Constantino e a Cruz

Above average Italian sword and sandal:it is longer than the usual peplum (2 hours+),the settings are not cheap,and there's a solid American actor(and a director,one often forgets he made the memorable "naked prey"and the estimable "no blade of grass" )as the lead ,Cornel Wilde ,a Hollywood veteran ("leave her to Heaven" ,"Forever Amber","the greatest show on earth" and many more) .

Constantin's mother's destiny is not exactly what we see in the movie:she was not a highborn lady (an innkeeper's daughter) and Constantin was not estranged from her till his victory over Maxence;but the movie introduces her with taste .To keep a story-like side,the screenwriters invent the tale of two unfortunate lovers Adrian and Livia (the delicate Christine Kaufman who played opposite Steve Reeves in Bonnard/Leone's doomed "last days of pompei"(1959) in which she was ...a young Christian of course!) Wilde is a convincing Constantin,he gets good support from the rest of the cast ;this is neither "Spartacus" ,nor "Cleopatra " ,but as an entertaining epic ,that's still good value

This film must have been spectacular in its day, just like the Roman Empire. Now its saturated colors are faded, its panoramic vision compressed. Cornel Wilde is still a hunk, but an aging one, and it's hard to believe he was the educated, fluent in several languages and fussy about his roles actor from his performance here, delivering some of his lines just like John Wayne might have done. There are several hokey overview shots of Rome, which are really of the scale model version from the Museum of History of the City of Rome, but otherwise the sets, costumes and production is a lavish one. The final battle at the Milvian Bridge is endless (you know who is going to win), but thanks to this victory, Christianity directs the course of Western History.

The Roman empire took a time for the decadence and downfall , however during the fourth century it was a battleground for rival Caesars ; until Dioclecianus with the tetrarchy (two Augustus and two Caesars) imposed peace and order . Constantinus (Cornel Wilde) the Great (280-337 A.D.) was the first Christian emperor , he sets out to conquer the Roman Empire for Christianity , though his conversion was probably more a political deed than a theological . He was son of Constantinus Chlorus (Carlo Ninchi) and Helena (Elisa Cegani) , a fundamental supporter for Christians . He was married to Fausta (Belinda Lee) , emperor Maximiniano's daughter . Constantinus published the edict of Milan (313) which established the religious freedom and reunited the council of Nicea (325) prohibiting the paganism . Constantino assembled the Roman empire but is establishing Constantinople (Byzancio) as the new capital when started the Byzantine empire .

Cornel Wilde was an excellent Constantino confronting his rival Maxentius (Massimo Serato) and the remaining roman pagans . Belinda Lee (the next year she died in a car accident) as his wife Fausta is enticing and attractive . The highlights of the film are the one that Constantine saw the flaming cross in the heaven captioned ¨In this sign conquer¨ , the Christians martyrdom and , of course , the battle of the Mulvian Bridge where are shown spectacular combats . Enjoyable support cast by Christine Kauffman (Tony Curtis's wife) as a kind Christian , Massimo Serato y Fausto Tozzi (both of them were actors in ¨the Cid¨) . Awesome cinematography by Maximo Dallamano and atmospheric musical score by Mario Nascimbene . The motion picture is well directed by Lionello De Felice . The flick will appeal to sword and sandal genre fans .

"Constantine and the Cross" is an historical film set in the fourth century of the Roman Empire, and the last days of its pagan and mythological cults. It covers the period when Constantine became emperor and ended the persecution of the young Christian faith. It gives a good rendition of Constantine's rise and the battles that led to his reunification of the empire.

The film is a British-Italian production, filmed in Italy. Cornel Wilde plays Constantine. Most of the rest of the cast are Europeans actors - Italians making up the bulk. The sets, costumes and battle scenes are well done. But the screenplay is very choppy, and the direction and editing seem slipshod. Wilde and others who play Roman soldiers are wooden much of the time. The rest of the cast give just so-so performances.

The movie lacks energy and seems to drag on in many places. Only those interested in history and the survival of early Christianity are likely to enjoy it.

A nice plus that boosts this film's rating is its scenes of the catacombs in Rome. Very few films have been made that show the catacombs. But they were a crucial aspect of the early Christian church and its survival and growth in Rome.

I toured two different catacombs in Rome in 1963. With so many sites and things to see in Rome, many tour groups skip the catacombs. I recommend a visit to at least one. Especially to those interested in history or the first four centuries of Christianity.

Cornel Wilde was one of many stars to go to Europe to escape U.S. taxes at the same time roles were drying up for him. Victor Mature was another, Alan Ladd made that dreadful Duel of the Champions. At least Mature and Wilde were suited for these kind of films even if the ones they made in Italy weren't exactly high up on their credit list.

Case in point is Constantine and the Cross. The Emperor Constantine by his conversion to Christianity, the faith of his mother Helena was what made Christianity the faith of Europe. More importantly than that, after the action of this film is over, Constantine convened the Council of Nicaea which essentially was the body that organized the Bible. It decided what stories went in, what accounts like that famous Gospel of Thomas did not make the cut. It's influenced us for good and for bad right down to today.

He's a most important and complex figure Constantine and deserves far better treatment in a filmed biography than what he gets here. Maybe a good television mini-series. This film is a fictionalized account of his succession as Emperor and his conversion to Christianity.

Legend has it that on the eve of battle he had a vision of a cross in the sky and the voice of the Deity telling him that by this sign he shall conquer. Whether he heard the voice or not is subject to speculation. There is no doubt he kicked some serious pagan butt the following day, which is shown here. Sadly the color is fading and the film could use a restoration. What can't be restored is the cliché driven script of this sand and sandal epic that Italy churned out by the dozens in the fifties and sixties, using all those sets built by MGM for Quo Vadis and Ben-Hur. In fact a lot of the plot here is lifted from Quo Vadis.

Besides Wilde, the only other names known to western audiences would be Christine Kauffman and Belinda Lee. Kauffman later became the second Mrs. Tony Curtis after they met on the set of her next film, Taras Bulba. She plays the innocent Christian girl Livia.

Sadly there were no more films for Belinda Lee, voluptuous British starlet who had abandoned the UK for films in Italy where her attributes could be more fully exploited. She was killed in Southern California in a car crash where she was vacationing right after completing Constantine and the Cross. No doubt she was also there looking to break into the American cinema as well. She plays Constantine's wife Fausta.

Again, past the action in this film the by now Empress Fausta was caught stepping out on Constantine. In that instance, Constantine went back to the old Roman way of dealing with an unfaithful spouse. That too would be part of a mini-series of his story.

If Belinda Lee had lived she might very well have gotten all the parts that Joan Collins later received. She's the best reason for checking out Constantine and the Cross.