O Inspetor

I know very little about Director Philip Dunne, though HOW GREEN WAS MY VALLEY warrants instant respect. Sadly, THE INSPECTOR (also known as LISA) rates nowhere near as good, even if it boasts a truly stellar cast, with supporting actors of such high quality as Hugh Griffith, Donald Pleasence, Leo McKern, Harry Andrews.

Of course, Stephen Boyd and Dolores Hart are the good looking leads who occupy the screen most of the time, both delivering quite satisfactorily - Boyd is particularly appealing as a Dutch police inspector who wants to take to Palestine a young Jewish woman who had suffered all manner of torture in German concentration camps during WWII.

It stands to reason, however, that a Dutch policeman can only have the power of the law behind him in the Netherlands, and he is warned about that by the authorities of various other countries, notably the United Kingdom's.

The couple's adventures seem more cute than real, with a dog on a barge playing an eye-catching part.

Unfortunately, I watched a rather fuzzy VHS copy but I do not think that cinematography is exceptional in any way.

Uneven script by Nelson Gidding. Ultimately a film that I feel will not stay on my memory for long. 7/10 for the great supporting cast.

This is one of my favorite movies by the actor. Definitely not a miscast and great acting. Also a great story but maybe you would have to be first generation WW II dependent and from Holland to appreciate it's value. The novel by Jan De Hartog is extremely accurate of what went on in post war Europe and I loved this movie. Highly recommend it. Great scenery and tells the tale of the displacement of Holocaust victims as well. This movie did give him another nomination for the Golden Globes and rightly so.

I saw this movie many years ago, when I was in my teens, and then again when I was in my 20s. I haven't found it since. It was very moving to me at the time, partly because I really loved Delores Hart and Stephen Boyd. Alas, Steven Boyd died young, and never got the credit he was due as an actor while he was alive. And - alas again - Delores Hart's career was quite short because she left Hollywood at a young age and entered the convent.

This is an unusual love story between a Dutch detective/police officer, and a young Jewish woman who is more or less stranded in Holland after the war. The detective is emotionally moved by the plight of this young women, and decides to help her get to Palestine. The rest of the movie revolves around their difficult and event-filled journey.

Both Hart and Boyd are wonderful in their roles, and Hart's plight, and Boyd's emotional response and caring for her, are very moving. I believe that Boyd's character represents the European, non-Jews who went out of their way to help Jews during, and after WW II. But his feelings of caring for her, and his response to her particular story (I won't go into detail here about her tragic circumstances) go beyond guilt and just wanting to help. He is very drawn to her, and eventually, she is to him as well.

Anyway, well worth seeing this emotional and atmospheric film. the film is from a book by the writer Jan de Hartog, and it is a very original, unusual story.

Lisa is a powerful drama about a German concentration camp refugee, played by Dolores Hart, trying to get to Israel to begin a new life after the war, and the Dutch Police Inspector, played by Stephen Boyd, who decides to help her. The story is gripping and intense and the performances are superb. Both Stephen Boyd and Dolores Hart turn in one of the finest performances of their careers and so does the all-star supporting cast, including Donald Pleasance and Hugh Griffith. Wonderful film for a rainy day afternoon.

I saw this film as a young girl in the sixties and never forgot it. One of the great pluses in this film is the very deep cast of English character actors who parade through the story. Not the least of which is Donald Pleasence. I consider this film the first to bear the, Donald Pleasence is in it, it must be good, rule. You know, that seal of approval that M.Emmet Walsh and later J.T. Walsh brought to their work.

I consider this to be Stephen Boyd's best work, and indicative of the career he could have had, had he not been saddled with the "too good looking for his own good" curse that ruined the aspirations of a lot of actors doomed to play shallow roles. As for Delores Hart's final screen performance, goodness only knows what she could have accomplished had she not committed her life to God. One of the great show biz what ifs. But the real star of this movie is the story, with its brutal for its time period, depiction of refugees problems in a post war Europe. Attempting to start anew while unable to escape the horrors of her war time experiences, Lisa is an unwanted and painful reminder of a society that wishes to move on but can't agree on how to handle the problems of thousands of extraneous displaced victims. And how this film refuses to sugar coat the ending, leaving its characters with choices that can only be described as excruciatingly heartbraking and yet uplifting at the same time. The post war experience in Europe was no picnic for the victims or the guilt ridden bystanders. This film will haunt you.