O Sétimo Mandamento

"Thieves" opens with Jimmy (Rex Harrison ) snitching a painting from a museum, and meeting his chick out front. Harrison will go on to win the Oscar for My Fair Lady in 1965. His co-star and partner in crime is Rita Hayworth as "Eve". Hayworth really should have won SOMETHING for her work in Gilda back in 1946, fifteen years before. Also watch for Britt Eckland, who married (and co-starred with ) Peter Sellers in the 1960s....she was also a Bond girl in "Man with the Golden Gun". This part in "Thieves" was only her second role...the first was "uncredited redhead" in GI Blues, with Elvis ! So... after stealing the painting, they have lost it, and now Eve and Jimmy have to figure out what happened to it. The film is okay... but can't help thinking the part of "Jimmy" could have been someone with more personality or style. Not sure who would have done it better. Overall, its pretty slow-moving. Story by Richard Condon, who also wrote Prizzi's Honor and Manchurian Candidate. Directed by George Marshall, who had started in the silents... such a prolific actor, writer, director.

What a waste of everyone's time this is: a boring story line, terrible dialogue, wooden acting from all the actors (yes, even Rex H.), pedestrian directing (sorry, no offence to pedestrians intended), lifeless cinematography with hardly a single interesting camera angle or lighting in the whole film (and in muddy black and white, too, in 1962! - and the lighting cameraman had obviously never seen a good film noir, or if he did then he must have kept his eyes closed all the time), old-fashioned editing, an awful soundtrack (that irritating whistling tune that keeps repeating ad nauseam, and I do mean ad nauseam, is a top candidate for the worst film score ever) ...

The only reason it merits 2 stars instead of 1 is that we get to see Rita H. in her negligee.

Good grief, how did the studio have the brass neck to distribute this film instead of burning it and claiming on the insurance?

With Rex Harrison and Rita Hayworth, you might tend to think you'll see a pretty good film but unfortunately the film only barely manages to earn a 5 and most of this is due to these actors. Try as they might, the film is just an amazingly listless film. Plus throughout the film I kept expecting a payoff to make my time investment worth while. Sadly, when the film was over, my first thought was "is that all there is to it?!". No magic, no chemistry...just a rather bland caper about stolen masterpieces. If you are looking for a good crime film or some of the excitement of GILDA, keep looking. This film features second-rate writing and barely enough energy to keep your interest. It isn't that the film is bad, but it certainly wasn't good either.

One of two feature films released in 1962 based on novels by Richard Condon. This is the other one.

Dismissed as "absolute rubbish" by Rex Harrison, despite Mario Nascimbene's twee score's attempts to convince us otherwise it's garrulous and unfunny but painless enough. The stars got an expenses paid holiday in Madrid out of it, and as photographed by Paul Beeson it's good to look at; as as are two handsome actresses then in the autumn of their careers who share one scene together. Alida Valli is wasted in a supporting role as a countess but Rita Hayworth - whose problem drinking is unchivilrously referred by her co-star in the film itself - is rather touching and chicly dressed in Pierre Balmain.

Jimmy Bourne (Rex Harrison) and Eve Lewis (Rita Hayworth) are thieves. It helps that he's the owner of Hotel Bourne. In Madrid, they and forger Jean Marie Calbert are blackmailed by Victor Muñoz into stealing a famous Goya painting, Second of May, showing in the Prado Museum.

Rex is doing nothing other than being cool. The most problematic is that it's trying to be comedic but there's nothing funny here. Director George Marshall started in the silent age and his best work may be behind him by this time. As a heist movie, this could work if it's treated seriously. It doesn't have a driving narrative. It lacks energy. I don't think the scheme is particularly brilliant. The museum is letting them in to paint for some reason. I don't understand how they got in. The bullfighting is interesting on its own but that's some kind of crazy distraction. They may as well rob all the banks in Madrid. This could still work if it doesn't have that screwball music cue trying to declare it funny. It's not funny.