Adicionar um enredo no seu idiomaCatherine, a laundress, joins lover Lefevre in war. Their heroics help Napoleon win. As a reward, they're granted nobility. Catherine's lack of courtly etiquette shocks high society, but she... Ler tudoCatherine, a laundress, joins lover Lefevre in war. Their heroics help Napoleon win. As a reward, they're granted nobility. Catherine's lack of courtly etiquette shocks high society, but she remains authentic despite her new rank.Catherine, a laundress, joins lover Lefevre in war. Their heroics help Napoleon win. As a reward, they're granted nobility. Catherine's lack of courtly etiquette shocks high society, but she remains authentic despite her new rank.
- Direção
- Roteiristas
- Artistas
Analía Gadé
- Caroline Bonaparte
- (as Annalia Gadé)
Avaliações em destaque
I haven't read the original play nor have I seen previous adaptations, so I can make no comparisons. But I can tell you, regardless of other versions, that this is a thoroughly enjoyable film with great acting, magnificent sets, witty dialogue and an unusual theme.
First let's talk about the unusual theme. This film is much like the celebrated stories of Guy de Maupassant, using an epic situation as a backdrop and instead telling a very common, human (and humorous) story. In this way, it reduces the epic backdrop to the absurd whilst focusing instead on the importance of individuals in their not-so-epic lives. In other words, this is anti-history. I know I didn't explain that very well, so I'll give you an example instead: Sergio Leone's "The Good, the Bad & the Ugly" is a perfect illustration, set against the American Civil War yet trivializing the war and instead focusing on 3 gunslingers fighting their own private war. Comedy, wit & irony are key in telling an ironic story like this, and "Madame Sans-Gêne" (as well as "The Good, the Bad & the Ugly") pulls it off brilliantly, largely due to the larger-than-life presence of Sophia Loren in the role of Catherine Sans-Gêne.
There's a line early in the film where the revolutionaries are storming the Tuileries Palace, and they pass by Catherine's laundry shop asking her if she'll come along. She laughs and replies, "No thanks, I already stormed the Bastille last week!" and continues with her laundry. This is the kind of Maupassantian humour I described above, and the film is full of it.
Robert Hossein delivers a marvelous performance as Catherine's husband, the handsome yet awkward provincial (a miller's son) who gets swept up in the epic and gets promoted to royalty. I've only seen Hossein in his heroic, swashbuckling roles, so it was a real treat to see him playing the role of a maladroit oaf for once. His goofy expressions, clumsy gait and general goofiness had me in stitches every time. If you're not familiar with Robert Hossein, try to imagine someone like maybe Christopher Walken playing the part of a nerd. That's the comedy I'm talking about.
I give another thumbs up to Julien Bertheau who plays the "little General" himself, Napoleon. His character is a real douchebag, but you love him for it, and you may even gain an appreciation for the infamous egomaniac who was thrust into one of the most absurd situations in history (leading a nation that had just overthrown its monarchy yet was all too eager to re-create the same monarchy, only with different faces).
I don't think you need to be a student of French history to appreciate this film. It tells a timeless story of the silliness of government, revolution, war, corruption & back to government ...and the loud-mouthed laundress who didn't seem to be affected by any of it. Watch it & enjoy!
First let's talk about the unusual theme. This film is much like the celebrated stories of Guy de Maupassant, using an epic situation as a backdrop and instead telling a very common, human (and humorous) story. In this way, it reduces the epic backdrop to the absurd whilst focusing instead on the importance of individuals in their not-so-epic lives. In other words, this is anti-history. I know I didn't explain that very well, so I'll give you an example instead: Sergio Leone's "The Good, the Bad & the Ugly" is a perfect illustration, set against the American Civil War yet trivializing the war and instead focusing on 3 gunslingers fighting their own private war. Comedy, wit & irony are key in telling an ironic story like this, and "Madame Sans-Gêne" (as well as "The Good, the Bad & the Ugly") pulls it off brilliantly, largely due to the larger-than-life presence of Sophia Loren in the role of Catherine Sans-Gêne.
