A Guerra de Tróia

Although produced on a higher scale (and budget) than most of these "epics", "The Trojan Horse" soon becomes a tedious blur of battles in which it is even tough to tell who is who. If you're looking for quality Steve Reeves content, he has one great, albeit way too brief, fight scene early on versus the mighty warrior (and not the Dutch soccer team) Ajax, but you can 100% safely skip the rest of the movie, where he is barely visible. ** out of 4.

If I remember well it was last year (1997) when I first saw this movie on the private Italian channel Rete 4 one Sunday afternoon. It was broadcasted in the series "Kolossal All'Italiana". At the same time, the Italian state TV RAI3 was showing "Helen of Troy" in the series "Colossi di Casa", both series implying that the movies were epics filmed in Italy. Before viewing this film I thought it was some sort of low-budget re-make of "Helen of Troy", but on watching it I was surprised to find out otherwise. Even though the storyline is basically similar in both films, this one offers a different kind of entertainment. While "Helen of Troy focuses more on the love affair between Helen and Paris, this movie is more concerned on the psychological situations of the principal characters, namely Aeneas. The final scene of "La Guerra di Troia", showing Aeneas escaping carrying his son in his arms after the death of Creusa is much more touching than the finale of the other movie showing Helen looking longingly at Troy where Paris had been killed. Even though I liked more "Helen of Troy" because of its better cinematography, better colour and better acting, still I have to admit that this one is of a higher level than many other Italian sword and sandal films of that era.

I had missed out on a chance to watch this on the big screen during the B-movie retrospective at the 2004 Venice Film Festival; with hindsight, I feel that it's a picture that should be viewed in theaters as the TV screen simply can't do justice to its spectacular widescreen photography! As a matter of fact, of all the peplums I've been watching of late, this has probably been afforded the highest budget; it's certainly the most handsome production of the lot...

I had watched two other films about the famous and lengthy Trojan War - Robert Wise's HELEN OF TROY (1955) and Wolfgang Petersen's TROY (2004), a Maltese co-production that was filmed (for the most part) over here - but this Italian version more than holds its own when set up against them! Steve Reeves has perhaps his most substantial role (apart from that of Hercules, which made his name) and, despite his notable physique (which is put to the test against legendary Greek hero Achilles), his character is a peace-loving man and certainly more thoughtful than usual for him. His wife (Paris' sister, whom he married in secret) is played by lovely French actress Juliette Mayniel - who had earlier movingly played one of the victims in Georges Franju's seminal horror masterpiece EYES WITHOUT A FACE (1959); interestingly, director Giorgio Ferroni had just made a good variant on that film called MILL OF THE STONE WOMEN (1960)!

Understandably, the narrative only tackles the last year of the war, so that Hector (perhaps the strongest figure in TROY) is already dead when the film opens; similarly, the relationship between Paris (actually presented as the villain of the piece, if still basically wimpish) and Helen (whose role is pretty much left in the background) has deteriorated considerably - which only serves to give the senselessness of the unending carnage added poignancy! At the forefront of the plot are two other historical figures: in fact, Achilles is so impressively personified by Euro-Cult regular Arturo Dominici (best known as Javutich, Barbara Steele's powerful and devoted acolyte in Mario Bava's BLACK Sunday [1960]) that the film loses some steam once he is famously dispatched by an arrow in his heel; similarly, John Drew Barrymore (as Ulysses) is a dominant personality during the film's first half but, once the Trojan Horse is constructed (conveniently off-screen), he pretty much disappears from the narrative! The same fate, alas, befalls the characters of Priam, Menelaus and Agamemnon; all of these roles would receive a lot more stature in TROY, and also the luxury of such stalwart performers as Peter O'Toole, Brendan Gleeson and Brian Cox respectively! Another regrettable element in the film is the fact that every soldier that is felled bursts out into exaggerated wailings and screams, which renders the otherwise efficiently-handled battle scenes unintentionally amusing!

So, while the film does sag a bit during its last lap, the scenes depicting the destruction of Troy by the wily Greeks and the subsequent flight of the survivors (including Reeves and his new-born child, Mayniel's character having died giving birth to it!) are certainly worth waiting for - though obviously done on a lesser scale than would be the case in TROY - and the film, as a whole, still emerges as one of the best peplums out there...

