A Família Buscapé

The original series THE BEVERLY HILLBILLIES was probably the most genuinely funny sitcom ever made with the possible exception of I LOVE LUCY. This endearingly wacky comedy is both audaciously cutting edge and family-friendly wholesome, no mean feat. I would put some of the finest Hillbillies episodes up against the best films of Preston Sturges for sheer pandemonium glee. Most of the episodes are excellent, several are brilliant. The cast is superb, especially Irene Ryan as the hot-tempered yet sentimental Granny, a five-foot elderly spitfire who was afraid of no one - and had no reason to be. Miss Ryan was twice nominated for the Best Actress Emmy award for Granny - she should have WON at least four times! Buddy Ebsen is excellent as Jed but Donna Douglas and Max Baer were equally fine as the "young uns". Donna's free-spirited, tomboy with curves Elly May is a total joy while Max is hilarious as the dim-witted Jethro (and quite wonderful in drag as his twin sister Jetherine, playing the character seriously as an over-sized female, not going for cheap "man-in-a-dress" laughs.) Raymond Bailey and Nancy Kulp are fine as their city friends and I cherish the episodes in which Harriet MacGibbon (as Mr. Drysdale's snooty socially prominent wife) and Bea Benaderet (as Cousin Pearl) appear - Mrs. Drysdale and Pearl often had to go head-on against Granny and both actresses rose to the challenge beautifully.

The Beverly Hillbillies are often closer to the classic comedy shorts of the 1930's and 1940's than a conventional sitcom. Their importance on television history can not be overstated - not only for the "country comedies" that came along after them but for opening the door to an "alternative universe" on television where 'real life' was thrown out the window and fantasy prevailed. THE MUNSTERS, BEWITCHED, I DREAM OF JEANNIE, STAR TREK, GREEN ACRES, WILD WILD WEST, THE ADDAMS FAMILY, GILLIGAN'S ISLAND, etc. - all the shows of the 1960's that pushed the reality envelope owe a debt to the Hillbillies and they probably wouldn't have been around with out the pioneering work done on this series.

Normally I don't critique sitcoms because, frankly, it's not worth the effort and are so crassly superficial that they don't require any serious attention. But in the case of "The Beverly Hillbillies" I will make an exception. This is because of one character: Jed Clampett, played by Buddy Ebsen. Jed Clampett is one of the most endearing yet complex characters ever created by the television industry. Superficially, Jed Clamptett doesn't seem to be the type of character that warrants much serious attention. After all he's just a simple, uneducated backwoodsman from the hills who's lived in a shack all of his life, and by pure dumb luck comes into a pile of money which doesn't seem to change him one bit. Which is what makes Jed Clampett such a wonderful character. For Jed Clampett has dignity and integrity and nothing will divert Mr. Clampett from remaining true to himself or altering the way he treats everyone - with openness, honesty and a real desire to be hospitable. Further, Jed Clampett commands respect, and is respected, not only by his immediate family who are utterly devoted to him, but even by that crass and conniving banker who, despite his air of superiority, reveals, episode after episode, what a buffoon he is compared to the calm and self-assured Mr. Clampett. Also, it should be noted the Jed Clampett protects and cares for not only his daughter, but his nephew and mother-in-law, the latter two a constant challenge to Jed's patience, which he never loses. If there were more Jed Clampetts in this world, then maybe we'd all be living in shacks, but at least we'd be getting along with each other and treating each other better.

The "Hillbillies" has vaudville like gags. Nothing but pure comedy. Just plain great. It's stood the test of time.

The casting was perfect. Buddy Ebsen is a favorite. Donna Douglas is the most beautiful woman I've seen. Could be my favorite TV show of all time.

Several series have tried to be funny based on the "misunderstanding" principal, but "The Beverly Hillbillies" did it first and funniest. The characters included Jed, a poor but wise mountain man who used his good old country wisdom and saying to rationalize everything, Granny, the world's oldest Confederate widow with moonshine in one hand and a shotgun in the other, Jethro, the idiot savante who thought he was a genius and then Elly Mae, the demurely sexy tom boy who could fight like a wild cat. Add to this the cheap and opportunistic banker Milburne Drysdale and his voice of reason, Jane Hathaway, who starts out as the only normal person in the series but who later turns out to be as crazy as the rest because of her Birdwatchers Club, and you have a recipe for disaster. This show had a great cast and numerous wonderful episodes and storylines that continued sometimes for eight to ten episodes, a thing unusual for a Sixties series. My favorite character is and always be Shorty Kellums, the short innkeeper from back home who was quite the ladies man up until the next storyline.

I remember The Beverly Hillbillies from when I was a little kid, and then when I was 12 years old we had cable TV for the first time and I was able to catch it three times a day! That's when one of the stations decided to run all the episodes in their original sequence, starting from the first episode. Now Walmart has been selling Beverly Hillbillies' DVD's of 16 episodes at a time for around $10. It's a great deal, but the only drawback is that whoever puts out these DVD's didn't get the rights to use any of the opening and closing theme songs. There's plenty of good banjo playing, but no narration by Jerry Scoggins and no closing tune. Still the episodes are extremely enjoyable.

Of course some of it is cornball and dated, but this sitcom beats the pants off any current shows I've seen. Contrary to what some reviewers here have said, the Clampetts always seem to come out on top of every situation by simply being themselves. If that means they're stupid and backwards, then I'd rather be that than something else. By being themselves, decent and simple, they unintentionally expose everyone else's agenda's, phoniness, and crookedness, whether it's Mr. Drysdale's love affair with Clampett money or just some interloper trying to seduce Elly Mae, or whatever. I also find their unabashed Southern pride to be refreshing in today's stifled and overly-militant PC world. Again, they're simply being themselves. Maybe it helped that Irene Ryan was from Texas, Donna Douglas was from Louisiana, and Buddy Ebsen was from rural Illinois. I guess Max Baer was just a natural as Jethro, and he later dwelt on mainly Southern themes in his post-Jethro life as a film producer. PC or not, the show is funny!!