There's a line early in the film where the revolutionaries are storming the Tuileries Palace, and they pass by Catherine's laundry shop asking her if she'll come along. She laughs and replies, "No thanks, I already stormed the Bastille last week!" and continues with her laundry. This is the kind of Maupassantian humour I described above, and the film is full of it.
Robert Hossein delivers a marvelous performance as Catherine's husband, the handsome yet awkward provincial (a miller's son) who gets swept up in the epic and gets promoted to royalty. I've only seen Hossein in his heroic, swashbuckling roles, so it was a real treat to see him playing the role of a maladroit oaf for once. His goofy expressions, clumsy gait and general goofiness had me in stitches every time. If you're not familiar with Robert Hossein, try to imagine someone like maybe Christopher Walken playing the part of a nerd. That's the comedy I'm talking about.
I give another thumbs up to Julien Bertheau who plays the "little General" himself, Napoleon. His character is a real douchebag, but you love him for it, and you may even gain an appreciation for the infamous egomaniac who was thrust into one of the most absurd situations in history (leading a nation that had just overthrown its monarchy yet was all too eager to re-create the same monarchy, only with different faces).
I don't think you need to be a student of French history to appreciate this film. It tells a timeless story of the silliness of government, revolution, war, corruption & back to government ...and the loud-mouthed laundress who didn't seem to be affected by any of it. Watch it & enjoy!
This is glorious French theatre all the way at its best, and of course Sophia Loren is predominantly the shining star that outshines even Napoleon, who nevertheless is very well played by Julien Bertheau, who is especially convincing as the young twerp fooling around with exploding artillery in Paris in August 1792. Christian-Jacques made many historical films and was if anyone an expert of them, and they are all sumptuous and glorious in rendering history alive. The washer-woman Sophia Loren, "Madame Sans-Gêne", meaning the lady who is not ashamed of herself, makes one of her best performances in this thoroughly French film and, as Napoleon admits himself, is the only one who masters him successfully. Since they knew each other well in the gunsmoke of the Paris revolutionary gutters, when it comes to a crisis and Napoleon threatens to dishonour her, forcing her to an involuntary divorce, she recalls the young prig Napoleon of the gutters and finds him rather changed as an emperor, while she hasn't changed at all and still knows how to rebuke him and put him in his place. It's above all glorious theatre, and the historical scenery gives the comedy full justice and a perfect frame. Any admirer of Sophia Loren should never miss this one.
So funny so witty
This is glorious French theatre all the way at its best, and of course Sophia Loren is predominantly the shining star that outshines even Napoleon, who nevertheless is very well played by Julien Bertheau, who is especially convincing as the young twerp fooling around with exploding artillery in Paris in August 1792. Christian-Jacques made many historical films and was if anyone an expert of them, and they are all sumptuous and glorious in rendering history alive. The washer-woman Sophia Loren, "Madame Sans-Gêne", meaning the lady who is not ashamed of herself, makes one of her best performances in this thoroughly French film and, as Napoleon admits himself, is the only one who masters him successfully. Since they knew each other well in the gunsmoke of the Paris revolutionary gutters, when it comes to a crisis and Napoleon threatens to dishonour her, forcing her to an involuntary divorce, she recalls the young prig Napoleon of the gutters and finds him rather changed as an emperor, while she hasn't changed at all and still knows how to rebuke him and put him in his place. It's above all glorious theatre, and the historical scenery gives the comedy full justice and a perfect frame. Any admirer of Sophia Loren should never miss this one.
9 out of 10 for me.
