O Homem que Matou o Facínora

This was a film that my class had to watch in a High School Literature class, so it has been a little while since I watched it. Although it is classified as a western film, it does not really follow through with what most would consider a western; it takes place in the western states, and the characters are cowboys, but it is a civilised film following the different characters and their fate. I could not find anything to fault with this film whatsoever. It was engaging and entertaining and was shown to us in school as an example of good film-making. I cannot agree more with that comment. I think that everyone should watch this film and think about what this film teaches.

I imagine that many will say that this movie is dated. Since it is filmed in black and white, that will add to it being viewed as an old movie.

However, I believe the characters and acting lead to a most powerful movie. While we often see heroes and heroines portrayed as perfect people, the heroes and heroines in this movie seem much more true to life. They are wonderful, but never perfect. As such the movie hits closer to home and is more heart warming than most movies.

It did take a few minutes before I saw the greatness of this movie. At the start it almost seems a normal western. But as the characters unfold, coupled with excellent acting, the movie simply becomes much more. While John Wayne and Jimmy Stewart have been in many good movies, it is this movie that I likely will remember them the best.

Every time I watch a movie from decades ago I realize that even without all the special effects, 4K cameras and all things Hollywood, they manage to tell stories in a masterful way.

Here we follow Ransom (A lawyer) who after a robbery is rescued by Tom (A farmer) and arrives in the violent city of Shinbone that is dominated by the dangerous Liberty Valance, an unscrupulous bandit. At that moment we are introduced to the other main characters Hallie a waitress who likes Tom very much but is never proposed to her. Mr Peabody is the editor-in-chief of the local Shinbone Star newspaper in charge of covering the region's news. Link Appleyard the most cowardly sheriff who ever lived.

Tormented by Liberty Valance, Shinbone, is just another place that hasn't developed due to lack of education in the city because apparently many people can't read and in a way this contributes to everything in the city being resolved through bullets being therefore a land no law.

At that moment our character Stoddard seeks to apply a system of laws in that region and make the city a recognized state and not just a territory and somehow bring progress to that region, beforehand Ransom seeks to teach the people of the region to read and write , which includes Hallie, who at one point was enchanted by Tom's bravery and now begins to fall in love with Ransom's calmness and passivity. This approach obviously makes Doniphon jealous and from there we have the beginning of a somewhat confused friendship between a man who only believes in the power of the law and another in the power of bullets.

Given this introduction, what intrigued me the most about this film is that both Ransom and Tom are heroes and anti-heroes in the same film, being practically impossible to say which is the good and the bad of the story, I preferred Tom, in a way he had more honor. A great movie, I recommend it to everyone.

Anticipating Peckinpah and Eastwood, John Ford's Hamlet-like Western The Man Who Shot Liberty Valance deconstructs the legends of the Old West as a place where good always triumphed over evil and civilization overcame barbarism, a myth that he helped to create. Ford's 1962 film, based on the story by Dorothy M. Johnson, looks at how myths are created and, in its complex vision of the passing of an era, both pines for the lawless open spaces and eagerly anticipates the railroads bringing paved roads, schools, and law enforcement. The film contains the classic phrase "When truth becomes legend, print the legend", cited by a journalist who refuses to print newly discovered facts about an incident surrounded in myth that took place years before.

While there are stereotypes and all-too familiar stock characters, Liberty Valance succeeds because of strong performances by John Wayne as the macho embodiment of the old school, and Jimmy Stewart as the man who brings literacy and respect for law to the small town, though unconvincing as a young man just out of law school. Shot in black and white on a studio sound stage, the film opens with gray-haired Senator Ransom Stoddard (James Stewart) arriving at a small frontier town named Shinbone with his wife Hallie (Vera Miles). Met at the train station by a reporter eager for a story, Senator Stoddard tells him that he came to attend the funeral of an old friend, Tom Doniphon (John Wayne).

It is there that he reunites with Tom's dependable ranch hand Pompey (Woody Strode) and, since no one remembers Tom Doniphon, relates his story that takes us back to the time before the coming of the railroads. As Stoddard tells it, he was a young law graduate who arrived from the East in a stagecoach, following the advice "Go West, young man, and grow up with the country" first made in 1851 by John B. L. Soule, editor of the Terre Haute Express and incorrectly attributed to Horace Greeley. His welcome to Shinbone, however, is not what he had hoped. He is met by a sadistic bandit named Liberty Valance (Lee Marvin) who robs the stagecoach and beats Stoddard after he tries to protect a female passenger.

Rancher Tom Doniphon finds him unconscious and brings him to Hallie, his girlfriend's house. When Stoddard recovers, he asks the Marshal Link Appleyard (Andy Devine) to make an arrest but Doniphon soon sets him straight about how justice is done in Shinbone - with the barrel of a gun. Without money, Stoddard works in the family restaurant as a dishwasher and also for the editor of the local newspaper, a man named Dutton Peabody (Edmond O'Brien) who is overly fond of the bottle.

Ransom develops an interest in Hallie and soon sets up classes to teach her and other locals how to read and write and also to convey the finer points of democracy and its institutions. Threatened by Valance and taunted by Doniphon, Stoddard goes against his ideals and learns how to shoot a gun with the help of Doniphon who "educates" him and shows him the error of his liberal ways.

After Stoddard and Peabody defeat Valance in an election to be representatives to the Sate Senate and an editorial appears contrasting the goals of statehood with the interests of Valance and the cattlemen, Dutton is severely beaten by Valance who then baits Stoddard into a gunfight. The showdown between Stoddard and Liberty is the centerpiece of the film and the shot heard round the West allows the victor to build an entire career based on the incident.

The legend of Shinbone will soon be joined by real-life icons Wyatt Earp, Wild Bill Hickok, Buffalo Bill, and Kit Carson and the truth about the West with its corruption, misogyny, domination of the weak by the strong, and Native American genocide will be quietly buried. John Ford helped to romanticize the West and create the myth and, now in The Man Who Shot Liberty Valance, he allows us to understand its melancholy and its lie.

Other reviewers, aside from seeing this as the end of the classic western, saw the plot as myth granting to one man that which was rightfully another's. I disagree. I see TMWSLV as a tale of a man stepping aside for the sake of a better man and a better world, at great personal cost.

I view Tom as someone who has lived a cynical life--kill it before it kills you. With the advent of Ransom he recognizes that there is a better way, and that Ransom, by defying evil from a position of weakness, is far braver than Tom, who has merely defied evil from a position of strength. Additionally, Ransom brings about an answer to the question "must the sword rule forever?" with a resounding "no," a denial that at first seems foolish to Tom, but who then realizes that things really should be Ransom's way.

And so Tom, knowing that one of them is the better man, allows that better man to receive the fame attendant to heroism; and in fact Ransom, for daring what Tom never did dare, is the true hero of the tale. Like all honest men must, Tom steps aside for the better man, knowing what it will cost him to do what is right.

An earlier reviewer said that the depiction of the politics was a parody; in fact, the politics of the early portion of the republics was even more lively (read: pugnacious) than is depicted in the film.