Revolta em Alto Mar

Few films have tried to capture the era of Horatio Hornblower, and even fewer do it as well as this one. It's an extremely well-made movie, though a bit difficult to classify. Traditionally, in a sea adventure, the dashing, sexy leader is the hero; in this case, he's the villain (brilliantly played by Dirk Bogarde, who normally plays more sensitive chaps). The good guy turns out to be a very UNdashing and flawed, but compassionate Captain.

I think Alec Guinness is the only actor who can portray a character who is colorless yet also make him sympathetic. Perhaps the World War II era (with its emphasis on teamwork, its glorification of the average G.I., and its near-worship of able, but dull, leaders like Omar Bradley) may have influenced it, because the movie strongly emphasizes the worth of the common man, especially as personified by Anthony Quayle's character.

It's an offbeat movie: part sea adventure, part character drama, part historical epic. Critics might say it's not satisfactory in any of these areas, but those of us who love it recognize how special and even unique it is. Now that Columbia has finally released on DVD a letter-boxed version one can fully appreciate its worth, not only for the sea battle scenes, but also the many two-shots of Guinness and Bogarde interacting (or, more often, snarling) at each other.

Despite the fact that this film is not as known as some other sea sagas, it has some spectacular battle scenes, which are quite impressive even today. The movie does contain some historical speculations ( like the prevention of France's invasion of England in 1797 ), but overall it is one of the most detailed and authentic depictions of what seamen's life looked like in the 18th century. It is highly recommended to anyone interested in the military history of the period. The primary reason I wanted to see that movie was the fact that Alec Guinness was in it. Needless to say, his portrayal of Defiant's captain is as strong and convincing as ever. Good captain vs. bad second-in-command ( Bogarte )opposition might not seem very original to a modern viewer, but again, excellent performances by both Guinness and Bogarte and many unpredictable plot turns make us forget about this semi-cliche.

Denis Maternovsky

I remember seeing H.M.S. Defiant in the theater when it came out back in 1962. It's too bad my VHS copy is formatted. One really needs the wide screen to appreciate the vast sweep of this wonderful sea adventure.

The Defiant sets sail from the naval harbor at Spithead just before the ships of the Channel Fleet are ready to start an organized mutiny. So with no contact between them and the ships at Spithead or in the Mediterranean, the men of the Defiant have to work out their own course of action. That action is the basis for what happens.

They've got an unwitting ally in the ship's executive officer, Scott- Padget played by Dirk Bogarde. A future Drake or Hawkins with influence and a taste for sadism. He looks to usurp the authority of Captain Crawford who is played by Alec Guinness. The conflict between them plays into the hands of the mutineers.

In that other famous story of the sea, Mutiny on the Bounty, Fletcher Christian points out to Captain Bligh that the men drafted into the Royal Navy from the press gangs aren't king and country volunteers. Neither are these people in the foc'sle of the Defiant.

Bogarde plays against type and does it well. He's usually not a villain in film although he had essayed villainous roles before in his career. But Guinness is a wonder. His Captain Crawford, calm, detached, and inspiring in his own way in his patriotism was a role Alec Guinness could be proud of. Totally different than the characters he played in those Ealing studio comedies. This falls more in line with Colonel Nicholson in The Bridge on the River Kwai or Colonel Sinclair in Tunes of Glory without the bad character features the other two had.

Great Britain eventually stopped using press gangs, but at the time it was the way the Royal Navy got a crew together. In fact later on during the Napoleonic Wars, the British took to stopping American ships and impressing members of those crews in the Royal Navy. It was one of the causes of the War of 1812.

Two other performances in H.M.S. Defiant are worthy of note. Anthony Quayle as the mutiny leader on the Defiant and Tom Bell one of the mutineers whose rashness nearly blows it all for the seamen and their cause.

Hovering over all of this is the French and to me the highlight of the film is Alec Guinness reminding the men of their duty to prevent a French invasion of their island home. It's a superb piece of drama.

A little Mutiny on the Bounty, a little Horatio Hornblower go into the plot of H.M.S. Defiant. It's a good mix with a superb group of players serving it up for the audience.

