansbury in her role as Raymond's malicious and plotting mother is excellent.
Some stand-out scenes in the film were the nightmare sequences that brilliantly interlaced dream and reality, the all-queen solitaire game with Marco and Raymond, and the supremely tense climax at the political convention. The cinematography in the movie was very well done as action, romance, and tension all mixed together smoothly. All the scenes managed to keep my attention and kept me wondering what was going to happen next. As a thriller, the film works remarkably well, and it is quite easily the best political thriller I've seen to date.
Keeping me from giving the movie a perfect ten are one or two little nagging problems. I wasn't a big fan of the music for the movie, and it even disrupted the mood for me at one point in the film. It was okay, just not great. Also, the whole plot is sort of unlikely. I wont go into it here, but I don't think that the Communist plan for world domination would fall into the hands of one relatively uncontrolled person, no matter how well trained his mind was. That's just my opinion, however.
The movie is sort of long, and isn't exactly action packed, but it is very interesting, insightful, and even chilling. I had a great time watching it, and I definitely recommend it if you are interested at all in seeing a gripping Cold War era political thriller. Besides, the cultural relevance of the film alone is enough to see it.
9/10
The plot revolves around the strange case of Raymond Shaw, a sergeant who wins the Congressional Medal of Honor for his bravery in the cold war. Two of the men in his company, however, have strange nightmares that suggest Raymond is not as deserving of the award as he seems. One of these men, Major Bennet Marco, led on by these recurring nightmares, unravels a sinister Communist plot. Set against the cold war paranoia of the sixties and McCarthyism, "The Manchurian Candidate" does an excellent job of recreating the intense suspense and tension of the time.
The acting in this film is superb. A great script is heightened by excellent acting in this movie. It's hard not to like Frank Sinatra in his role as Marco, who is the protagonist. Laurence Harvey as Raymond does a good job showing us a character that is wholly unlikable and snobby, yet pathetic and sad at the same time. And of course, Angela Lansbury in her role as Raymond's malicious and plotting mother is excellent.
Some stand-out scenes in the film were the nightmare sequences that brilliantly interlaced dream and reality, the all-queen solitaire game with Marco and Raymond, and the supremely tense climax at the political convention. The cinematography in the movie was very well done as action, romance, and tension all mixed together smoothly. All the scenes managed to keep my attention and kept me wondering what was going to happen next. As a thriller, the film works remarkably well, and it is quite easily the best political thriller I've seen to date.
Keeping me from giving the movie a perfect ten are one or two little nagging problems. I wasn't a big fan of the music for the movie, and it even disrupted the mood for me at one point in the film. It was okay, just not great. Also, the whole plot is sort of unlikely. I wont go into it here, but I don't think that the Communist plan for world domination would fall into the hands of one relatively uncontrolled person, no matter how well trained his mind was. That's just my opinion, however.
The movie is sort of long, and isn't exactly action packed, but it is very interesting, insightful, and even chilling. I had a great time watching it, and I definitely recommend it if you are interested at all in seeing a gripping Cold War era political thriller. Besides, the cultural relevance of the film alone is enough to see it.
9/10
Probably John Frankenheimer's best production, and Frank Sinatra's best cinema performance.
I saw this because of the recent 'remake', I would assume that the reader will be making the same comparison. Having never seen this before, I found myself riveted to the story, and absolutely great performances by Sinatra, Laurence Harvey, Janet Leigh, Angela Lansbury, Henry Silva, John McGiver, James Gregory, and Leslie Parrish.
Coincidently, I had just recently finished reading some previously published works about the cold war, in particular the Chambers-Hiss court cases.
It might be accident, but I wouldn't doubt it might have been intended by Frankenheimer to choose Harvey, who resembled Hiss, in appearance and McGiver who resembled Chambers appearance. When this was released in 1962, the Hiss-Chambers spy fiasco was still fresh in the public's mind.
Other American political images are not for want of satire either, since Lansbury and Gregory seemed to have reminded me, in appearance, of Mary and (honest) Abe Lincoln.
The pace, style and non stop tension rivals Hitchcock; it will certainly have you wondering if he had anything to do with this! Truly Frankenhiemer, excels here.
Because Sinatra was box office magnet, most of his other roles seemed 'fitted' for him. Not here! You'll have a chance to see the real Frank Sinatra, really working to make the part work, and without a doubt, he too excels in his role.
I don't think I'll bother to see the recent version yet. I want to see this original classic a few more times.
I saw this because of the recent 'remake', I would assume that the reader will be making the same comparison. Having never seen this before, I found myself riveted to the story, and absolutely great performances by Sinatra, Laurence Harvey, Janet Leigh, Angela Lansbury, Henry Silva, John McGiver, James Gregory, and Leslie Parrish.
Coincidently, I had just recently finished reading some previously published works about the cold war, in particular the Chambers-Hiss court cases.