The film starts with Achiles(Arturo Dominici)dragging body of Hector, Priam's son. Later Aeneas (Steve Reeves) and Priam, king of Troy, go to the enemy camp asking his body. There, Aeneas will have to combat hunk men (Mimmo Palmara, Nello Pazzafini). Later on, at Troy takes place the famous episodes of the prophecy of Cassandra (Lidia Alfonsi) and the ¨Trojan Horse¨ . The movie deals about war of Troy as adaptation from classic poem of Homero. Helena( Hedy Vessel)wife of Menelao of Sparta( Nando Tamberlani),escapes with Paris( Warner). The Greek Army and ships go to Troya with Achiles(Arturo Domicini), the king of Micenas Agamenon(Nerio Bernardi) and the Spartans. They fight against the king of Troya (Carlo Tamberlani) and his son Paris and of course Aeneas.

This is an overwhelming and breathtaking film with impressive battles, as thousands of extras take part and mostly are staged on Yugoslavia.The picture packs colorful cinematography and evocative musical score by Giovanni Fusco. The flick is finely directed by Giorgo Ferroni , an expert on Peplum. It's followed by ¨La Leggenda di Enea¨ or ¨The avenger¨ directed by Giorgo Rivalta and Albert Band and again with Steve Reeves as Aeneas.

The picture is well starred by Steve Reeves who made lots of roman-epic-Italian films also called ¨Musclemen movies¨ or ¨Sword and sandals¨. Luck's Reeves changed when Italian director Pietro Francisci persuaded him to go overseas to star ¨Hercules¨ and sequel ¨Hercules and queen of Lydia¨ also titled ¨Hercules unchained ¨, and later on, he followed with ¨Goliath and the Barbarians¨, ¨The giant of Marathon¨, ¨The son of Spartacus¨ ,¨The Avenger¨ and several others . Steve was an American bouncing who emigrated towards Italy and created a true star-system based on pumped-up heroes. He paved the way for others actors to seek their fame and fortune in Italy playing stocky adventurers . Other stars by the time on this type of movies are Mark Forest, Gordon Mitchell, Dan Vadis, Brad Harris, Ken Wood who is usually Reeves's double and appears in very secondary role at ¨War of Troy¨ ; furthermore 'Gordon Scott' who made him more important competence. Nobody, nevertheless, topped Steve in popularity.

The story is partially based on ¨Iliad¨ that is an epic poem in dactylic hexameters, traditionally attributed to Homer and the screenwriters, Hugo Liberatore and Giorgo Stegani take parts here and there. Set in the Trojan War, the ten-year siege of Ilium by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles. Although the story covers only a few weeks in the final year of the war, the Iliad mentions or alludes to many of the Greek legends about the siege.Along with the Odyssey, also attributed to Homer, the Iliad is among the oldest extant works of Western literature, and its written version is usually dated to around the eighth century BC. The Iliad contains approximately 15,700 lines, and is written in a literary amalgam of several Greek dialects. The authorship of the poem is disputed .

Although we got to see very little of Steve Reeves's impressive physique in The Trojan Horse, we also didn't hear that impressively dubbed bass in the two Hercules movies.

The twist here is an interesting one. Reeves plays Aeneas a Trojan warrior who seems to have more in common with the Greek invaders. He regard Paris played here by Warner Bentivegna as a real punk which he certainly acts like. The irony of hundreds of people being killed on both sides including a lot of good men is not lost on him.

In that computer graphic driven spectacle Troy the roles of Paris and Helen were played by Orlando Bloom and Diane Kruger and they were just two crazy kids in love her trying to escape an enforced marriage. Here Helen is played by Edy Vessel and she's quite the scheming vixen.

As Peplum pictures go in that era when two or three seemed to be coming out every week the classic tale gets a different and unique version. Ulysses is played by John Drew Barrymore the only other American in the cast.

There is a sequel about the further adventures of Aeneas which I'm also interested in. This is all based on Aeneid which is the Trojan version of the events of the fall of Troy and the aftermath by Virgil.