Garotas e Mais Garotas

One of Elvis' best movie song performances comes in this film, and it's "I Don't Wanna Be Tied". The King is electrifying in this number! I like it better than "Return To Sender", which was the big seller. Elvis shakes and bakes like there's no tomorrow! Next to "C'mon Everybody" from "Viva Las Vegas", I think Elvis does his best movie dancing. EPE ought to re-release this song as they did with "A Little Less Conversation".

Stella Stevens was cool in this film as well.

The King's acting is unusually strong in this film. He has an edge here that is not often seen in his other roles. The scenes with Jeremy Slate and Elvis are particularly entertaining. His character (Ross Carpenter) is in a fix financially and Elvis' edge suits the role.

I think that as the formula plot movies piled up, you can see Elvis just kinda going through the motions, and not developing a character.

Let's face it - Elvis Presley was about as handsome and talented as a man could be. It's a shame that the Colonel put him on the movie treadmill with banal vehicles.

I've heard that Elvis was offered the role of Tony in "West Side Story", but the Colonel's greed screwed up the deal. What a shame. It could have put Elvis in a serious direction cinematically. The role went to Richard Beymer, who was panned by the critics. I think of Elvis singing "Maria", "There's A Place For Us", and I know he would have been fantastic.

Elvis as a fisherman whose biggest dream is to own the boat he helped build with his father - to aid him in his quest he works for a jerk and sings at a club. Also, he falls for a girl.

Rumor is that studio execs in the 60's said that Elvis's films didn't need titles - just numbers. It's pretty funny, but I'm not in a position to judge just yet - I have a lot a Elvis flicks to go through. "Girls, Girls, Girls" is a pretty mediocre fare with sub par songs and a very thin story.

First off; Elvis isn't believable for a second as a fisherman. His on screen image as a somewhat mischievous yet good natured and wholly independent working class Joe (who never accepts handouts) is already getting tiresome; with some 20 more movies to go where he's playing basically the same guy. As most reviewers have pointed out; Elvis was a solid enough actor when working with decent people and material but in this flick he's neither here nor there.

The songs here aren't that good, sad to say. The classic "Return to Sender" is the real standout but others are fairly forgettable.

But on the whole I always enjoy these Elvis movies up to a point. Despite some obvious laziness inherent with Presley's movies they're mostly fairly attractive looking, always displaying nice scenery, have a number of knockout beauties and solid songs (not all, but most).

Elvis did some serious work before this film; most notably "Jailhouse Rock", "King Creole" and "Flaming Star". Those are excellent films, Elvis is excellent in them and they're a worthy addition in any film lover's collection. His later "fluff" films range from good to fairly lacklustre but fans of the King can easily sit through them and enjoy themselves.

I like this movie a lot, and I may be partial because I got to meet Stella Stevens and she's an adorable, outspoken lady. I asked her whether they used her voice in the scene where she sings in the nightclub, and she says they would not use her voice although she wanted them to (some books claim her voice WAS used). I won't tell you exactly WHY she says she wasn't allowed to, but let's just say she mentioned Ann-Margret doing them in "Viva Las Vegas" and say no more. Decent songs, some very annoying songs too, but I like the concept of Elvis as a singing fisherman, so what the hey?

In Hawaii, a fishing guide (Presley) tries to find a way to buy the Westwind, a boat that he & his father built, after his employer decides to retire to Arizona. Meanwhile he's caught between two women: An insensitive club singer (Stella Stevens) and a sweet rich girl who pretends to be working class (Laurel Goodwin).

"Girls! Girls! Girls!" (1962) was Elvis' 11th movie of the 31 in his acting filmography. It was the second of his three flicks shot in Hawaii, the other two being "Blue Hawaii" (1961) and "Paradise, Hawaiian Style" (1966). While it's a serviceable Presley flick and has its points of interest, it's the least of the three IMHO with "Blue Hawaii" being easily the best.

The serious drama is situated amongst the Hawaiian boating/fishing industry wherein Presley performs a song every 7-12 minutes with "Return to Sender" being a highlight.

Stevens' role is rather small so the focus is on the protagonist's romance with the secretly rich girl. Speaking of whom, two years later Goodwin played Yeoman Colt on the original (rejected) pilot episode of Star Trek, which was reworked into the two-part episode "The Menagerie," premiering in November, 1966. While Stevens and Goodwin are a'right, the female cast in "Paradise, Hawaiian Style" is superior.

There's an interesting scene near the end where Elvis's character is rescuing the girl and a sailboat runs into their smaller craft. The (presumable) stunt people in the motorboat get hit by the sailboat and somewhat pushed under.

The movie runs 1 hour, 36 minutes, and was shot in Hawaii.

GRADE: B-/C+

This was yet another strong movie by Elvis. The plot was good the scenery was great and music was outstanding. This is probably my favorite soundtrack. I like the way Elvis falls for a rich woman (he doesn't know she's rich) and is trying to buy the boat that once belonged to his father. This is definately a feel good movie. I give this movie four stars.