La cara del terror

The lugubrious, dermally destructive Sci-horror hokum Face of Terror remains a wild experiment in scientifically sinister terror!!! An ill-fated doctor Taylor (Fernando Rey) unknowingly tests his hugely unstable serum upon troubled mental patient Norma (Lisa Gaye), hoping to remedy her severe burns, only to induce hysterically antisocial results! Much has already been made of the derivative text, so I shall, instead, note the film's entertainingly psychotronic goofiness!

Catastrophically, the good doctor Taylor's revolutionary solution proves violently counter revolutionary, and briefly beautified Norma's plasticized dermal tissues angrily revolt, shockingly turning her into a shriekingly vengeful harridan! Talky, with a sluggish pace, Spanish 60s spookshow 'Face of Terror' will, to many viewers, appear like a relic from a bygone age. Arguably not on par with Jess Franco's macabre monochromatic masterpieces, this camp, melodramatic B/W Euro-schlocker is hopefully not without interest to more forgiving vintage Drive-In/Midnight Movie fans. The spectacularly shrill climax is exquisite, plus the groovy musical interludes, and lounge-y score are legit!!!

Decent terror movie about a disfigured woman named Norma : Lisa Gaye , she come across a scientific investigating amazing effects of a serum , trying to synthesize the perfect skin . Then Norma is cured by doctor Charles Taylor : Fernando Rey , who develops a serum on skin of limited effects . But Norma results to be an escaped patient of a mental institution . Along the way she finds a job at a hotel and meets a playboy : Virgilio Teixeira who falls for her , and subsequently they get married . Meanwhile , two Police Inspectors : Emilio Rodriguez , Jose Martin, are investigating grisly events . But then things go wrong . Woman's flesh..Killer's soul ! Female, Yes But ..is she woman...or inhuman, Blood-Mad Beast ?

A creepy and eerie terror movie of the sixties with thrills , chills , intrigue, tension , twists and killings. The story is not massively strong , but it is not bad either , here director strings a few or different threads together and that along with intrigue as well as suspense throughout tends to ensure the film is always interesting and thrilling . Stars Lisa Gaye , Debra Paget's sister , as the nutty patient who escapes from a mental facility and she goes bersek . Fernando Rey gives a good acting , as usual, as a doctor who creates a serum able to repair scar tissue and attempts to cure a deformed woman . They are well accompanied by a motley plethora of familiar Spanish faces , such as : Conchita Cuetos a veteran actress who goes on playing , Virgilio Teixeira as her playboy lover , Gerard Tichy as a doctor , Sergio Mendizabal , Carlos Casaravilla, Ana Maria Custodio, and Emlio Rodríguez, Pepe Martin as Police detectives.

The film follows the wake of the classic "Eyes without face" 1960 the masterpiece directed by George Franju . This issue about doctors undergoing surgical operations to change faces of disfigured women was an ordinary theme in European cinema , especially by Jesús Franco or Jess Frank and his Orloff saga including : "Gritos en la noche" or The awful Dr Orloff 1962 , "El secreto del Dr Orloff" 1964 , "Orloff's Invisible Monster" 1970, "El enigma del Ataud" 1969, "El siniestro Dr Orloff" 1984 and "Faceless" 1987 or Los Depredadores de La Noche . And even Pedro Almodovar himself dealt with this plot about doctors undergoing bloody surgical operations as "La Piel Que Habito" 2011 with Antonio Banderas , Elena Anaya .

The motion picture made in medium budget was competently made by the Spanish Isidro M. Ferry and American William Hole Jr . Spanish filmmaker Isidro Ferri was a craftsman who directed a few films , shorts , documentary , such as : Cruzada en el Mar , Escala en Hi-Fi and El Pisito. While the American William Hole Jr. was a producer/director who made some films such as : Hell Bound , Four Fast Guns , The Continental Twist and a lot of TV episodes from TV series : Peyton Place, 77 Sunset Strip, Colt 45 , Cheyenne , Bourbon Street , Hawaiian Eye , Sugarfeet , Boots and Saddles , among others.

Fernando Rey is a wheelchair-bound professor who has developed a formula that can heal scar tissue. When he alights upon the badly disfigured "Norma" (Lisa Gaye) he injects her with his serum with almost miraculous results, which he proceeds to display to his peers and friends. Unfortunately, the serum begins to wear off and "Norma" - who had only recently escaped from a mental institution determines to exact revenge on the doctor and his assistant "Alma". The acting and dialogue are competent, but the pace is shockingly slow - far too many development scenes and far too little actually happens to keep the attention until the last ten minutes when "Norma" goes on a bit of a murderous spree. Although the dubbing is not bad, and it looks like some of it has been re-shot in English; it still struggles to make much headway leaving more blemishes on the story than his serum could really ever hope to cure.

While "Face of Terror" ("La Cara del Terror") looks like a crappy Spanish horror movie on the surface, it's really very well made and the dubbing is pretty amazing. And, it's well worth seeing.

When the story begins, Dr. Taylor (Fernando Rey) approaches the board of directors at the hospital, asking permission to try out a radical new type of plastic surgery...using actual plastic and using it to rebuild the faces of badly disfigured people. Oddly, the board rejects his proposal so he decides to continue his work on his own. Soon, a badly disfigured woman arrives....telling Taylor she knew about his work and begging him to help her. Naturally, he's filled with compassion and performs surgery on her and incorporates his new secret formula.

What the nice doctor doesn't realize, however, is that Norma (Lisa Gaye) is actually an escaped and dangerous mental patient from the hospital. And, after completing the surgery and having outstanding results (she's now very beautiful), he learns the truth and insists she return to the hospital. However, she's afraid and conks him on the head....making her escape. Soon Norma has found a job and appears to be trying to create a normal life for herself. But being beautiful offers its own obstacles and soon she's being sexually harassed and ends up killing the pig. But this isn't her last killing.

I really liked this film for quite a few reasons. First, although it was originally a Spanish language movie, it was very seamlessly converted to English. Most Spanish horror films of the era were horribly dubbed. But in this one, scenes with Taylor and Norma were re-shot with the actors speaking English and doing their own dubbing. As for the other characters, they also were dubbed very well and it wasn't the usual clumsy and distracting dubbing. Second, although Norma has some mental health issues, you CAN understand and even justify a couple of her killings...it's NOT a case of a maniac just killing folks. I also liked the ending. All in all, a surprisingly good and enjoyable film that defies so many of the expected stereotypes and cliches.

I thought this would be another "Facial Transplant" horror film, but not really. Our mad scientist (Aldo Rey), uses a new serum he's developed, to repair an escaped mental patient's face, (but he does not try removing others faces for the process.) Atmospheric, and often effective, the film is weakened by the director's insistence on filming it in English, despite much of the cast not actually being conversant in the language. Some performances are rather stilted by this convention, but it works, on the whole. Rey is near perfect as the lead, alternately masterful, then helpless, as the situation spirals out of his control. I believe this was removed from the usual PD sources, by the NAFTA/GATT stuff, but you know it's still lurking about. Rey was only a few years away from more "respectable", mainstream fare like "The French Connection". Well worth the effort for fans of gory 60's horror, and it's grisly highlights are often quite memorable.

Judexdot1