It might be accident, but I wouldn't doubt it might have been intended by Frankenheimer to choose Harvey, who resembled Hiss, in appearance and McGiver who resembled Chambers appearance. When this was released in 1962, the Hiss-Chambers spy fiasco was still fresh in the public's mind.
Other American political images are not for want of satire either, since Lansbury and Gregory seemed to have reminded me, in appearance, of Mary and (honest) Abe Lincoln.
The pace, style and non stop tension rivals Hitchcock; it will certainly have you wondering if he had anything to do with this! Truly Frankenhiemer, excels here.
Because Sinatra was box office magnet, most of his other roles seemed 'fitted' for him. Not here! You'll have a chance to see the real Frank Sinatra, really working to make the part work, and without a doubt, he too excels in his role.
I don't think I'll bother to see the recent version yet. I want to see this original classic a few more times.
To know that the human mind can be manipulated so easily is indeed a scary thing.The Manchurian Candidate is a thriller so intense it can almost be considered a horror film.If,in fact,things such as those depicted here really did occur,I imagine it did step on some pretty sensitive toes.Bravo to all of those involved in front of the camera and behind it.In particular,Angela Lansbury,whose versatility as an actress is proved here as she plays against the nice lady type roles that we know her for.Among all the film's from the era of the 1960's that I have viewed,I would definitely place this in my top 5.One of the best thrillers ever.
As a long time fan of this film I note there is little that has gone unmentioned in the positive reviews - except this. I would like to put in a word of praise for the academy award winning editor Ferris Webster. Webster's crowning achievement was the famed 'garden party' sequence in which the malevolent communist agents are transformed into ladies at a garden club and back again, the vertigo of the circling camera draws us into the actual mental state of the brainwashed captives. Each camera movement, each shot was so exquisitely timed and placed that this is almost equal to the shower-bath scene in Psycho as a classic of modern editing. This scene is still studied in film schools by future editors. Also, the cutting in the finale scene at the convention expertly creates a Hitchcockian suspense totally dependent on the editing.
Another aside, Angela Lansbury 'cut her teeth' for this role playing the ruthless newspaper owner in the Tracy-Hepburn film State of the Union. In that film she managed to upstage Hepburn herself! And it was obvious that she should play the 'biggest, baddest mother of all'.
Another aside, Angela Lansbury 'cut her teeth' for this role playing the ruthless newspaper owner in the Tracy-Hepburn film State of the Union. In that film she managed to upstage Hepburn herself! And it was obvious that she should play the 'biggest, baddest mother of all'.
The picture that introduced sleeper agents to film, 'The Manchurian Candidate' is a classic political thriller that still remains as intriguing as it was 52 years ago. Starring Frank Sinatra, Laurence Harvey, Janet Leigh and Oscar-nominee Angela Lansbury, 'The Manchurian Candidate' is an outstanding and unparalleled thriller set in the midst of the Cold War, a tale of politics, family, distress and guilt with flawless direction from Frankenheimer. A benchmark of American cinema, 'The Manchurian Candidate' is a film that is is not only a timeless political thriller but also a satire of American history and propaganda.
Você sabia?
- CuriosidadesFrank Sinatra broke the little finger of his right hand on the desk in the fight sequence with Henry Silva. Due to on-going filming commitments, he could not rest or bandage his hand properly, causing the injury to heal incorrectly. It caused him chronic discomfort for the rest of his life.
- Erros de gravaçãoIn the opening sequence, set in 1952, the bar in Korea has a US flag with 50 stars. In 1952, the US included only 48 states, and the flag had only 48 stars. There are also some 50-star flags alongside period correct 48-star flags during the convention scenes.
- Citações
Bennett Marco: Raymond Shaw is the kindest, bravest, warmest, most wonderful human being I've ever known in my life.
- Cenas durante ou pós-créditosThe closing credits specify, "Released thru United Artists". This uses an informal spelling of the standard "through".
- Versões alternativasThe West German version was edited (ca. 4 minutes) to remove every scene with the ladies in the greenhouse. This version was also released on DVD. In 2005 the uncut version (with subtitles for the missing scenes) was shown on Arte. Only in 2020 was the complete version released on Blu-ray/DVD.
- ConexõesEdited into Commercial Entertainment Product (1992)
- Trilhas sonorasThe Washington Post
(1889) (uncredited)
Music by John Philip Sousa
Played by a band in the first scene after the opening credits
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- El embajador del miedo
- Locações de filme
- Jilly's, 52nd Street at 8th Avenue, Manhattan, Nova Iorque, Nova Iorque, EUA(bar where Shaw hears he ought to go jump in a lake)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.200.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 2.757.256
- Fim de semana de estreia nos EUA e Canadá
- US$ 87.850
- 15 de fev. de 1988
- Faturamento bruto mundial
- US$ 2.757.256
- Tempo de duração2 horas 6 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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