This is glorious French theatre all the way at its best, and of course Sophia Loren is predominantly the shining star that outshines even Napoleon, who nevertheless is very well played by Julien Bertheau, who is especially convincing as the young twerp fooling around with exploding artillery in Paris in August 1792. Christian-Jacques made many historical films and was if anyone an expert of them, and they are all sumptuous and glorious in rendering history alive. The washer-woman Sophia Loren, "Madame Sans-Gêne", meaning the lady who is not ashamed of herself, makes one of her best performances in this thoroughly French film and, as Napoleon admits himself, is the only one who masters him successfully. Since they knew each other well in the gunsmoke of the Paris revolutionary gutters, when it comes to a crisis and Napoleon threatens to dishonour her, forcing her to an involuntary divorce, she recalls the young prig Napoleon of the gutters and finds him rather changed as an emperor, while she hasn't changed at all and still knows how to rebuke him and put him in his place. It's above all glorious theatre, and the historical scenery gives the comedy full justice and a perfect frame. Any admirer of Sophia Loren should never miss this one.
9 out of 10 for me.
This woman is not embarrassed about anything. ACADEMY AWARD winner Sophia LOREN (she won the award in 1962 for LA CIOCIARA) plays Catherine Hübscher, who was very popular in France and rose from Paris washerwoman to Duchess of Danzig during the Napoleonic years.
The man at LOREN's side is the French actor Robert HOSSEIN. Director Christian-Jaque probably had 6 million FRF at his disposal for his spectacle. There was an enormous film budget at the beginning of the 1960s, which you can see in the film.
And LOREN probably never looked better than in this film. The role of the stunner is practically tailored to the CINECITTA diva.
Fortunately, the television program makers seem to have rediscovered this entertaining historical ham. Good this way!
The man at LOREN's side is the French actor Robert HOSSEIN. Director Christian-Jaque probably had 6 million FRF at his disposal for his spectacle. There was an enormous film budget at the beginning of the 1960s, which you can see in the film.
And LOREN probably never looked better than in this film. The role of the stunner is practically tailored to the CINECITTA diva.
Fortunately, the television program makers seem to have rediscovered this entertaining historical ham. Good this way!
As I understand it, Madame Sans-Gene (nee Catherine Hubscher) was a crude-mannered Parisian laundress around the time of the French Revolution. She hooked up with Sgt. Francois Joseph Lefebvre, whom Napoleon eventually appointed King of Westphalia. But it didn't end there.
Since I don't know anything specific about Madame Sans-Gene (except that her nickname means "Mrs. No Embarrassment", referring to her behavior), I have to take what this movie says. I don't know whether Christian-Jaque's "Madame Sans-Gene" is supposed to be a comedy, but it sure comes across as such. To be certain, the gunpowder trick during the sabotage scene reminded me of the Bugs Bunny cartoon "Bunker Hill Bunny".
Anyway, worth seeing, although the scenes early on where the guy fondles Sophia Loren make the movie hard to take seriously. I've never seen any of the other movie versions, so I can't compare it with those. Also starring Robert Hossein and Renaud Mary.
Since I don't know anything specific about Madame Sans-Gene (except that her nickname means "Mrs. No Embarrassment", referring to her behavior), I have to take what this movie says. I don't know whether Christian-Jaque's "Madame Sans-Gene" is supposed to be a comedy, but it sure comes across as such. To be certain, the gunpowder trick during the sabotage scene reminded me of the Bugs Bunny cartoon "Bunker Hill Bunny".
Anyway, worth seeing, although the scenes early on where the guy fondles Sophia Loren make the movie hard to take seriously. I've never seen any of the other movie versions, so I can't compare it with those. Also starring Robert Hossein and Renaud Mary.
Você sabia?
- CuriosidadesUnderwent a 2K digital restoration in 2019 by Gaumont through the Eclair and Diapason labs.
- Erros de gravaçãoWhen Catherine follows Lefebvre to Italy and confronts him with trying to make out with another woman, it is day. When she runs out at the end of the scene and Lefebvre pursues her, it is already night.
- ConexõesFeatured in Cercando Sophia (2004)
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- How long is Madame?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Madame Sans-Gêne, la lavandera de Napoleón
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- FRF 6.000.000 (estimativa)
- Tempo de duração
- 1 h 38 min(98 min)
- Mixagem de som
- Proporção
- 2.20 : 1
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