It is the Napoleonic Wars and Captain Crawford takes command of the H.M.S. Defiant and sets off with his orders to Corsica. His second in command is Lt. Scott-Paget, a vindictive and bullying man who has moved through the ranks on account of his higher echelon connections. The two men don't see eye to eye from the off, which only compounds the many problems that are reaching boiling point aboard the ship. Mutiny is afoot, just as the French forces are closing in.

Lewis Gilbert may just be one of Britain's most undervalued versatile directors. Here's a man that has directed Educating Rita/The Admirable Crichton (comedy), The Good Die Young (crime), Cast a Dark Shadow (Noir), Reach for the Sky (biography), Alfie/Shirley Valentine (romance), James Bond x 3 (multi genre) and sea faring adventures such as Sink the Bismarck! and this fine Napoleonic historical piece, H.M.S. Defiant.

Adapted from Frank Tilsley's novel "Mutiny", this is a film built around a true story about what became known as the "Spithead" and "Nore" mutinies in 1797. Where sailors and press ganged inlanders were fed up with the working conditions, rates of pay and the all round treatment from the officers in charge. Also into the mix is a fascinating battle of wills between the two leaders of the Defiant, both men, in the midst of their power struggle, are oblivious to the rumblings and plotting of the crew. I mean you would think that with the French warships possibly around the corner that they would be unified in creating a rock solid front? That they don't gives the film an extra dimension. Thus when the battle sequences do come, and the turn of events perk the piece up, it has a two fold impact that makes all the waters lead to a terrific foggy bound climax.

The cast are notable names from a roll call of British performers. Alec Guinness as Captain Crawford plays it spot on. An honourable man adhering to his code of ethics, it's through a plot strand involving his own son being on board that Crawford gets torturous and conflicted by his emotions. Who better than Guinness to layer such a role? Dirk Bogarde steps up to play weasel duties as Lieut. Scott-Padget, suitably handsome in uniform but playing the devils tricks, it begs the question on why Bogarde didn't in fact play more villains? because here he is excellent at it. Leading the mutiny is the looming muscular presence of Anthony Quayle, who along with Nigel Stock leaves a favourable mark in the support cast.

Comparisons with other notable genre entries are inevitable, the likes of Mutiny On the Bounty, Captain Horatio Hornblower R.N. and the more modern offering that is Master and Commander: The Far Side of the World. If you like any of those films then the chances are you are bound to get much from this British production. The ocean scenes are filmed out in Alicante, and they sparkle as a backdrop to the splendid costumes, while the ships design is top draw. Ultimately this a fine genre entry, for as it stirs the blood and tells a great multi stranded story, it's also acted quite superbly by the cast. 8/10

"Damn the Defiant." a 1962 film directed by Lewis Gilbert, is based on an actual incident, known as the Spithead Mutiny which took place during the 1797 war with France.

The ship is led by Captain Crawford (Alec Guinness), a fair man who is afraid to rattle the cage of his next in command, the sadistic Lieutenant Scott-Padget (Dirk Bogarde), who is well-connected and has ruined the careers of previous captains.

The ambitious Scott-Padget, however, is determined to take over the ship and wants things his way. To this end, he brutalizes Crawford's young son, who is on board as a midshipman, knowing that the principled Crawford will not interfere.

However, there are mutineers on board, led by Vizard (Anthony Quayle) who have written a petition for better food and more money. They hate Scott-Padget, and if they take control, he's in big trouble.

This is a very good film with suspense as well as excitement, dominated by the acting of Guinness and Bogarde. Guinness is brilliant - you can see him making an effort to control his anger, and one also sees his great pain. When he at last asserts himself, he is very noble.

Director Gilbert had to fight for Bogarde, so devalued was he by Hollywood, but Guinness spoke up for the actor as well, and he was cast. He does a great job - handsome, outwardly polite, and mean as dirt. Anthony Quayle is excellent as Vizard, who, in leading his men, demands patience.

Absorbing and entertaining, even if movies on the high seas aren't your thing.