Sangue de Apache

You have got to give a compliment to Chuck Connors for making this fine film...he was at the height of his popularity in 1961 when this film was made as "The Rifleman"...a very successful TV western....Connors checked in his rancher duds for an Indian wig and clothes and this is one of the very best westerns made in the 60s... The story concerns the Indian chief Geronimo who outfought, outwitted and outmaneuvered the US army for a few years during the 1880s in the western US and parts of Mexico. Geronimo, a fierce warrior reluctantly accepts a parcel of land for him and his warrior band as part of a peace treaty...Little did he know in this film that a crooked army captain and crooked reservation politician was scheming to sell off his land due to a crooked land deal that paid them a considerable amount of money. Geronimo learns of this crooked deal and escapes with his warrior band and goes on the run....outwitting and out fighting the US army at every turn. Pat Conway, who formerly starred as the "Sheriff of Tombstone Territory" is cast as the crooked and nasty army captain....look for a young Adam West a few years before his Batman days as a young army lieutenant with a conscience, who feels betrayed by his crooked army captain in the treatment of Geronimo and his band. A beautiful young Indian lady, Kahali Devi is the wife and lady love of Geronimo. Look for Ross Martin as the chief friend of Geronimo, Mangus......this film is nearly two hours of good solid western entertainment albeit Chuck Conners does not look the real part of an Indian, despite all the makeup. In the end the US government realizes that the Indians have been done wrong by the government and the army and submits a peace treaty with dignity that Geronimo can accept. You will really marvel at how devious in the film Chuck Connors is in making his warrior band live and learn off of the land to survive. This is a western you will not want to miss.

Agreeable movie about the famous Indian leader and set on spectacular landscapes and attempts to adhere to historical facts concerning his life . The picture is well made , with plenty of action sequences as Geronimo and his band battle US forces , later fighting the white Americans , when they in turn, encroached upon Apache land . The film talks upon Geronimo (Chuck Connors , satisfactory in the lead) , chief of Apaches Chiricaguas and his band of rebel Indians . The continuous humiliation in reservoir of San Carlos caused the bursting of riots commanded by Geronimo , Mangus Coloradas (Ross Martin) and his group of Indians . They will confront American cavalry in charge of General Crook (Laurence Dobkin) and his officials (Adam West, Pat Conroy) . The sorrow and despair of finding his tribe starving , the sheer frustration of San Carlos ruled by corrupt Jeremiah (John Anderson) ,the hopelessness of resistance against a foe you know you can't beat originate the rebellion . Meanwhile , Geronimo falls in love with a gorgeous Indian woman (Kamala Devi in a rich characterization) .

In the film there are wonderful outdoors shot on location of Durango(Mexico) territory and displays action , shootouts, violence and though sometimes is slow-moving , isn't tiring neither dreary , sustaining the interest for quite a while . The movie also portrays the sensitive side of the Native American character though is dramatically slack and some moments there's nothing left to maintain viewer involvement . This Indian-on-the-warpath tale is based on historical characters : Geronimo, Mangus , Cochise and general Crook who tries to subjugate the great Apache warrior . The motion picture didn't obtain success and was a real flop in box office , in spite of the extraordinary sets , glimmer cinematography by Alex Phillips and atmospheric Hugo Friedhofer musical score . This version of the "Geronimo Legend" results to be one of the best considering some of the other attempts to portray the Apache war leader . Most of the Apache leaders of the period are also featured as Cochise, Mangus Coloradas, Nana and Juh , all relevant figures at the time and an influence in the struggle against overwhelming forces . If anybody out there is interested in Native American history , this movie is well worth a watch . The motion picture is professionally directed by Arnold Laven . Laven formed a production company along with Jules Levy and Arthur Gardner. The first Levy-Gardner-Laven movie was 1952's "Without Warning"'; in the decades since, they have produced and directed dozens of additional features . He's an expert on Western genre as cinema as television as he produced and directed several TV series including "The Rifleman," "Law of the Plainsman," , "The Big Valley" . And directed acceptable Western films as ¨The glory guys¨, ¨Geronimo¨and ¨Sam Whiskey . ¨Geronimo¨ will appeal to Indian western fans . Rating: good , the result is a pretty fair movie . Well catching , you won't be disappointed .

Other version upon this famous personage are the following : 1939 Geronimo with Preston Foster , Ellen Drew and Chief Thundercloud in the title role ; 1993 TV Geronimo by Roger Young with August Schellemberg , Nick Ramus and Joseph Runningfox ; finally , Walter Hill version titled Geronimo : An American legend (1993) that is the best so far , played by Wes Studi, Matt Damon , Jason Patric and Gene Hackman and utilizing at support cast some pretty heavyweight Native American acting talents.

Possibly because The Rifleman series that Levy-Gardner-Laven produced on television was shot in black and white was the reason that no one apparently noticed that Chuck Connors had blue eyes. In any event when they produced this B film about the last great Indian warrior chief Geronimo since they had Chuck Connors under contract for The Rifleman they figured to get him dirt cheap for this film. I'm sure Connors was also looking towards a big screen career as well.

If you can get over how ridiculous Connors looks as a blue eyed Indian, the film Geronimo is not a bad one given the fact it is a B film. It takes the Indian point of view dispassionately, just letting facts speak for themselves.

Geronimo in fact had surrendered and was sent to live on the San Carlos Reservation, but ill treatment by corrupt politicians and self righteous do-gooders as exemplified by John Anderson in this film, sent Geronimo packing along with some of his best warriors. They bedeviled the Arizona territory and the Mexican authorities for several years.

Geronimo took one thing he liked from San Carlos along with him, beautiful Indian maid Kamala Devi. Ironically enough Kamala Devi is an actual Indian Indian, but she's drop dead gorgeous in any culture. Chuck Connors thought so too because he left his first wife for her during the making of Geronimo.

With certain reservations, no pun intended, Geronimo is not a bad telling of the tale of the last campaign against the American Indians. But I can't believe that the team of Levy-Gardner-Laven couldn't afford some contact lenses for Chuck Connors in the budget.

Well meaning but wooden story of how Geronimo, with fifty Apaches, came to stand off the U.S. Army. Chuck Conners gives a creditable performance as a wooden Indian, and his soon-to-be real life wife plays the woman who loves him. Most amusing for Ross Martin as a wise-cracking sidekick and Adam West, four years before he became a wooden Batman, as a sympathetic army officer.

The film begins with Geronimo (Chuck Connors) "surrendering" by agreeing on a treaty that gives his Apaches land on a reservation in Arizona. However, things quickly go wrong while on the reservation. Geronimo leaves with a band of warriors and declares war on the United States. The majority of the film is the story of this war, told from Geronimo's perspective.

While the script and direction are fairly pedestrian here (with the exception of a few fantastic shots of sunsets and landscapes), Geronimo works because of a number of excellent performances, including Connors, Ross Martin (as Mangus), Kamala Devi (as Teela), Pat Conway (as Captain William Maynard), and Adam West (as Delahay).

The film is also surprisingly complex in terms of sociological subtexts. With one clear exception (having to do with a subversive sale of land), there are no clear "bad guys" and "good guys" here. Rather, the conflicts of the film are portrayed as resulting from cultural dispositions, duty and necessity. Each character or group of characters is responsible for some behavior that is a fairly serious crime (legal or moral) in the eyes of other characters, and each is seeking an improvement of their lot, mostly with a desire that the other parties understand their position better.

However, there's no need to expect heavy-handed intellectualism from the film. On the surface, this is a quality western with a great deal of suspense, although perhaps too lacking in big battle scenes for some western fans. There are a number of smaller battles, but the focus is always on the strategy behind them rather than the battle itself, and in my eyes, that makes them interesting and suspenseful in a way that more clichéd action scenes wouldn't achieve. Geronimo is much more about a clash of cultures, and successfully spends a lot of time on Geronimo's relationships with Mangus and Teela. An 8 out of 10 for me.